The Golden Scorpion — Context and Discussion

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In Category - Mystery Collections
Rohmer, Sax, 1883-1959 Project Gutenberg 2006 Not confirmed
Detective and mystery stories Readers of public-domain and historical texts
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Words 70,568
Reading time 307 min
Text sections 7

For The Golden Scorpion — Context and Discussion, the stored edition analysis reports 70,568 words, 5 hr 7 min estimated reading time, and 7 detected text sections.

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Sax Rohmer's 1920 mystery novel follows Dr. Keppel Stuart and Inspector Dunbar as they investigate a criminal network led by 'The Scorpion.' The excerpts reveal a layered narrative with a detective who fakes his own death and a plot involving a sealed envelope, a Chinese coin, and a dancer from Montmartre.
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Mademoiselle had disillusioned him. She was the most fragrantly lovely creature he had ever met, and never for one waking moment since her first visit, had he succeeded in driving her bewitching image from his mind. He had tried to laugh at his own folly, then had grown angry with himself, but finally had settled down to a dismayed acceptance of a wild infatuation.

He had no idea who Mlle. Dorian was; he did not even know her exact nationality, but he strongly suspected there was a strain of Eastern blood in her veins. Although she was quite young, apparently little more than twenty years of age, she dressed like a woman of unlimited means, and although all her visits had been at night he had had glimpses of the big car which had aroused Mrs. M'Gregor's displeasure.

Yes--so ran his musings, as, pipe in mouth, he rested his chin in his hands and stared grimly into the fire--she had always come at night and always alone. He had supposed her to be a Frenchwoman, but an unmarried French girl of good family does not make late calls, even upon a medical man, unattended. Had he perchance unwittingly made himself a party to the escapade of some unruly member of a noble family? From the first he had shrewdly suspected the ailments of Mlle. Dorian to be imaginary--Mlle. Dorian? It was an odd name.

"I shall be imagining she is a disguised princess if I wonder about her any more!" he muttered angrily.

Detecting himself in the act of heaving a weary sigh, he coughed in self-reproval and reached into a pigeon-hole for the MS. of his unfinished paper on "Snake Poisons and Their Antidotes." By chance he pulled out the brief account, written the same morning, of his uncanny experience during the night. He read it through reflectively.

It was incomplete. A certain mental haziness which he had noted upon awakening had in some way obscured the facts. His memory of the dream had been imperfect. Even now, whilst recognizing that some feature of the experience was missing from his written account, he could not identify the omission. But one memory arose starkly before him--that of the cowled man who had stood behind the curtains. It had power to chill him yet. The old incredulity returned and methodically he re-examined the contents of some of the table drawers. Ere long, however, he desisted impatiently.

"What the devil could a penniless doctor have hidden in his desk that was worth stealing!" he said aloud. "I must avoid cold salmon and cucumber in future."

He tossed the statement aside and turned to his scientific paper.

There came knock at the door.

"Come in!" snapped Stuart irritably; but the next moment he had turned, eager-eyed to the servant who had entered.

"Inspector Dunbar has called, sir."

"Oh, all right," said Stuart, repressing another sigh. "Show him in here."

There entered, shortly, a man of unusual height, a man gaunt and square both of figure and of face. He wore his clothes and his hair untidily. He was iron grey and a grim mouth was ill concealed by the wiry moustache. The most notable features of a striking face were the tawny leonine eyes, which could be fierce, which could be pensive and which were often kindly.

"Good evening, doctor," he said--and his voice was pleasant and unexpectedly light in tome. "Hope I don't intrude."

"Not at all, Inspector," Stuart assured him.

"Make yourself comfortable in the armchair and fill your pipe."

"Thanks," said Dunbar. "I will." He took out his pipe and reached out a long arm for the tobacco jar. "I came to see if you could give me a tip on a matter that has cropped up."

"Something in my line?" asked Stuart, a keen professional look coming momentarily into his eyes.

"It's supposed to be a poison case, although I can't see it myself," answered the detective--to whom Keppel Stuart's unusual knowledge of poisons had been of service in the past; "but if what I suspect is true, it's a very big case all the same."

Laying down his pipe, which he had filled but not lighted, Inspector Dunbar pulled out from the inside pocket of his tweed coat a bulging note-book and extracted therefrom some small object wrapped up in tissue paper. Unwrapping this object, he laid it upon the table.

"Tell me what that is, doctor," he said, "and I shall be obliged."

Stuart peered closely at that which lay before him. It was a piece of curiously shaped gold, cunningly engraved in a most unusual way. Rather less than an inch in length, it formed a crescent made up of six oval segments joined one to another, the sixth terminating in a curled point. The first and largest segment ended jaggedly where it had evidently been snapped off from the rest of the ornament--if the thing had formed part of an ornament. Stuart looked up, frowning in a puzzled way.

"It is a most curious fragment of jewellery--possibly of Indian origin," he said.

Inspector Dunbar lighted his pipe and tossed the match-end into the fire. "But what does it represent?" he asked.

"Oh, as to that--I said a _curious_ fragment advisedly, because I cannot imagine any woman wearing such a beastly thing. It is the _tail of a scorpion._"

"Ah!" cried Dunbar, the tawny eyes glittering with excitement. "The tail of a scorpion! I thought so! And Sowerby would have it that it represented the stem of a Cactus or Prickly Pear!"

"Not so bad a guess," replied Stuart. "There _are_ resemblances--not in the originals but in such a miniature reproduction as this. He was wrong, however. May I ask where you obtained the fragment?"

"I'm here to tell you, doctor, for now that I know it's a scorpion's tail I know that I'm out of my depth as well. You've travelled in the East and lived in the East--two very different things. Now, while you were out there, in India, China, Burma, and so on, did you ever come across a religion or a cult that worshipped scorpions?"

Stuart frowned thoughtfully, rubbing his chin with the mouthpiece of his pipe. Dunbar watched him expectantly.

"Help yourself to whiskey-and-soda, Inspector," said Stuart absently. "You'll find everything on the side-table yonder. I'm thinking."

Inspector Dunbar nodded, stood up and crossed the room, where he busied himself with syphon and decanter. Presently he returned, carrying two full glasses, one of which he set before Stuart. "What's the answer, doctor?" he asked.

"The answer is _no_. I am not acquainted with any sect of scorpion-worshippers, Inspector. But I once met with a curious experience at Su-Chow in China, which I have never been able to explain, but which may interest you. It wanted but a few minutes to sunset, and I was anxious to get back to my quarters before dusk fell. Therefore I hurried up my boy, who was drawing the rickshaw, telling him to cross the Canal by the Wu-men Bridge. He ran fleetly in that direction, and we were actually come to the steep acclivity of the bridge, when suddenly the boy dropped the shafts and fell down on his knees, hiding his face in his hands.

"'Shut your eyes tightly, master!' he whispered. 'The Scorpion is coming!'

"I stared down at him in amazement, as was natural, and not a little angrily; for his sudden action had almost pitched me on my head. But there he crouched, immovable, and staring up the slope I say that it was entirely deserted except for one strange figure at that moment crossing the crown of the bridge and approaching. It was the figure of a tall and dignified Chinaman, or of one who wore the dress of a Chinaman. For the extra-ordinary thing about the stranger's appearance was this; he also wore a thick green veil!"

"So as to cover his face completely. I was staring at him in wonder, when the boy, seeming to divine the other's approach, whispered, 'Turn your head away! Turn your head away!"

"He was referring to the man with the veil?"

"Undoubtedly. Of course I did nothing of the kind, but it was impossible to discern the stranger's features through the thick gauze, although he passed quite close to me. He had not proceeded another three paces, I should think, before my boy had snatched up the shafts and darted across the bridge as though all hell were after him! Here's the odd thing, though; I could never induce him to speak a word on the subject afterwards! I bullied him and bribed him, but all to no purpose. And although I must have asked more than a hundred Chinamen in every station of society from mandarin to mendicant, 'Who or what is _The Scorpion?_' one and all looked stupid, blandly assuring me that they did not know what I meant."

"H'm!" said Dunbar, "it's a queer yarn, certainly. How long ago would that be, doctor?"

"Roughly--five years."

"It sounds as though it might belong to the case. Some months back, early in the winter, we received instructions at the Yard to look out everywhere in the press, in buffets, theatres, but particularly in criminal quarters, for any reference (of any kind whatever) to a scorpion. I was so puzzled that I saw the Commissioner about it, and he could tell me next to nothing. He said the word had come through from Paris, but that Paris seemed to know no more about it than we did. It was associated in some way with the sudden deaths of several notable public men about that time; but as there was no evidence of foul play in any of the cases, I couldn't see what it meant at all. Then, six weeks ago, Sir Frank Narcombe, the surgeon, fell dead in the foyer of a West-End theatre--you remember?"

The telephone bell rang.

Stuart reached across for the instrument and raised the receiver. "Yes," he said--"Dr. Stuart speaking. Inspector Dunbar is here. Hold on."

He passed the instrument to Dunbar, who had stood up on hearing his name mentioned. "Sergeant Sowerby at Scotland Yard wishes to speak to you, Inspector."

"Hullo," said Dunbar--"that you, Sowerby. Yes--but I arrived here only a short time ago. What's that?--Max? Good God! what does it all mean! Are you sure of the number--49685? Poor chap--he should have worked with us instead of going off alone like that. But he was always given to that sort of thing. Wait for me. I'll be with you in a few minutes. I can get a taxi. And, Sowerby--listen! It's 'The Scorpion' case right enough. That bit of gold found on the dead man is not a cactus stem; it's a scorpion's tail!"

He put down the telephone and turned to Stuart, who had been listening to the words with growing concern. Dunbar struck his open palm down on to the table with a violent gesture.

"We have been asleep!" he exclaimed. "Gaston Max of the Paris Service has been at work in London for a month, and we didn't know it!"

"Gaston Max!" cried Start--"then it must be a big case indeed."

As a student of criminology the name of the celebrated Frenchman was familiar to him as that of the foremost criminal investigator in Europe, and he found himself staring at the fragment of gold with a new and keener interest.

"Poor chap," continued Dunbar--"it was his last. The body brought in from Hanover Hole has been identified as his."

"What! it is the body of Gaston Max!"

"Paris has just wired that Max's reports ceased over a week ago. He was working on the case of Sir Frank Narcombe, it seems, and I never knew! But I predicted a long time ago that Max would play the lone-hand game once too often. They sent particulars. The identification disk is his. Oh! there's no doubt about it, unfortunately. The dead man's face is unrecognizable, but it's not likely there are two disks of that sort bearing the initials G.M. and the number 49685. I'm going along now. Should you care to come, doctor?"

"I am expecting a patient, Inspector," replied Stuart--"er--a special case. But I hope you will keep me in touch with this affair?"

"Well, I shouldn't have suggested your coming to the Yard if I hadn't wanted to do that. As a matter of fact, this scorpion job seems to resolve itself into a case of elaborate assassination by means of some unknown poison; and although I should have come to see you in any event, because you have helped me more than once, I came to-night at the suggestion of the Commissioner. He instructed me to retain your services if they were available."

"I am honoured," replied Stuart. "But after all, Inspector, I am merely an ordinary suburban practitioner. My reputation has yet to be made. What's the matter with Halesowen of Upper Wimpole Street? He's the big man."

"And if Sir Frank Narcombe was really poisoned--as Paris seems to think he was--he's also a big fool." retorted Dunbar bluntly. "He agreed that death was due to heart trouble."

"I know he did; unsuspected ulcerative endocarditis. Perhaps he was right."

"If he was right," said Dunbar, taking up the piece of gold from the table, "what was Gaston Max doing with this thing in his possession?"

"There may be no earthly connection between Max's inquiries and the death of Sir Frank."

"On the other hand--there may! Leaving Dr. Halesowen out of the question, are you open to act as expert adviser in this case?"

"Certainly; delighted."

"Your fee is your own affair, doctor. I will communicate with you later, if you wish, or call again in the morning."

Dunbar wrapped up the scorpion's tail in the piece of tissue paper and was about to replace it in his note-case. Then:

"I'll leave this with you, doctor," he said. "I know it will be safe enough, and you might like to examine it at greater leisure."

"Very well," replied Stuart. "Some of the engraving is very minute. I will have a look at it through a glass later."

He took the fragment from Dunbar, who had again unwrapped it, and, opening a drawer of the writing-table in which he kept his cheque-book and some few other personal valuables, he placed the curious piece of gold-work within and relocked the drawer.

"I will walk as far as the cab-rank with you," he said, finding himself to be possessed of a spirit of unrest. Whereupon the two went out of the room, Stuart extinguishing the lamps as he came to the door.

They had not left the study for more than two minutes ere a car drew up outside the house, and Mrs. M'Gregor ushered a lady into the room but lately quitted by Stuart and Dunbar, turning up the lights as she entered.

"The doctor has gone out but just now, Miss Dorian," she said stiffly. "I am sorry that ye are so unfortunate in your veesits. But I know he'll be no more than a few minutes."

The girl addressed was of a type fully to account for the misgivings of the shrewd old Scotswoman. She had the slim beauty of the East allied to the elegance of the West. Her features, whilst cast in a charming European mould, at the same time suggested in some subtle way the Oriental. She had the long, almond-shaped eyes of the Egyptian, and her hair, which she wore unconventionally in a picturesque fashion reminiscent of the _harem_, was inclined to be "fuzzy," but gleamed with coppery tints where the light touched its waves.

She wore a cloak of purple velvet having a hooded collar of white fox fur; it fastened with golden cords. Beneath it was a white and gold robe, cut with classic simplicity of line and confined at the waist by an ornate Eastern girdle. White stockings and dull gold shoes exhibited to advantage her charming little feet and slim ankles, and she carried a handbag of Indian beadwork. Mlle. Dorian was a figure calculated to fire the imagination of any man and to linger long and sweetly in the memory.

Mrs. M'Gregor, palpably ill at ease, conducted her to an armchair.

"You are very good," said the visitor, speaking with a certain hesitancy and with a slight accent most musical and fascinating. "I wait a while if I may."

"Dear, dear," muttered Mrs. M'Gregor, beginning to poke the fire, "he has let the fire down, of course! Is it out? No ... I see a wee sparkie!"

She set the poker upright before the nearly extinguished fire and turned triumphantly to Mlle. Dorian, who was watching her with a slight smile.

"That will be a comforting blaze in a few minutes, Miss Dorian," she said, and went towards the door.

"If you please," called the girl, detaining her--"do you permit me to speak on the telephone a moment? As Dr. Stuart is not at home, I must explain that I wait for him."

"Certainly, Miss Dorian," replied Mrs. M'Gregor; "use the telephone by all means. But I think the doctor will be back any moment now."

Mrs. M'Gregor went out, not without a final backward glance at the elegant figure in the armchair. Mlle. Dorian was seated, her chin resting in her hand and her elbow upon the arm of the chair, gazing into the smoke arising from the nearly extinguished ember of the fire. The door closed, and Mrs. M'Gregor's footsteps could be heard receding along the corridor.

Mlle. Dorian sprang from the chair and took out of her handbag a number of small keys attached to a ring. Furtively she crossed the room, all the time listening intently, and cast her cloak over the back of the chair which was placed before the writing-table. Her robe of white and gold clung to her shapely figure as she bent over the table and tried three of the keys in the lock of the drawer which contained Stuart's cheque-book and in which he had recently placed the mysterious gold ornament. The third key fitted the lock, and Mlle. Dorian pulled open the drawer. She discovered first the cheque-book and next a private account-book; then from under the latter she drew out a foolscap envelope sealed with red wax and bearing, in Stuart's handwriting, the address:

Lost Property Office, Metropolitan Police, New Scotland Yard, S. W. I.

She uttered a subdued exclamation; then, as a spark of light gleamed within the open drawer, she gazed as if stupefied at the little ornament which she had suddenly perceived lying near the cheque-book. She picked it up and stared at it aghast. A moment she hesitated; then, laying down the fragment of gold and also the long envelope upon the table, she took up the telephone. Keeping her eyes fixed upon the closed door of the study, she asked for the number East 89512, and whilst she waited for the connection continued that nervous watching and listening. Suddenly she began to speak, in a low voice.

"Yes! ... Miska speaks. Listen! One of the new keys--it fits. I have the envelope. But, also in the same drawer, I find a part of a broken gold _'agrab_ (scorpion). Yes, it is broken. It must be they find it, on him." Her manner grew more and more agitated. "Shall I bring it? The envelope it is very large. I do not know if----"

From somewhere outside the house came a low, wailing cry--a cry which Stuart, if he had heard it, must have recognized to be identical with that which he had heard in the night--but which he had forgotten to record in his written account.

"Ah!" whispered the girl--"there is the signal! It is the doctor who returns." She listened eagerly, fearfully, to the voice which spoke over the wires. "Yes--yes!"

Always glancing toward the door, she put down the instrument, took up the long envelope and paused for a moment, thinking that she had heard the sound of approaching footsteps. She exhibited signs of nervous indecision, tried to thrust the envelope into her little bag and realized that even folded it would not fit so as to escape observation. She ran across to the grate and dropped the envelope upon the smouldering fire. As she did so, the nicely balanced poker fell with a clatter upon the tiled hearth.

She started wildly, ran back to the table, took up the broken ornament and was about to thrust it into the open drawer, when the study door was flung open and Stuart came in.

The opening of The Golden Scorpion places the reader in a moonlit London bedroom where Dr. Keppel Stuart wakes in a cold sweat, sensing an evil presence. The prose dwells on atmospheric details—the distant drumming of midnight London, the clashing of railway buffers, and the heat—before Stuart discovers an intruder in his study. This scene establishes a pattern of heightened sensory observation and psychological tension that recurs throughout the excerpts.

The narrative structure is notably fragmented: Part I is a third-person account, Part II is a first-person statement by detective Gaston Max, and later sections shift back to third person. This multi-perspective approach, combined with Max's faked death and secret investigation, creates a puzzle-box narrative where the reader must piece together events from different viewpoints.

The Cowled Man and the Sealed Envelope

The first part introduces several cryptic objects that drive the plot. Dr. Stuart finds a sealed envelope containing a cardboard box lid cut out in a specific shape—a clue left by Gaston Max. The Assistant Commissioner later examines this envelope, and Inspector Dunbar reveals he has a note listing three identities of Gaston Max, all linked to the same man. These objects function as both plot devices and symbols of the hidden connections between characters.

The title itself, The Golden Scorpion, is never explained in the excerpts, but a scorpion motif appears indirectly: the villain is called "The Scorpion," and the narrative mentions "The Scorpion's Tail" as a chapter heading. The excerpts do not reveal what the golden scorpion is, leaving it as an unresolved symbol that may gain significance later.

Gaston Max's Undercover Game

Part II is a statement by Gaston Max, a detective who has been working undercover as "Le Balafre" (the Scarred One). He describes his investigation into a dancer named Zara el-Khala and a Hindu associate, Chunda Lal. Max's account is notable for its self-aware tone: he admits to having "collected some of the threads" and decides to remain "dead" to gain freedom of action. His plan involves letting Scotland Yard weave the threads together while he continues alone.

The excerpts show Max's methodical approach: he stakes out a street in Limehouse, observes a Chinese man leaving a house, and later meets with Inspector Dunbar, who has already deduced Max's multiple aliases. The interplay between Max's secret operations and Dunbar's quiet competence creates a dynamic of mutual respect rather than rivalry.

London's Shadowy Geography

The novel makes deliberate use of London's geography to create a sense of hidden spaces. Stuart's house is near the Brighton railway, with sounds of shunting and sirens from the Thames. Max's vigil takes place in Limehouse, a district associated with Chinese immigrants and opium dens. He describes "a high, blank wall" facing "a row of wooden houses"—a setting that evokes isolation and secrecy.

This geographical specificity is not merely decorative. The narrative uses locations to signal shifts in power and knowledge: the domestic space of Stuart's home is invaded; the public street becomes a site of surveillance; and the Limehouse wall marks the boundary of the criminal's territory. The excerpts do not reveal which house shelters "The Scorpion," leaving the reader as uncertain as Max.

The excerpts present a mystery that is as much about method as about outcome. Readers may find it useful to track the different narrative voices—the third-person opening, Max's first-person statement, and the later sections—as each offers a distinct perspective on the same events. Pay attention to the recurring objects (the envelope, the coin, the scorpion) and the way characters like Stuart, Dunbar, and Max each hold partial knowledge. The novel rewards careful attention to its layered structure and atmospheric detail.

Reading about Dr. Stuart's hidden identity and the dancer from Montmartre, I found myself remembering another shadowy figure from a different tale. There’s a certain quiet dread in those old mysteries, a sense of masked lives. That same haunting atmosphere lingered in The strange countess — Inside the Classic, a story I haven't quite shaken since I closed it. The feeling is a familiar one.

James King
2 weeks ago

Camila Allen
4 weeks ago

4.5
4.5 out of 5 (2 User reviews )

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  • ...
    Seth Gardner - 4 weeks ago
    The Golden Scorpion is an exhilarating adventure that combines mystery, intrigue, and a dash of danger. From the very start, the action is non-stop, and the plot is full of unexpected twists. The characters are dynamic, especially the cunning detective. The vivid descriptions of the exotic settings are a bonus. I was hooked till the end and thoroughly enjoyed every page.

  • ...
    Vanessa Velazquez - 4 weeks ago
    The Golden Scorpion is a poorly executed thriller. The plot is riddled with coincidences, and the mystery is disappointing. The characters are flat, and their motivations are unclear. The writing is simplistic, with stilted dialogue. I was expecting much more from the premise but found it unoriginal and boring.

  • ...
    Benjamin Davis - 3 weeks ago
    The Golden Scorpion is an entertaining read with a fast-paced plot and a compelling mystery. The author does a great job creating suspense. However, the characters are somewhat stereotypical, and the ending could have been stronger. Overall, a fun read for fans of adventure mysteries.


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