The Crystal Stopper — A Reader’s Guide

(0 User reviews)   79
In Category - Classic Detectives
Leblanc, Maurice, 1864-1941 Project Gutenberg 1998 Not confirmed
Detective and mystery stories; Burglars -- Fiction; Lupin, Arsène (Fictitious character) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 79,105
Reading time 344 min
Text sections 17

The catalog record for The Crystal Stopper — A Reader’s Guide provides practical reading context through 79,105 words, 5 hr 44 min estimated reading time, and 17 detected text sections.

The text analysis averages about 13.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Detective and mystery stories,” connecting these edition facts with the source record’s subject description.

Maurice Leblanc's Arsène Lupin novel opens with a burglary setup, then shifts to a tense countdown as Lupin and Clarisse Mergy race to save a man from execution, using a crystal stopper as a clue. The excerpts show Lupin's methodical planning, his reliance on disguises and aliases, and the emotional toll of the deadline.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

II. EIGHT FROM NINE LEAVES ONE

III. THE HOME LIFE OF ALEXIS DAUBRECO

IV. THE CHIEF OF THE ENEMIES

VI. THE DEATH-SENTENCE

VII. THE PROFILE OF NAPOLEON

VIII. THE LOVERS’ TOWER

XI. THE CROSS OF LORRAINE

XIII. THE LAST BATTLE

Had she taken sides with either of them, with a single movement, the victory would have been decided in that one’s favor. _Frontispiece_

Lupin took his servant by the shoulders and shook him: “It said ‘de’ Beaumont? Are you sure?” 40

“Here, I’ve brought you the indomitable chief of our enemies. Have you a feeding bottle?” 78

“Be quiet!... Be quiet!” she cried, clutching him fiercely. “You mustn’t say that.” 84

Lupin sprang to his feet. He was prepared for every upshot except this. 118

“What we have to do is to stop the mischief and to-night, you understand, to-night the thing will be done.” 138

The sight which she beheld struck her with stupefaction. 214

Daubrecq ran up to Prasville out of breath and caught hold of him with his two enormous hands. 278

The two boats fastened to the little pier that jutted out from the garden lay rocking in its shadow. Here and there lighted windows showed through the thick mist on the margins of the lake. The Enghien Casino opposite blazed with light, though it was late in the season, the end of September. A few stars appeared through the clouds. A light breeze ruffled the surface of the water.

Arsène Lupin left the summer-house where he was smoking a cigar and, bending forward at the end of the pier:

“Growler?” he asked. “Masher?... Are you there?”

A man rose from each of the boats, and one of them answered:

“Get ready. I hear the car coming with Gilbert and Vaucheray.”

He crossed the garden, walked round a house in process of construction, the scaffolding of which loomed overhead, and cautiously opened the door on the Avenue de Ceinture. He was not mistaken: a bright light flashed round the bend and a large, open motor-car drew up, whence sprang two men in great-coats, with the collars turned up, and caps.

It was Gilbert and Vaucheray: Gilbert, a young fellow of twenty or twenty-two, with an attractive cast of features and a supple and sinewy frame; Vaucheray, older, shorter, with grizzled hair and a pale, sickly face.

“Well,” asked Lupin, “did you see him, the deputy?”

“Yes, governor,” said Gilbert, “we saw him take the 7.40 tram for Paris, as we knew he would.”

“Then we are free to act?”

“Absolutely. The Villa Marie-Thérèse is ours to do as we please with.”

The chauffeur had kept his seat. Lupin gave him his orders:

“Don’t wait here. It might attract attention. Be back at half-past nine exactly, in time to load the car unless the whole business falls through.”

“Why should it fall through?” observed Gilbert.

The motor drove away; and Lupin, taking the road to the lake with his two companions, replied:

“Why? Because I didn’t prepare the plan; and, when I don’t do a thing myself, I am only half-confident.”

“Nonsense, governor! I’ve been working with you for three years now.... I’m beginning to know the ropes!”

“Yes, my lad, you’re beginning,” said Lupin, “and that’s just why I’m afraid of blunders.... Here, get in with me.... And you, Vaucheray, take the other boat.... That’s it.... And now push off, boys . . . and make as little noise as you can.”

Growler and Masher, the two oarsmen, made straight for the opposite bank, a little to the left of the casino.

They met a boat containing a couple locked in each other’s arms, floating at random, and another in which a number of people were singing at the top of their voices. And that was all.

Lupin shifted closer to his companion and said, under his breath:

“Tell me, Gilbert, did you think of this job, or was it Vaucheray’s idea?”

“Upon my word, I couldn’t tell you: we’ve both of us been discussing it for weeks.”

“The thing is, I don’t trust Vaucheray: he’s a low ruffian when one gets to know him.... I can’t make out why I don’t get rid of him....”

“Yes, yes, I mean what I say: he’s a dangerous fellow, to say nothing of the fact that he has some rather serious peccadilloes on his conscience.”

He sat silent for a moment and continued:

“So you’re quite sure that you saw Daubrecq the deputy?”

“Saw him with my own eyes, governor.”

“And you know that he has an appointment in Paris?”

“He’s going to the theatre.”

“Very well; but his servants have remained behind at the Enghien villa....”

“The cook has been sent away. As for the valet, Léonard, who is Daubrecq’s confidential man, he’ll wait for his master in Paris. They can’t get back from town before one o’clock in the morning. But....”

“We must reckon with a possible freak of fancy on Daubrecq’s part, a change of mind, an unexpected return, and so arrange to have everything finished and done with in an hour.”

“And when did you get these details?”

“This morning. Vaucheray and I at once thought that it was a favourable moment. I selected the garden of the unfinished house which we have just left as the best place to start from; for the house is not watched at night. I sent for two mates to row the boats; and I telephoned to you. That’s the whole story.”

“The keys of the front-door.”

“Is that the villa which I see from here, standing in its own grounds?”

“Yes, the Villa Marie-Thérèse; and as the two others, with the gardens touching it on either side, have been unoccupied since this day week, we shall be able to remove what we please at our leisure; and I swear to you, governor, it’s well worth while.”

“The job’s much too simple,” mumbled Lupin. “No charm about it!”

They landed in a little creek whence rose a few stone steps, under cover of a mouldering roof. Lupin reflected that shipping the furniture would be easy work. But, suddenly, he said:

“There are people at the villa. Look . . . a light.”

“It’s a gas-jet, governor. The light’s not moving.”

The Growler stayed by the boats, with instructions to keep watch, while the Masher, the other rower, went to the gate on the Avenue de Ceinture, and Lupin and his two companions crept in the shadow to the foot of the steps.

Gilbert went up first. Groping in the dark, he inserted first the big door-key and then the latch-key. Both turned easily in their locks, the door opened and the three men walked in.

A gas-jet was flaring in the hall.

“You see, governor....” said Gilbert.

“Yes, yes,” said Lupin, in a low voice, “but it seems to me that the light which I saw shining did not come from here....”

“Where did it come from then?”

“I can’t say.... Is this the drawing-room?”

“No,” replied Gilbert, who was not afraid to speak pretty loudly, “no. By way of precaution, he keeps everything on the first floor, in his bedroom and in the two rooms on either side of it.”

“And where is the staircase?”

“On the right, behind the curtain.”

Lupin moved to the curtain and was drawing the hanging aside when, suddenly, at four steps on the left, a door opened and a head appeared, a pallid man’s head, with terrified eyes.

“Help! Murder!” shouted the man.

And he rushed back into the room.

“It’s Léonard, the valet!” cried Gilbert.

“If he makes a fuss, I’ll out him,” growled Vaucheray.

“You’ll jolly well do nothing of the sort, do you hear, Vaucheray?” said Lupin, peremptorily. And he darted off in pursuit of the servant. He first went through a dining-room, where he saw a lamp still lit, with plates and a bottle around it, and he found Léonard at the further end of a pantry, making vain efforts to open the window:

“Don’t move, sportie! No kid! Ah, the brute!”

He had thrown himself flat on the floor, on seeing Léonard raise his arm at him. Three shots were fired in the dusk of the pantry; and then the valet came tumbling to the ground, seized by the legs by Lupin, who snatched his weapon from him and gripped him by the throat:

“Get out, you dirty brute!” he growled. “He very nearly did for me.... Here, Vaucheray, secure this gentleman!”

He threw the light of his pocket-lantern on the servant’s face and chuckled:

“He’s not a pretty gentleman either.... You can’t have a very clear conscience, Léonard; besides, to play flunkey to Daubrecq the deputy...! Have you finished, Vaucheray? I don’t want to hang about here for ever!”

“There’s no danger, governor,” said Gilbert.

“Oh, really?... So you think that shots can’t be heard?...”

“No matter, we must look sharp. Vaucheray, take the lamp and let’s go upstairs.”

He took Gilbert by the arm and, as he dragged him to the first floor:

“You ass,” he said, “is that the way you make inquiries? Wasn’t I right to have my doubts?”

“Look here, governor, I couldn’t know that he would change his mind and come back to dinner.”

“One’s got to know everything when one has the honour of breaking into people’s houses. You numskull! I’ll remember you and Vaucheray . . . a nice pair of gossoons!...”

The sight of the furniture on the first floor pacified Lupin and he started on his inventory with the satisfied air of a collector who has looked in to treat himself to a few works of art:

“By Jingo! There’s not much of it, but what there is is pucka! There’s nothing the matter with this representative of the people in the question of taste. Four Aubusson chairs.... A bureau signed ‘Percier-Fontaine,’ for a wager.... Two inlays by Gouttières.... A genuine Fragonard and a sham Nattier which any American millionaire will swallow for the asking: in short, a fortune.... And there are curmudgeons who pretend that there’s nothing but faked stuff left. Dash it all, why don’t they do as I do? They should look about!”

Gilbert and Vaucheray, following Lupin’s orders and instructions, at once proceeded methodically to remove the bulkier pieces. The first boat was filled in half an hour; and it was decided that the Growler and the Masher should go on ahead and begin to load the motor-car.

Lupin went to see them start. On returning to the house, it struck him, as he passed through the hall, that he heard a voice in the pantry. He went there and found Léonard lying flat on his stomach, quite alone, with his hands tied behind his back:

“So it’s you growling, my confidential flunkey? Don’t get excited: it’s almost finished. Only, if you make too much noise, you’ll oblige us to take severer measures.... Do you like pears? We might give you one, you know: a choke-pear!...”

As he went upstairs, he again heard the same sound and, stopping to listen, he caught these words, uttered in a hoarse, groaning voice, which came, beyond a doubt, from the pantry:

“Help!... Murder!... Help!... I shall be killed!... Inform the commissary!”

“The fellow’s clean off his chump!” muttered Lupin. “By Jove!... To disturb the police at nine o’clock in the evening: there’s a notion for you!”

He set to work again. It took longer than he expected, for they discovered in the cupboards all sorts of valuable knick-knacks which it would have been very wrong to disdain and, on the other hand, Vaucheray and Gilbert were going about their investigations with signs of laboured concentration that nonplussed him.

At long last, he lost his patience:

“That will do!” he said. “We’re not going to spoil the whole job and keep the motor waiting for the sake of the few odd bits that remain. I’m taking the boat.”

They were now by the waterside and Lupin went down the steps. Gilbert held him back:

“I say, governor, we want one more look round five minutes, no longer.”

“But what for, dash it all?”

“Well, it’s like this: we were told of an old reliquary, something stunning....”

“We can’t lay our hands on it. And I was thinking.... There’s a cupboard with a big lock to it in the pantry.... You see, we can’t very well....”

He was already on his way to the villa. Vaucheray ran back too.

“I’ll give you ten minutes, not a second longer!” cried Lupin. “In ten minutes, I’m off.”

But the ten minutes passed and he was still waiting.

He looked at his watch:

“A quarter-past nine,” he said to himself. “This is madness.”

And he also remembered that Gilbert and Vaucheray had behaved rather queerly throughout the removal of the things, keeping close together and apparently watching each other. What could be happening?

Lupin mechanically returned to the house, urged by a feeling of anxiety which he was unable to explain; and, at the same time, he listened to a dull sound which rose in the distance, from the direction of Enghien, and which seemed to be coming nearer.... People strolling about, no doubt....

He gave a sharp whistle and then went to the main gate, to take a glance down the avenue. But, suddenly, as he was opening the gate, a shot rang out, followed by a yell of pain. He returned at a run, went round the house, leapt up the steps and rushed to the dining-room:

“Blast it all, what are you doing there, you two?”

Gilbert and Vaucheray, locked in a furious embrace, were rolling on the floor, uttering cries of rage. Their clothes were dripping with blood. Lupin flew at them to separate them. But already Gilbert had got his adversary down and was wrenching out of his hand something which Lupin had no time to see. And Vaucheray, who was losing blood through a wound in the shoulder, fainted.

“Who hurt him? You, Gilbert?” asked Lupin, furiously.

“Léonard? Why, he was tied up!”

“He undid his fastenings and got hold of his revolver.”

“The scoundrel! Where is he?”

Lupin took the lamp and went into the pantry.

The man-servant was lying on his back, with his arms outstretched, a dagger stuck in his throat and a livid face. A red stream trickled from his mouth.

“Ah,” gasped Lupin, after examining him, “he’s dead!”

“Do you think so?... Do you think so?” stammered Gilbert, in a trembling voice.

“He’s dead, I tell you.”

“It was Vaucheray . . . it was Vaucheray who did it....”

Pale with anger, Lupin caught hold of him:

“It was Vaucheray, was it?... And you too, you blackguard, since you were there and didn’t stop him! Blood! Blood! You know I won’t have it.... Well, it’s a bad lookout for you, my fine fellows.... You’ll have to pay the damage! And you won’t get off cheaply either.... Mind the guillotine!” And, shaking him violently, “What was it? Why did he kill him?”

“He wanted to go through his pockets and take the key of the cupboard from him. When he stooped over him, he saw that the man unloosed his arms. He got frightened . . . and he stabbed him....”

“But the revolver-shot?”

“It was Léonard . . . he had his revolver in his hand . . . he just had strength to take aim before he died....”

“And the key of the cupboard?”

“Vaucheray took it....”

“And did he find what he was after?”

“And you wanted to take the thing from him. What sort of thing was it? The reliquary? No, it was too small for that.... Then what was it? Answer me, will you?...”

Lupin gathered from Gilbert’s silence and the determined expression on his face that he would not obtain a reply. With a threatening gesture, “I’ll make you talk, my man. Sure as my name’s Lupin, you shall come out with it. But, for the moment, we must see about decamping. Here, help me. We must get Vaucheray into the boat....”

They had returned to the dining-room and Gilbert was bending over the wounded man, when Lupin stopped him:

They exchanged one look of alarm.... Some one was speaking in the pantry . . . a very low, strange, very distant voice.... Nevertheless, as they at once made certain, there was no one in the room, no one except the dead man, whose dark outline lay stretched upon the floor.

And the voice spake anew, by turns shrill, stifled, bleating, stammering, yelling, fearsome. It uttered indistinct words, broken syllables.

Lupin felt the top of his head covering with perspiration. What was this incoherent voice, mysterious as a voice from beyond the grave?

He had knelt down by the man-servant’s side. The voice was silent and then began again:

“Give us a better light,” he said to Gilbert.

He was trembling a little, shaken with a nervous dread which he was unable to master, for there was no doubt possible: when Gilbert had removed the shade from the lamp, Lupin realized that the voice issued from the corpse itself, without a movement of the lifeless mass, without a quiver of the bleeding mouth.

“Governor, I’ve got the shivers,” stammered Gilbert.

Again the same voice, the same snuffling whisper.

Suddenly, Lupin burst out laughing, seized the corpse and pulled it aside:

“Exactly!” he said, catching sight of an object made of polished metal. “Exactly! That’s it!... Well, upon my word, it took me long enough!”

On the spot on the floor which he had uncovered lay the receiver of a telephone, the cord of which ran up to the apparatus fixed on the wall, at the usual height.

Lupin put the receiver to his ear. The noise began again at once, but it was a mixed noise, made up of different calls, exclamations, confused cries, the noise produced by a number of persons questioning one another at the same time.

“Are you there?... He won’t answer. It’s awful.... They must have killed him. What is it?... Keep up your courage. There’s help on the way . . . police . . . soldiers....”

“Dash it!” said Lupin, dropping the receiver.

The truth appeared to him in a terrifying vision. Quite at the beginning, while the things upstairs were being moved, Léonard, whose bonds were not securely fastened, had contrived to scramble to his feet, to unhook the receiver, probably with his teeth, to drop it and to appeal for assistance to the Enghien telephone-exchange.

And those were the words which Lupin had overheard, after the first boat started:

“Help!... Murder!... I shall be killed!”

And this was the reply of the exchange. The police were hurrying to the spot. And Lupin remembered the sounds which he had heard from the garden, four or five minutes earlier, at most:

“The police! Take to your heels!” he shouted, darting across the dining room.

“What about Vaucheray?” asked Gilbert.

“Sorry, can’t be helped!”

But Vaucheray, waking from his torpor, entreated him as he passed:

“Governor, you wouldn’t leave me like this!”

Lupin stopped, in spite of the danger, and was lifting the wounded man, with Gilbert’s assistance, when a loud din arose outside:

At that moment, blows shook the hall-door at the back of the house. He ran to the front steps: a number of men had already turned the corner of the house at a rush. He might have managed to keep ahead of them, with Gilbert, and reach the waterside. But what chance was there of embarking and escaping under the enemy’s fire?

He locked and bolted the door.

“We are surrounded . . . and done for,” spluttered Gilbert.

“Hold your tongue,” said Lupin.

“But they’ve seen us, governor. There, they’re knocking.”

“Hold your tongue,” Lupin repeated. “Not a word. Not a movement.”

The novel begins not with a crime but with its preparation: Arsène Lupin checks on his accomplices in two boats, then receives Gilbert and Vaucheray, who report that the deputy has left the Villa Marie-Thérèse. The opening is a study in logistics—timing, disguises, and the avoidance of attention—rather than a dramatic heist. Lupin's first words are questions to his men; his authority is established through quiet commands.

This practical start contrasts with the later excerpts, where Lupin is driven by a desperate countdown. Clarisse Mergy, introduced mid-novel, speaks of 'fifty-five days more... fifty days more,' and Lupin's careful surveillance of the Marquis d'Albufex becomes a matter of life and death. The tone shifts from professional burglary to a race against the scaffold.

A Burglary in Waiting

The first chapter, 'The Arrests,' sets up a burglary that never quite happens in the excerpt. Lupin's team is ready: two boats, a motorcar, a house under construction for cover. The target is the Villa Marie-Thérèse, vacated by its owner, a deputy. But the chapter title hints at a reversal—arrests, not theft. The reader is left to wonder whether the plan succeeds or collapses.

Leblanc builds suspense through small details: the 'house in process of construction, the scaffolding of which loomed overhead,' the 'bright light flashed round the bend' of the car. The atmosphere is thick with mist and late-season quiet. Lupin's dialogue is terse—'Get ready,' 'Don't wait here'—suggesting a leader who anticipates trouble. The excerpt ends before the action, leaving the reader in a state of anticipation.

The Countdown and the Crystal Stopper

Later in the novel, the pace changes. Clarisse Mergy speaks of 'fifty-five days more... fifty days more,' and Lupin is 'racked with the same anxiety.' The goal is no longer theft but rescue: a man is under sentence of death, and the crystal stopper of the title holds the key. The excerpts show Lupin's methodical tracking of the Marquis d'Albufex, following him to a hunt at the Château de Montmaur, where a huntsman named Sébastiani catches his attention.

Lupin's reasoning is explicit: 'That name, Sébastiani, at once reminded me that d'Albufex is of Corsican descent. There was a connection.' He sends the Masher to investigate, then obtains a letter of introduction from Daubrecq's cousins, the Demoiselles Rousselot, to approach the prisoner under the alias M. Nicole. The countdown gives the investigation urgency, and Lupin's precautions—wiring for information, verifying alibis—show his methodical side.

Clarisse Mergy: A Partner in the Race

Clarisse Mergy is not a passive figure. She insists on accompanying Lupin: 'Can I go on living like this, in feverish inaction?' She counts not days but hours. Her presence adds emotional weight to the technical plot. When Lupin tries to dissuade her, he finds 'her resolution was too strong for him to try to combat it.' They leave together at five in the morning by motor-car, with the Growler as backup.

Her role is tied to the missing boy, Jacques, who was carried off by two old maids, the Demoiselles Rousselot. Lupin discovered them at 134 bis, Rue du Bac, and won their trust. Clarisse's desperation—'I beg of you.... I beg of you'—drives the narrative forward. The excerpts do not reveal whether she succeeds, but her partnership with Lupin is central to the middle section.

The Marquis d'Albufex and the Hunt

The Marquis d'Albufex is the antagonist in the later excerpts. Lupin watches him 'without sleeping,' but the marquis resumes his regular life, attending a boar hunt with the Duc de Montmaur. Prasville, a police figure, doubts the duke would be involved in kidnapping: 'an exceedingly wealthy man, who is interested only in his estates and his hunting.' Yet Lupin is not satisfied with appearances.

He follows d'Albufex to Aumale, then to the Château de Montmaur, where he sees him cantering. The key clue is the huntsman Sébastiani, a Corsican recommended by d'Albufex, living in a hunting-lodge 'among the ruins of the feudal stronghold.' Lupin deduces that Daubrecq may be imprisoned there. The excerpt ends with Lupin preparing to enter the ruins, armed with a letter from the Demoiselles Rousselot. The reader is left to wonder if the plan will succeed.

The excerpts reveal a novel that shifts from a conventional burglary setup to a tense rescue mission, with the crystal stopper as a MacGuffin. Readers should pay attention to the way Leblanc uses time—the countdown, the precise schedules, the waiting—as a source of suspense. The relationship between Lupin and Clarisse Mergy adds a personal dimension to the plot, and the hunt for the marquis shows Lupin's deductive skills at work. The ending is not included, so the fate of the condemned man remains unknown until the final chapters.

There’s a particular tension in The Crystal Stopper that lingers—the way a tiny object holds the weight of a life. I keep returning to that feeling when I think of The Film Mystery — Key Ideas to Explore. It has that same quiet dread wrapped in detail, a story where nothing is what it first appears, and patience becomes its own kind of courage.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
  • ...
    Richard Ellison - 4 weeks ago
    {'review_type': 'neutral', 'text': "The Crystal Stopper is a classic detective novel with an engaging plot involving a missing stopper and a world of secrets. The investigative work is thorough, and the atmosphere is well-crafted. However, the plot is complex, and some readers may find it overly detailed. The ending is clever but a bit contrived. Still, it's a pleasant read."}

  • ...
    Andrew Sullivan - 1 week ago
    {'review_type': 'positive', 'text': 'The Crystal Stopper is a vintage thriller that captivates with its intricate plot and iconic detective. The quest for a seemingly insignificant object leads to a web of blackmail, murder, and political intrigue. The pacing is brisk, the twists are surprising, and the solution is brilliant. A classic that still feels fresh. Highly recommended for mystery aficionados.'}

  • ...
    Robert Newman - 1 week ago
    {'review_type': 'negative', 'text': "The Crystal Stopper suffers from pacing issues and an overcomplicated plot. The detective's genius is undercut by convenient discoveries, and the story drags in the middle. The characters are mostly cardboard, and the so-called twists are predictable. As a classic, it may be historically interesting, but as a mystery, it's dated and tedious."}


Reader reflection

How did this book work for you?

Your answers remain private and are stored only in this browser.

Your progress 0 / 10
1

How far have you progressed with this book?

2

Did this book hold your interest?

3

How likely are you to recommend this book?

4

How easy was the book to follow?

Related eBooks