The Strange Case of Cavendish — Reading Companion
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There was a moment's silence, during which the flush returned to Cavendish's cheeks, but his hands still trembled.
"You heard nothing during the night?" he demanded.
"Nothing, sir. I swear I knew nothing until I opened the door and saw the body a few moments ago."
"You'd better stick to your story, Valois," the other said sternly, "The police will be here shortly. I'm going to call them, now."
He was calm, efficient, self-contained now as he got Central Station upon the wire and began talking.
"Hello, lieutenant? Yes. This is John Cavendish of the Waldron apartments speaking. My cousin, Frederick Cavendish, has been found dead in his room and his safe rifled. Nothing has been disturbed. Yes, at the Waldron, Fifty-Seventh Street. Please hurry."
Perhaps half an hour later the police came--two bull-necked plain-clothes men and a flannel-mouthed "cop."
With them came three reporters, one of them a woman. She was a young woman, plainly dressed and, though she could not be called beautiful, there was a certain patrician prettiness in her small, oval, womanly face with its grey kind eyes, its aquiline nose, its firm lips and determined jaw, a certain charm in the manner in which her chestnut hair escaped occasionally from under her trim hat. Young, aggressive, keen of mind and tireless, Stella Donovan was one of the few good woman reporters of the city and the only one the _Star_ kept upon its pinched pay-roil. They did so because she could cover a man-size job and get a feminine touch into her story after she did it. And, though her customary assignments were "sob" stories, divorces, society events and the tracking down of succulent bits of general scandal, she nevertheless enjoyed being upon the scene of the murder even though she was not assigned to it. This casual duty was for Willis, the _Star's_ "police" man, who had dragged her along with him for momentary company over her protest that she must get a "yarn" concerning juvenile prisoners for the Sunday edition.
"Now, we'll put 'em on the rack." Willis smiled as he left her side and joined the detectives.
A flood of questions from the officers, interspersed frequently with a number from Willis, and occasionally one from the youthful _Chronicle_ man, came down upon Valois and John Cavendish, while Miss Donovan, silent and watchful, stood back, frequently letting her eyes admire the tasteful prints upon the walls and the rich hangings in the room of death.
Valois repeated his experience, which was corroborated in part by the testimony of John Cavendish's valet whom he had met and talked with in the hall. The valet also testified that his employer, John Cavendish, had come home not later than twelve o'clock and immediately retired. Then John Cavendish established the fact that ten minutes before arriving home he had dropped Celeste La Rue at her apartment. There was no flaw in any of the stories to which the inquisitors could attach suspicion. One thing alone seemed to irritate Willis.
"Are you sure," he said to Cavendish, "that the dead man is your cousin? The face and chest are pretty badly burned you know, and I thought perhaps----"
A laugh from the detectives silenced him while Cavendish ended any fleeting doubts with a contemptuous gaze.
"You can't fool a man on his own cousin, youngster," he said flatly. "The idea is absurd."
The crime unquestionably was an outside job; the window opening on the fire-escape had been jimmied, the marks left being clearly visible. Apparently Frederick Cavendish had previously opened the safe door--since it presented no evidence of being tampered with--and was examining certain papers on the table, when the intruder had stolen up from behind and dealt him a heavy blow probably, from the nature of the wound, using a piece of lead pipe. Perhaps in falling Cavendish's arm had caught in the curtains, pulling them from the supporting rod and dragging them across the table, thus sweeping the candlestick with its lighted tapers down to the floor with it. There the extinguished wicks had ignited the draperies, which had fallen across the stricken man's face and body. The clothes, torso, and legs, had been charred beyond recognition but the face, by some peculiar whim of fate, had been partly preserved.
The marauder, aware that the flames would obliterate a portion, if not all of the evidence against him, had rifled the safe in which, John testified, his cousin always kept considerable money. Scattering broadcast valueless papers, he had safely made his escape through the window, leaving his victim's face to the licking flames. Foot-prints below the window at the base of the fire-escape indicated that the fugitive had returned that way. This was the sum of the evidence, circumstantial and true, that was advanced. Satisfied that nothing else was to be learned, the officers, detectives, Willis, and Miss Donovan and the pale _Chronicle_ youth withdrew, leaving the officer on guard.
The same day, young John, eager to be away from the scene, moved his belongings to the Fairmount Hotel, and, since no will was found in the dead man's papers, the entire estate came to him, as next of kin. A day or two later the body was interred in the family lot beside the father's grave, and the night of the funeral young John Cavendish dined at an out-of-the-way road-house with a blonde with a hard metallic voice. Her name was Miss Celeste La Rue.
And the day following he discharged Francois Valois without apparent cause, in a sudden burst of temper. So, seemingly, the curtain fell on the last act of the play.
CHAPTER III: MR. ENRIGHT DECLARES HIMSELF
One month after the Cavendish murder and two days after he had despatched a casual, courteous note to John Cavendish requesting that he call, Mr. Patrick Enright, of Enright and Dougherty, sat in his private office on the top floor of the Collander Building in Cortlandt Street waiting for the youth's appearance. Since young Cavendish had consulted him before in minor matters, Mr. Enright had expected that he would call voluntarily soon after the murder, but in this he was disappointed. Realising that Broadway was very dear to the young man, Enright had made allowances, until, weary of waiting, he decided to get into the game himself and to this end had despatched the note, to which Cavendish had replied both by telephone and note.
"He ought to be here now," murmured Mr. Enright sweetly, looking at his watch, and soon the expected visitor was ushered in. Arising to his feet the attorney extended a moist, pudgy hand.
"Quite prompt, John," he greeted. "Take the chair there--and pardon me a moment."
As the youth complied Enright opened the door, glanced into the outer room, and gave orders not to be disturbed for the next half-hour. Then, drawing in his head, closed the door and turned the key.
"John," he resumed smoothly, "I have been somewhat surprised that you failed to consult me earlier regarding the will of your late cousin Frederick."
"His--his will!" John leaned forward amazed, as he stared into the other's expressionless face. "Did--did he leave one?"
"Oh! that's it," the attorney chuckled. "You didn't know about it, did you? How odd. I thought I informed you of the fact over the phone the same night Frederick died."
"You told me he had called upon you to prepare a will--but there was none found in his papers."
"So I inferred from the newspaper accounts," Enright chuckled dryly, his eyes narrowing, "as well as the information that you had applied for letters of administration. In view of that, I thought a little chat advisable--yes, quite advisable, since on the night of his death I did draw up his will. Incidentally, I am the only one living aware that such a will was drawn. You see my position?"
Young Cavendish didn't; this was all strange, confusing.
"The will," resumed Mr. Enright, "was drawn in proper form and duly witnessed."
"There can't be such a will. None was found. You phoned me shortly before midnight, and twenty minutes later Frederick was in his apartments. He had no time to deposit it elsewhere. There is no such will."
Enright smiled, not pleasantly by any means.
"Possibly not," he said with quiet sinister gravity. "It was probably destroyed and it was to gain possession of that will that Frederick Cavendish was killed."
John leaped to his feet, his face bloodless: "My God!" he muttered aghast, "do you mean to say----"
"Sit down, John; this is no cause for quarrel. Now listen. I am not accusing you of crime; not intentional crime, at least. There is no reason why you should not naturally have desired to gain possession of the will. If an accident happened, that was your misfortune. I merely mention these things because I am your friend. Such friendship leads me first to inform you what had happened over the phone. I realised that Frederick's hasty determination to devise his property elsewhere was the result of a quarrel. I believed it my duty to give you opportunity to patch that quarrel up with the least possible delay. Perhaps this was not entirely professional on my part, but the claims of friendship are paramount to mere professional ethics."
He sighed, clasping and unclasping his hands, yet with eyes steadily fixed upon Cavendish, who had sunk back into his chair.
"Now consider the situation, my dear fellow. I have, it is true, performed an unprofessional act which, if known, would expose me to severe criticism. There is, however, no taint of criminal intent about my conduct and, no doubt, my course would be fully vindicated, were I now to go directly before the court and testify to the existence of a will."
"But that could not be proved. You have already stated that Frederick took the will with him; it has never been found."
"Quite true--or rather, it may have been found, and destroyed. It chances, however, that I took the precaution to make a carbon copy."
"Yes, but along with this unsigned copy I also retain the original memoranda furnished me in Frederick Cavendish's own handwriting. I believe, from a legal standpoint, by the aid of my evidence, the court would be very apt to hold such a will proved."
He leaned suddenly forward, facing the shrinking Cavendish and bringing his hand down hard upon the desk.
"Do you perceive now what this will means? Do you realise where such testimony would place you? Under the law, providing he died without a will, you were the sole heir to the property of Frederick Cavendish. It was widely known you were not on friendly terms. The evening of his death you quarrelled openly in a public restaurant. Later, in a spirit of friendship, I called you up and said he had made a will practically disinheriting you. Between that time and the next morning he is murdered in his own apartments, his safe rifled, and yet, the only paper missing is this will, to the existence of which I can testify. If suspicion is once cast upon you, how can you clear yourself? Can you prove that you were in your own apartments, asleep in your own bed from one o'clock until eight? Answer that."
Cavendish tried, but although his lips moved, they gave utterance to no sound. He could but stare into those eyes confronting him. Enright scarcely gave him opportunity.
"So, the words won't come. I thought not. Now listen. I am not that kind of a man and I have kept still. No living person--not even my partner--has been informed of what has occurred. The witnesses, I am sure, do not know the nature of the paper they signed. I am a lawyer; I realise fully the relations I hold to my client, but in this particular case I contend that my duty as a man is of more importance than any professional ethics. Frederick Cavendish had this will executed in a moment of anger and devised his estate to a number of charities. I personally believe he was not in normal mind and that the will did not really reflect his purpose. He had no thought of immediate death, but merely desired to teach you a lesson. He proposed to disappear--or at least, that is my theory--in order that he might test you on a slender income. I am able to look upon the whole matter from this standpoint, and base my conduct accordingly. No doubt this will enable us to arrive at a perfectly satisfactory understanding."
The lawyer's voice had fallen, all the threat gone, and the younger man straightened in his chair.
"You mean you will maintain silence as to the will?"
"Absolutely; as a client your interests will always be my first concern. Of course I shall expect to represent you in a legal capacity in settling up the estate, and consequently feel it only just that the compensation for such services shall be mutually agreed upon. In this case there are many interests to guard. Knowing, as I do, all the essential facts, I am naturally better prepared to conserve your interests than any stranger. I hope you appreciate this."
"Reasonable, very reasonable, when you consider the service I am doing you, and the fact that my professional reputation might so easily be involved and the sums to be distributed, which amount to more than a million dollars. My silence, my permitting the estate to go to settlement, and my legal services combined, ought to be held as rather valuable--at, let us say, a hundred thousand. Yes, a hundred thousand; I hardly think that is unfair."
Cavendish leaped to his feet, his hand gripping his cane.
"You damned black----"
"Wait!" and Enright arose also. "Not so loud, please; your voice might be heard in the outer office. Besides it might be well for you to be careful of your language. I said my services would cost you a hundred thousand dollars. Take the proposition or leave it, Mr. John Cavendish. Perhaps, with a moment's thought, the sum asked may not seem excessive."
"But--but," the other stammered, all courage leaving him, "I haven't the money."
"Of course not," the threat on Enright's face changing to a smile. "But the prospects that you will have are unusually good. I am quite willing to speculate on your fortunes. A memoranda for legal services due one year from date--such as I have already drawn up--and bearing your signature, will be quite satisfactory. Glance over the items, please; yes, sit here at the table. Now, if you will sign that there will be no further cause for you to feel any uneasiness--this line, please."
Cavendish grasped the penholder in his fingers, and signed. It was the act of a man dazed, half stupefied, unable to control his actions. With trembling hand, and white face, he sat staring at the paper, scarcely comprehending its real meaning. In a way it was a confession of guilt, an acknowledgment of his fear of exposure, yet he felt utterly incapable of resistance. Enright unlocked the door, and projected his head outside, comprehending clearly that the proper time to strike was while the iron was hot.
Calling Miss Healey, one of his stenographers, he made her an official witness to the document and the signature of John Cavendish.
Not until ten minutes later when he was on the street did it occur to John Cavendish that the carbon copy of the will, together with the rough notes in his cousin's handwriting, still remained in Enright's possession. Vainly he tried to force himself to return and demand them, but his nerve failed, and he shuffled away hopelessly in the hurrying crowds.
CHAPTER IV: A BREATH OF SUSPICION
As Francois Valois trudged along the night streets toward his rooming house his heart was plunged in sorrow and suspicion. To be discharged from a comfortable position for no apparent reason when one contemplated no sweet alliance was bad enough, but to be discharged when one planned marriage to so charming a creature as Josette La Baum was nothing short of a blow. Josette herself had admitted that and promptly turned Francois's hazards as to young Cavendish's motives into smouldering suspicion, which he dared not voice. Now, as he paused before a delicatessen window realising that unless he soon obtained another position its dainties would be denied him, these same suspicions assailed him again.
Disheartened, he turned from the pane and was about to move away, when he came face to face with a trim young woman in a smart blue serge. "Oh, hello!" she cried pleasantly, bringing up short. Then seeing the puzzled look upon the valet's face, she said: "Don't you remember me? I'm Miss Donovan of the _Star_. I came up to the apartments the morning of the Cavendish murder with one of the boys."
Valois smiled warmly; men usually did for Miss Donovan. "I remember," he said dolorously.
The girl sensed some underlying sorrow in his voice and with professional skill learned the cause within a minute. Then, because she believed that there might be more to be told, and because she was big-hearted and interested in every one's troubles, she urged him to accompany her to a near-by restaurant and pour out his heart while she supped. Lonely and disheartened, Valois accepted gladly and within half an hour they were seated at a tiny table in an Italian café.
"About your discharge?" she queried after a time.
"I was not even asked to accompany Mr. Frederick's body," he burst out, "even though I had been with him a year. So I stayed in the apartment to straighten things, expecting to be retained in John Cavendish's service. I even did the work in his apartments, but when he returned and saw me there he seemed to lose his temper, wanted to know why I was hanging around, and ordered me out of the place."
"The ingrate!" exclaimed the girl, laying a warm, consoling hand on the other's arm. "You're sure he wasn't drinking?"
"I don't think so, miss. Just the sight of me seemed to drive him mad. Flung money at me, he did, told me to get out, that he never wanted to see me again. Since then I have tried for three weeks to find work, but it has been useless."
While she gave him a word of sympathy, Miss Donovan was busily thinking. She remembered Willis's remark in the apartments, "Are you sure of the dead man's identity? His face is badly mutilated, you know"; and her alert mind sensed a possibility of a newspaper story back of young Cavendish's unwarranted and strange act. How far could she question the man before her? That she had established herself in his good grace she was sure, and to be direct with him she decided would be the best course to adopt.
"Mr. Valois," she said kindly, "would you mind if I asked you a question or two more?"
"No," the man returned.
"All right. First, what sort of a man was your master?"
Valois answered almost with reverence:
"A nice, quiet gentleman. A man that liked outdoors and outdoor sports. He almost never drank, and then only with quiet men like himself that he met at various clubs. Best of all, he liked to spend his evenings at home reading."
"Not much like his cousin John," she ventured with narrowing eyes.
"No, ma'am, God be praised! There's a young fool for you, miss, crazy for the women and his drinking. Brought up to spend money, but not to earn any."
"I understand that he was dependent upon Frederick Cavendish."
"He was, miss," Valois said disgustedly, "for every cent. He could never get enough of it, either, although Mr. Frederick gave him a liberal allowance."
"Did they ever quarrel?"
"I never heard them. But I do know there was no love lost between them, and I know that young John was always broke."
"Girls cost lots on Broadway," Miss Donovan suggested, "and they keep men up late, too."
Valois laughed lightly. "John only came home to sleep occasionally," he said; "and as for the women--one of them called on him the day after Mr. Frederick was killed. I was in the hall, and saw her go straight to his door--like she had been there before. A swell dresser, miss, if I ever saw one. One of those tall blondes with a reddish tinge in her hair. He likes that kind."
Miss Donovan started imperceptibly. This was interesting; a woman in John Cavendish's apartment the day after his cousin's murder! But who was she? There were a million carrot-blondes in Manhattan. Still, the woman must have had some distinguishing mark; her hat, perhaps, or her jewels.
"Did the woman wear any diamonds?" she asked.
The novel opens not with a corpse but with a decision: Frederick Cavendish, reading a telegram from his former prospecting partner Jim Westcott, weighs the appeal of Colorado's "great plains, towering mountains, and open spaces" against three years of New York's "shallow sightseeing." The telegram's terse message—"Found big lead; lost it again. Need you badly"—establishes a pattern of discovery and reversal that the excerpts sustain. Cavendish's choice to go is framed as a return to a more authentic life, yet the story quickly subverts any pastoral promise. Within chapters, the setting shifts to the frontier town of Haskell, where a Mexican watchman is shot dead through a window—a bullet Westcott believes was meant for him. The murder is not the central mystery; it is a symptom of a larger, more tangled case involving a missing woman, a gang of thieves, and a shadowy figure named Mendez.
City and Frontier as Contrasting Stages
The excerpts juxtapose two distinct worlds. In the opening chapter, Cavendish sits in a busy cafe where "the night life of the city streamed continually in and out." He recognizes Celeste La Rue, an "aggressive blonde with thin lips and a metallic voice," whose name is "synonymous with midnight escapades and flowing wine." This urban milieu is characterized by shallow spectacle and moral ambiguity. In contrast, the Colorado setting is defined by open spaces, but also by violence and suspicion. Westcott, in Haskell, navigates a landscape of saloons, dance-halls, and narrow alleyways, where a marshal emerges from between the Red Dog and an adjacent dance-hall. The shift from cafe to frontier is not a retreat to simplicity; it is a move into a different kind of danger, where the rules are less codified and the threats more immediate. The city's theatricality gives way to the frontier's raw, often lethal, confrontations.
Information as a Fragile Commodity
Throughout the excerpts, knowledge is partial, overheard, or deliberately withheld. The telegram itself is a fragment—"Found big lead; lost it again." Westcott's investigation relies on whispered confidences from a waitress named Sadie, who leans close and speaks "her voice trembling with excitement." She reports a conversation involving Enright, a lawyer, and the blonde, about a Mexican named Mendez, but warns, "don't never tell anybody I told yer." The information is tantalizing but incomplete: "they was too smart for that" to mention Miss Donovan by name. Westcott must then seek out the marshal or "choke the truth out of Lacy." The narrative repeatedly emphasizes the difficulty of obtaining reliable intelligence. Characters operate on suspicion and inference, and the reader is left to piece together motives and connections from these oblique exchanges.
Voice and Dialogue as Character Markers
Parrish uses dialect and speech patterns to distinguish characters and signal social standing. Sadie's vernacular—"She ain't no lady," "I was foolin' round the sideboard," "I got hold ov a word now an' then"—marks her as a working-class informant, her language rough but her observations sharp. The marshal speaks in a clipped, businesslike manner: "Hello, Jim," he says, "I was sorter lookin' 'round fer yer; somebody said yer hoss was up at the stable." His speech is direct, lacking the flourishes of the city characters. In contrast, Cavendish's internal monologue is more polished: "By George, I think I'll go." These vocal contrasts reinforce the cultural divide between the urban East and the frontier West, and they also serve as clues: who speaks plainly, who dissembles, and who uses language to manipulate.
Readers should attend to the way Parrish builds suspense through partial revelation and misdirection. The excerpts offer no resolution—only a series of leads and dead ends. The title promises a "strange case," and the text delivers a puzzle in which the solution is never straightforward. Pay attention to the characters who appear briefly but wield influence, like Enright and the blonde, and to the landscape itself, which becomes both a setting and an active obstacle. The novel rewards careful reading of dialogue and gesture, where the truth often lies in what is left unsaid.
That afternoon the rain kept time with Cavendish’s desert restlessness, yet the quietest thread—his uneasy loyalty to a vanished partner—stayed with me long after. It led me, almost without thinking, to For the Defence — Story, Setting & Ideas, where that same stubborn trust becomes its own kind of puzzle. Some mysteries aren’t about who, but why we stay.
Jack Wright
3 weeks agoGrace Anderson
1 week ago-
Christina Martin - 1 month ago
This book fails to deliver on its intriguing premise. The plot is overly complicated, with too many characters and red herrings that confuse rather than intrigue. The pacing is glacial, and the reveal is underwhelming. It's a chore to read, and the characters are forgettable. There are far better mysteries in this genre. -
Chelsea Dudley - 4 weeks ago
A gripping mystery with a labyrinthine plot that keeps you guessing until the final pages. The characters are well-developed, and the author's attention to detail creates a vivid and immersive reading experience. The resolution is satisfying and ties up all the loose ends beautifully. A must-read for any mystery enthusiast. -
Jasmine Michael Davis - 2 weeks ago
The mystery is intriguing, and the solution is cleverly hidden. The writing is clear and engaging, but the middle sections could be tightened. Some subplots seem unnecessary and distract from the main storyline. Still, it's a solid mystery that will keep you entertained.
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Noah White
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