The Big Four — Reading Notes
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Read the Text
Poirot looked at his watch.
"I thought you always said nothing would induce you to make a long sea voyage?"
Poirot closed his eyes and shuddered.
"Speak not of it to me, my friend. My doctor, he assures me that one dies not of it--and it is for the one time only; you understand, that never--never shall I return."
He pushed me into a chair.
"Come, I will tell you how it all came about. Do you know who is the richest man in the world? Richer even than Rockefeller? Abe Ryland."
"The American Soap King?"
"Precisely. One of his secretaries approached me. There is some very considerable, as you would call it, hocus-pocus going on in connection with a big company in Rio. He wished me to investigate matters on the spot. I refused. I told him that if the facts were laid before me, I would give him my expert opinion. But that he professed himself unable to do. I was to be put in possession of the facts only on my arrival out there. Normally, that would have closed the matter. To dictate to Hercule Poirot is sheer impertinence. But the sum offered was so stupendous that for the first time in my life I was tempted by mere money. It was a competence--a fortune! And there was a second attraction--_you_, my friend. For this last year and a half I have been a very lonely old man. I thought to myself, Why not? I am beginning to weary of this unending solving of foolish problems. I have achieved sufficient fame. Let me take this money and settle down somewhere near my old friend."
I was quite affected by this token of Poirot's regard.
"So I accepted," he continued, "and in an hour's time I must leave to catch the boat train. One of life's little ironies, is it not? But I will admit to you, Hastings, that had not the money offered been so big, I might have hesitated, for just lately I have begun a little investigation of my own. Tell me, what is commonly meant by the phrase, 'The Big Four'?"
"I suppose it had its origin at the Versailles Conference, and then there's the famous 'Big Four' in the film world, and the term is used by hosts of smaller fry."
"I see," said Poirot thoughtfully. "I have come across the phrase, you understand, under certain circumstances where none of those explanations would apply. It seems to refer to a gang of international criminals or something of that kind; only--"
"Only what?" I asked, as he hesitated.
"Only that I fancy that it is something on a large scale. Just a little idea of mine, nothing more. Ah, but I must complete my packing. The time advances."
"Don't go," I urged. "Cancel your passage and come out on the same boat with me."
Poirot drew himself up and glanced at me reproachfully.
"Ah, it is that you do not understand! I have passed my word, you comprehend--the word of Hercule Poirot. Nothing but a matter of life or death could detain me now."
"And that's not likely to occur," I murmured ruefully. "Unless at the eleventh hour 'the door opens and the unexpected guest comes in.'"
I quoted the old saw with a slight laugh, and then, in the pause that succeeded it, we both started as a sound came from the inner room.
"What's that?" I cried.
"_Ma foi!_" retorted Poirot. "It sounds very like your 'unexpected guest' in my bedroom."
"But how can any one be in there? There's no door except into this room."
"Your memory is excellent, Hastings. Now for the deductions."
"The window! But it's a burglar then? He must have had a stiff climb of it--I should say it was almost impossible."
I had risen to my feet and was striding in the direction of the door when the sound of a fumbling at the handle from the other side arrested me.
The door swung slowly open. Framed in the doorway stood a man. He was coated from head to foot with dust and mud; his face was thin and emaciated. He stared at us for a moment, and then swayed and fell. Poirot hurried to his side, then he looked up and spoke to me.
I dashed some brandy into a glass and brought it. Poirot managed to administer a little, and together we raised him and carried him to the couch. In a few minutes he opened his eyes and looked round him with an almost vacant stare.
"What is it you want, monsieur?" said Poirot.
The man opened his lips and spoke in a queer mechanical voice.
"M. Hercule Poirot, 14 Farraway Street."
The man did not seem to understand, and merely repeated in exactly the same tone:--
"M. Hercule Poirot, 14 Farraway Street."
Poirot tried him with several questions. Sometimes the man did not answer at all; sometimes he repeated the same phrase. Poirot made a sign to me to ring up on the telephone.
"Get Dr. Ridgeway to come round."
The doctor was in luckily; and as his house was only just round the corner, few minutes elapsed before he came bustling in.
"What's all this, eh?"
Poirot gave a brief explanation, and the doctor started examining our strange visitor, who seemed quite unconscious of his presence or ours.
"H'm!" said Dr. Ridgeway, when he had finished. "Curious case."
"Brain fever?" I suggested.
The doctor immediately snorted with contempt.
"Brain fever! Brain fever! No such thing as brain fever. An invention of novelists. No; the man's had a shock of some kind. He's come here under the force of a persistent idea--to find M. Hercule Poirot, 14 Farraway Street--and he repeats those words mechanically without in the least knowing what they mean."
"Aphasia?" I said eagerly.
This suggestion did not cause the doctor to snort quite as violently as my last one had done. He made no answer, but handed the man a sheet of paper and a pencil.
"Let's see what he'll do with that," he remarked.
The man did nothing with it for some moments, then he suddenly began to write feverishly. With equal suddenness he stopped and let both paper and pencil fall to the ground. The doctor picked it up, and shook his head.
"Nothing here. Only the figure 4 scrawled a dozen times, each one bigger than the last. Wants to write 14 Farraway Street, I expect. It's an interesting case--very interesting. Can you possibly keep him here until this afternoon? I'm due at the hospital now, but I'll come back this afternoon and make all arrangements about him. It's too interesting a case to be lost sight of."
I explained Poirot's departure and the fact that I proposed to accompany him to Southampton.
"That's all right. Leave the man here. He won't get into mischief. He's suffering from complete exhaustion. Will probably sleep for eight hours on end. I'll have a word with that excellent Mrs. Funnyface of yours, and tell her to keep an eye on him."
And Dr. Ridgeway bustled out with his usual celerity. Poirot hastily completed his packing, with one eye on the clock.
"The time, it marches with a rapidity unbelievable. Come now, Hastings, you cannot say that I have left you with nothing to do. A most sensational problem. The man from the unknown. Who is he? What is he? Ah, _sapristi_, but I would give two years of my life to have this boat go to-morrow instead of to-day. There is something here very curious--very interesting. But one must have time--_time_. It may be days--or even months--before he will be able to tell us what he came to tell."
"I'll do my best, Poirot," I assured him. "I'll try to be an efficient substitute."
His rejoinder struck me as being a shade doubtful. I picked up the sheet of paper.
"If I were writing a story," I said lightly, "I should weave this in with your latest idiosyncrasy and call it _The Mystery of the Big Four_." I tapped the pencilled figures as I spoke.
And then I started, for our invalid, roused suddenly from his stupor, sat up in his chair and said clearly and distinctly:
He had the look of a man suddenly awakened from sleep. Poirot made a sign to me not to speak. The man went on. He spoke in a clear, high voice, and something in his enunciation made me feel that he was quoting from some written report or lecture.
"Li Chang Yen may be regarded as representing the brains of the Big Four. He is the controlling and motive force. I have designated him, therefore, as Number One. Number Two is seldom mentioned by name. He is represented by an 'S' with two lines through it--the sign for a dollar; also by two stripes and a star. It may be conjectured, therefore, that he is an American subject, and that he represents the power of wealth. There seems no doubt that Number Three is a woman, and her nationality French. It is possible that she may be one of the sirens of the _demi-monde_ but nothing is known definitely. Number Four--"
His voice faltered and broke. Poirot leant forward.
"Yes," he prompted eagerly. "Number Four?"
His eyes were fastened on the man's face. Some overmastering terror seemed to be gaining the day; the features were distorted and twisted.
"_The destroyer_," gasped the man. Then, with a final convulsive movement, he fell back in a dead faint.
"_Mon Dieu!_" whispered Poirot, "I was right then. I was right."
"Carry him on to the bed in my room. I have not a minute to lose if I would catch my train. Not that I want to catch it. Oh, that I could miss it with a clear conscience! But I gave my word. Come, Hastings!"
Leaving our mysterious visitor in the charge of Mrs. Pearson, we drove away, and duly caught the train by the skin of our teeth. Poirot was alternately silent and loquacious. He would sit staring out of the window like a man lost in a dream, apparently not hearing a word that I said to him. Then, reverting to animation suddenly, he would shower injunctions and commands upon me, and urge the necessity of constant marconigrams.
We had a long fit of silence just after we passed Woking. The train, of course, did not stop anywhere until Southampton; but just here it happened to be held up by a signal.
"Ah! _Sacré mille tonnerres!_" cried Poirot suddenly. "But I have been an imbecile. I see clearly at last. It is undoubtedly the blessed saints who stopped the train. Jump, Hastings, but jump, I tell you."
In an instant he had unfastened the carriage door, and jumped out on the line.
"Throw out the suit-cases and jump yourself."
I obeyed him. Just in time. As I alighted beside him, the train moved on.
"And now Poirot," I said, in some exasperation, "perhaps you will tell me what all this is about."
"It is, my friend, that I have seen the light."
"That," I said, "is very illuminating to me."
"It should be," said Poirot, "but I fear--I very much fear that it is not. If you can carry two of these valises, I think I can manage the rest."
2. THE MAN FROM THE ASYLUM
Fortunately the train had stopped near a station. A short walk brought us to a garage where we were able to obtain a car, and half an hour later we were spinning rapidly back to London. Then, and not till then, did Poirot deign to satisfy my curiosity.
"You do not see? No more did I. But I see now. Hastings, _I was being got out of the way_."
"Yes. Very cleverly. Both the place and the method were chosen with great knowledge and acumen. They were afraid of me."
"Those four geniuses who have banded themselves together to work outside the law. A Chinaman, an American, a Frenchwoman, and--another. Pray the good God we arrive back in time, Hastings."
"You think there is danger to our visitor?"
Mrs. Pearson greeted us on arrival. Brushing aside her ecstasies of astonishment on beholding Poirot, we asked for information. It was reassuring. No one had called, and our guest had not made any sign.
With a sigh of relief we went up to the rooms. Poirot crossed the outer one and went through to the inner one. Then he called me, his voice strangely agitated.
"Hastings, he's dead."
I came running to join him. The man was lying as we had left him, but he was dead, and had been dead some time. I rushed out for a doctor. Ridgeway, I knew, would not have returned yet. I found one almost immediately, and brought him back with me.
"He's dead right enough, poor chap. Tramp you've been befriending, eh?"
"Something of the kind," said Poirot evasively. "What was the cause of death, doctor?"
"Hard to say. Might have been some kind of fit. There are signs of asphyxiation. No gas laid on, is there?"
"No, electric light--nothing else."
"And both windows wide open, too. Been dead about two hours, I should say. You'll notify the proper people, won't you?"
He took his departure. Poirot did some necessary telephoning. Finally, somewhat to my surprise, he rang up our old friend Inspector Japp, and asked him if he could possibly come round.
No sooner were these proceedings completed than Mrs. Pearson appeared, her eyes as round as saucers.
"There's a man here from 'Anwell--from the 'Sylum. Did you ever? Shall I show him up?"
We signified assent, and a big burly man in uniform was ushered in.
"'Morning, gentlemen," he said cheerfully. "I've got reason to believe you've got one of my birds here. Escaped last night, he did."
"He was here," said Poirot quietly.
"Not got away again, has he?" asked the keeper, with some concern.
The man looked more relieved than otherwise.
"You don't say so. Well, I dare say it's best for all parties."
"'Omicidal, d'you mean? Oh, no. 'Armless enough. Persecution mania very acute. Full of secret societies from China that had got him shut up. They're all the same."
"How long had he been shut up?" asked Poirot.
"A matter of two years now."
"I see," said Poirot quietly. "It never occurred to anybody that he might--be sane?"
The keeper permitted himself to laugh.
"If he was sane, what would he be doing in a lunatic asylum? They all _say_ they're sane, you know."
Poirot said no more. He took the man in to see the body. The identification came immediately.
"That's him--right enough," said the keeper callously; "funny sort of bloke, ain't he? Well, gentlemen, I had best go off now and make arrangements under the circumstances. We won't trouble you with the corpse much longer. If there's a hinquest, you will have to appear at it, I dare say. Good morning, sir."
With a rather uncouth bow he shambled out of the room.
A few minutes later Japp arrived. The Scotland Yard Inspector was jaunty and dapper as usual.
"Here I am Moosior Poirot. What can I do for you? Thought you were off to the coral strands of somewhere or other to-day?"
"My good Japp, I want to know if you have ever seen this man before."
He led Japp into the bedroom. The inspector stared down at the figure on the bed with a puzzled face.
"Let me see now--he seems sort of familiar--and I pride myself on my memory, too. Why, God bless my soul, it's Mayerling!"
"And who is--or was--Mayerling?"
"Secret Service chap--not one of our people. Went to Russia five years ago. Never heard of again. Always thought the Bolshies had done him in."
"It all fits in," said Poirot, when Japp had taken his leave, "except for the fact that he seems to have died a natural death."
He stood looking down on the motionless figure with a dissatisfied frown. A puff of wind set the window-curtains flying out, and he looked up sharply.
"I suppose you opened the windows when you laid him down on the bed, Hastings?"
"No, I didn't," I replied. "As far as I remember, they were shut."
Poirot lifted his head suddenly.
"Shut--and now they are open. What can that mean?"
"Somebody came in that way," I suggested.
"Possibly," agreed Poirot, but he spoke absently and without conviction. After a minute or two he said:
"That is not exactly the point I had in mind, Hastings. If only one window was open it would not intrigue me so much. It is both windows being open that strikes me as curious."
He hurried into the other room.
"The sitting-room window is open, too. That also we left shut. Ah!"
He bent over the dead man, examining the corners of the mouth minutely. Then he looked up suddenly.
"He has been gagged, Hastings. Gagged and then poisoned."
"Good heavens!" I exclaimed, shocked. "I suppose we shall find out all about it from the post-mortem."
"We shall find out nothing. He was killed by inhaling strong prussic acid. It was jammed right under his nose. Then the murderer went away again, first opening all the windows. Hydrocyanic acid is exceedingly volatile, but it has a pronounced smell of bitter almonds. With no trace of the smell to guide them, and no suspicion of foul play, death would be put down to some natural cause by the doctors. So this man was in the Secret Service, Hastings. And five years ago he disappeared in Russia."
"The last two years he's been in the Asylum," I said. "But what of the three years before that?"
Poirot shook his head, and then caught my arm.
"The clock, Hastings, look at the clock."
I followed his gaze to the mantelpiece. The clock had stopped at four o'clock.
"_Mon ami_, some one has tampered with it. It had still three days to run. It is an eight-day clock, you comprehend?"
"But what should they want to do that for? Some idea of a false scent by making the crime appear to have taken place at four o'clock?"
"No, no; rearrange your ideas, mon ami. Exercise your little gray cells. You are Mayerling. You hear something, perhaps--and you know well enough that your doom is sealed. You have just time to leave a sign. _Four_ o'clock, Hastings. Number Four, the _destroyer_. Ah! an idea!"
He rushed into the other room and seized the telephone. He asked for Hanwell.
"You are the Asylum, yes? I understand there has been an escape to-day? What is that you say? A little moment, if you please. Will you repeat that? Ah! _parfaitement_."
He hung up the receiver, and turned to me.
"You heard, Hastings? _There has been no escape._"
"But the man who came--the keeper?" I said.
"I wonder--I very much wonder."
"Number Four--the destroyer."
I gazed at Poirot dumbfounded. A minute or two after, on recovering my voice, I said:--
"We shall know him again, anywhere, that's one thing. He was a man of very pronounced personality."
"Was he, _mon ami_? I think not. He was burly and bluff and red-faced, with a thick moustache and a hoarse voice. He will be none of those things by this time, and for the rest, he has nondescript eyes, nondescript ears, and a perfect set of false teeth. Identification is not such an easy matter as you seem to think. Next time--"
"You think there will be a next time?" I interrupted.
Poirot's face grew very grave.
"It is a duel to the death, _mon ami_. You and I on the one side, the Big Four on the other. They have won the first trick; but they have failed in their plan to get me out of the way, and in the future they have to reckon with Hercule Poirot!"
3. WE HEAR MORE ABOUT LI CHANG YEN
For a day or two after our visit from the fake Asylum attendant I was in some hopes that he might return, and I refused to leave the flat even for a moment. As far as I could see, he had no reason to suspect that we had penetrated his disguise. He might, I thought, return and try to remove the body, but Poirot scoffed at my reasoning.
"_Mon ami_," he said, "if you wish you may wait in to put salt on the little bird's tail, but for me I do not waste my time so."
"Well then, Poirot," I argued, "why did he run the risk of coming at all. If he intended to return later for the body, I can see some point in his visit. He would at least be removing the evidence against himself; as it is, he does not seem to have gained anything."
The opening chapter finds Hastings crossing the English Channel, his restlessness a legacy of wartime leave, and his thoughts fixed on surprising his old friend Hercule Poirot. The narrative voice is distinctly Hastings: observant, slightly self-deprecating, and eager for adventure. Within pages, a mysterious stranger arrives at Poirot’s flat—a man from an asylum who utters the name “Li Chang Yen” before dying. This abrupt intrusion of a global conspiracy into the domestic setting sets the tone for a novel that quickly outgrows the conventional drawing-room mystery.
From Channel Crossing to Chessboard
The early chapters establish a pattern of rapid escalation. The unexpected guest is followed by a tale of a missing scientist and a leg of mutton that conceals a vital clue. Poirot’s methods are on display: he fixates on a chess table’s inlaid squares while Hastings frets over refreshments and witnesses. The detective’s attention to the physical object—the table sent as a gift—proves central to the plot. The excerpts show Poirot questioning not people but things, a shift from his usual psychological approach. The chessboard itself becomes a symbol of the larger game being played, with the Big Four as unseen opponents.
The Big Four Emerge
Midway through the excerpts, the conspiracy crystallizes. Sonia Daviloff, a Russian émigré, reveals that her uncle, a chess grandee, fears a secret society called the “Big Four.” Poirot’s reaction—he “jumped nearly out of his skin”—signals that this is no ordinary case. The society’s members are named: Li Chang Yen, a Chinese mastermind; an American financier; a Frenchwoman; and a fourth, unidentified figure. The narrative shifts from a single locked-room puzzle to an international web. Hastings, as narrator, notes that Poirot is “thrown completely off his balance,” a rare admission that underscores the scale of the threat.
Clues in Unlikely Places
The excerpts reveal a pattern of clues hidden in mundane objects. A leg of mutton, a chess set, a peroxide blonde—each chapter title hints at the unconventional evidence Poirot must parse. The detective’s examination of the chess table is described as “unnecessary attention” by Hastings, yet the table’s silver-and-black squares are later tied to the poisoning. The narrative rewards readers who pay close attention to physical details. The radium thieves and the yellow jasmine mystery further expand the scope, suggesting that the Big Four’s operations span theft, murder, and scientific espionage. The clues are not always what they seem, and Poirot’s method requires patience.
A First Reading Strategy
For a first reading, track the chapter titles as signposts. Each title—such as “The Man from the Asylum” or “The Radium Thieves”—promises a discrete episode, but the excerpts show that these episodes are interconnected. Note how Hastings’s perspective limits what the reader knows; his bafflement often mirrors the reader’s own. Pay attention to objects that reappear: the chess table, the leg of mutton, the peroxide blonde. The Big Four themselves remain shadowy, their motives and identities only partially revealed. The excerpts do not disclose the ending, but the structure suggests a series of traps and countermoves, with Poirot always one step behind—or ahead.
This novel departs from Christie’s typical closed-circle mysteries, offering instead a globe-trotting conspiracy that tests Poirot’s ingenuity. The excerpts hint at a story built on misdirection and layered clues, where the detective must outthink an organization rather than a single murderer. Readers who enjoy puzzles within puzzles will find much to savor, especially in the chess motif and the recurring motif of disguise. Approach each chapter as a move in a larger game, and watch for the moments when Poirot’s green eyes gleam with sudden understanding.
Something about the global menace in The Big Four felt less like a puzzle and more like a quiet ache for simpler days, and I found that same ache lingering around the character in The Primadonna A Sequel to "Fair Margaret" — Reading Companion. It stayed with me long after turning the last page, like a familiar tune you can’t quite place.
Amelia Thompson
2 weeks ago-
Dana Brandon Williams - 3 weeks ago
{'review_type': 'Negative', 'content': "While the idea of a super-criminal quartet is promising, the execution is lackluster. The plot is convoluted but not clever, with too many coincidences. The villainous quartet is hardly developed, and the hero's deductions seem lucky rather than logical. A disappointment that fails to deliver the thrill expected from such a premise."} -
Micheal Black - 3 weeks ago
{'review_type': 'Neutral', 'content': "A solid detective novel with a compelling central mystery. The premise of four master criminals is intriguing, and the plot has several clever moments. However, the solution feels a bit convenient, and some secondary characters are underused. Overall, it's an entertaining read, though not the author's strongest work."} -
Nathaniel Jackson - 1 week ago
{'review_type': 'Positive', 'content': 'An electrifying mystery that keeps you guessing until the very end. The Big Four are formidable adversaries, and the intricate cat-and-mouse game is brilliantly written. The fast-paced plot, clever twists, and engaging detective work make this a standout. Fans of classic detective fiction will be thrilled. Absolutely gripping from start to finish!'}
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Owen Sanchez
1 month ago