The queen of the isle — A Closer Reading

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In Category - Mystery Collections
Fleming, May Agnes, 1840-1880 Project Gutenberg 2024 Not confirmed
Islands -- Fiction; Young women -- Fiction; Ghost stories; Trials (Murder) -- Fiction; Attempted murder -- Fiction; Dime novels; Haunted houses -- Fiction; Apparitions -- Fiction Readers of public-domain and historical texts
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Words 114,004
Reading time 496 min
Text sections 10

This digital edition of The queen of the isle — A Closer Reading is described by source-level measurements including 114,004 words, 8 hr 16 min estimated reading time, and 10 detected text sections.

The text analysis averages about 16.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Islands -- Fiction,” connecting these edition facts with the source record’s subject description.

A dime novel from 1886 blending ghost stories, attempted murder, and a haunted island, where a young woman named Sibyl faces supernatural dread and a stormy night's cry of 'Murder!'
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  • Title & short description10 pts
  • Source metadata20 pts
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I. Campbell's Isle II. The Magic Mirror III. The Maniac's Curse IV. The Haunted Room V. The Midnight cry VI. "Off with the Old Love, and on with the New." VII. The Heart's Struggle VIII. The Triumph of Passion IX. The Vision of the Isle X. One of Fortune's Smiles XI. The Storm--The Wreck XII. Sibyl's Return to the Isle XIII. The Meeting XIV. Jealousy XV. Self-Torture XVI. Falsehood and Deceit XVII. A Lull Before the Tempest XVIII. The Fatal Note XIX. That Day XX. What Came Next XXI. That Night XXII. Next Morning XXIII. Morning in the Island XXIV. Christie XXV. The Maniac's Story XXVI. Remorse XXVII. The Widowed Bridegroom XXVIII. The Thunderbolt Falls XXIX. The Devotion of Love XXX. Sibyl's Doom XXXI. The Bankrupt Heart XXXII. Another Storm Within and Without XXXIII. The Dead Alive XXXIV. Explanations XXXV. Meetings and Partings

THE QUEEN OF THE ISLE;

"The island lies nine leagues away, Along its solitary shore Of craggy rock and sandy bay No sound but ocean's roar, Save where the bold, wild sea-bird makes her home, Her shrill cry coming through the sparkling foam."--R. H. DANA.

About six miles from the mainland of M----, with its rock-bound coast washed by the waters of the broad Atlantic, was an islet known in the days of which I write as Campbell's Isle.

The island was small--about two miles in length and the same in breadth, but fertile and luxurious. The dense primeval forest, which as yet the destroying ax had scarcely touched, reared itself high and dark in the northern part of the island. A deep, unbroken silence ever reigned here, save when some gay party from the opposite coast visited the island to fish or shoot partridges. Sometimes during the summer, pleasure parties were held here, but in the winter all was silent and dreary on the lonely, isolated little spot.

This island had been, from time immemorial, in the possession of a family named Campbell, handed down from father to son. The people of the surrounding country had learned to look upon them as the rightful lords of the soil, "to the manner born." The means by which it had first come into their possession were seldom thought of, or if thought of, only added to their reputation as a bold and daring race. The legend ran, that long before Calvert came over, a certain Sir Guy Campbell, a celebrated freebooter and scion of the noble Scottish clan of that name, who for some reckless crime had been outlawed and banished, and in revenge had hoisted the black flag and become a rover on the high seas, had, in his wanderings, discovered this solitary island, which he made the place of his rendezvous. Here, with his band of dare-devils--all outlaws like himself--he held many a jolly carousal that made the old woods ring.

In one of his adventures he had taken captive a young Spanish girl, whose wondrous beauty at once conquered a heart all unused to the tender passion. He bore off his prize in triumph, and without asking her consent, made her his wife at the first port he touched. Soon, however, tiring of her company on shipboard, he brought her to his island home, and their left her to occupy his castle, while he sailed merrily away. One year afterward, Sir Guy the Fearless, as he was called, was conquered by an English sloop-of-war; and, true to his daring character, he blew up the vessel, and, together with his crew and captors, perished in the explosion.

His son and successor, Gasper, born on the isle, grew up tall, bold, and handsome, with all his father's daring and undaunted courage, and his mother's beauty, and torrid passionate nature. He, in the course of time, took to himself a wife of the daughters of the mainland; and, after a short, stormy life, passed away in his turn to render an account of his works, leaving to his eldest son, Hugh, the bold spirit of his forefathers, the possession of Campbell's Isle, and the family mansion known as Campbell's Lodge.

And so, from one generation to another, the Campbells ruled as lords of the isle, and became, in after years, as noted for their poverty as their pride. A reckless, improvident race they were, caring only for to-day, and letting to-morrow care for itself; quick and fierce to resent injury or insult, and implacable as death or doom in their hate. Woe to the man who would dare point in scorn at one of their name! Like a sleuth-hound they would dog his steps night and day, and rest not until their vengeance was sated.

Fierce alike in love and hatred, the Campbells of the Isle were known and dreaded for miles around. From sire to son the fiery blood of Sir Guy the Fearless passed unadulterated, and throbbed in the veins of Mark Campbell, the late master of the lodge, in a darker, fiercer stream than in any that had gone before. A heavy-browed, stern-hearted man he was, of whose dark deeds wild rumors went whispering about, for no one dared breathe them aloud, lest they should reach his vindictive ears, and rouse the slumbering tiger in his breast. At his death, which took place some two or three years previous to the opening of our story, his son Guy, a true descendant of his illustrious namesake, became the lord and master of the isle, and the last of the Campbells.

Young Guy showed no disposition to pass his days in the spot where he was born. After the death of his father, Guy resolved to visit foreign lands, and leave Campbell's Lodge to the care of an old black servant, Aunt Moll, and her son Lem, both of whom had passed their lives in the service of the family, and considered that in some sort the honor of the house lay in their hands.

Vague rumors were current that the old house was haunted. Fishermen out, casting their nets, avowed that at midnight, blue, unearthly lights flashed from the upper chambers--where it was known Aunt Moll never went--and wild, piercing shrieks, that chilled the blood with horror, echoed on the still night air. The superstitious whispered that Black Mark had been sent back by his master, the Evil One, to atone for his wicked deeds done in the flesh, and that his restless spirit would ever haunt the old lodge--the scene, it was believed, of many an appalling crime. Be that as it may, the old house was deserted, save by Aunt Moll and her hopeful son; and young Guy, taking with him his only sister, spent his time in cruising about in a schooner he owned, and--it was said, among the rest of the rumors--in _cheating the revenue_.

Besides the lodge, or Campbell's Castle, as it was sometimes called, the island contained but one other habitation, occupied by a widow, a distant connection of the Campbells, who, after the death of her husband, had come here to reside. The cottage was situated on the summit of a gentle elevation that commanded an extensive view of the island; for Mrs. Tomlinson--or Mrs. Tom, as she was always called--liked a wide prospect.

The most frugal, the most industrious of housewives was Mrs. Tom. No crime in her eyes equaled that of thriftlessness, and all sins could be pardoned but that of laziness. Unfortunately for her peace of mind, she was afflicted with an orphan nephew, the laziest of mortals, whose shortcomings kept the bustling old lady in a fever from morning till night. A wild young sister of Mrs. Tom's had run away with a Dutch fiddler, and dying a few years after, was soon followed to the grave by her husband, who drank more than was good for him one night, and was found dead in the morning. Master Carl Henley was accordingly adopted by his living relative and, as that good lady declared, had been "the death of her" ever since.

A young girl of sixteen, known only as "Christie," was the only other member of Mrs. Tom's family. Who this girl was, where she had come from, and what was her family name, was a mystery: and Mrs. Tom, when questioned on the subject, only shut her lips and shook her head mysteriously, and spoke never a word. Although she called the old lady aunt, it was generally believed that she was no relation; but as Christie was a favorite with all who visited the island, the mystery concerning her, though it piqued the curiosity of the curious, made them like her none the less. A big Newfoundland dog and a disagreeable chattering parrot completed the widow's household.

Mrs. Tom's business was flourishing. She made a regular visit each week to the mainland, where she disposed of fish, nuts, and berries, in which the island abounded, and brought back groceries and such things as she needed. Besides that, she kept a sort of tavern and place of refreshment for the sailors and fishermen, who sometimes stopped for a day or two on the island; and for many a mile, both by land and sea, was known the fame of Mrs. Tom.

Such was Campbell's Isle, and such were its owners and occupants. For many years now it had been quiet and stagnant enough, until the development of sundry startling events that for long afterward were remembered in the country around and electrified for a time the whole community.

"I turned my eyes, and as I turned surveyed An awful vision."

The sun was sinking in the far west as the little schooner Evening Star went dancing over the bright waves towards Campbell's Isle. Captain Guy Campbell stood leaning negligently over the taffrail, solacing himself with a cigar, and conversing at intervals with a slight, somewhat haughty-looking young man, who stood beside him, watching the waves flashing, as they sped along. No two could be more opposite, as far as looks went, than those two, yet both were handsome and about the same age.

Like all his race, young Campbell was very tall, and dark as a Spaniard. His short, black, curling hair shadowed a forehead high, bold, and commanding. Dark, keen, proud eyes flashed from beneath jetty eye-brows, and the firm, resolute mouth gave to his dark face a look almost fierce. His figure was exquisitely proportioned and there was a certain bold frankness, mingled with a reckless, devil-may-care expression in his fine face, that atoned for his swarthy complexion and stern brows.

His companion was a tall, elegant young man, with an air of proud superiority about him, as though he were "somebody," and knew it. His complexion was fair as a lady's, and would have been effeminate but for the dark, bold eyes and his dashing air generally. There was something particularly winning in his handsome face, especially when he smiled, that lit up his whole countenance with new beauty. Yet, with all, there was a certain faithless expression about the finely formed mouth that would have led a close observer to hesitate before trusting him too far. This, reader, was Mr. Willard Drummond, a young half-American, half-Parisian, and heir to one of the finest estates in the Old Dominion. The last five years he had passed in Paris, and when he was thinking of returning home he had encountered Campbell and his sister. Fond of luxury and ease as the young patrician was, he gave up all, after that, for the attraction he discovered on board the schooner Evening Star. And Captain Campbell, pleased with his new friend, invited him to cross the ocean with him, and spend a few weeks with him in his ancestral home, whither he was obliged to stop while some repairs were being made in his vessel, which invitation Willard Drummond, nothing loth, accepted.

"Well, Campbell, how is that patient of yours this evening?" inquired Drummond, after a pause.

"Don't know," replied Captain Campbell, carelessly; "I haven't seen him since morning. Sibyl is with him now."

"By the way, where did you pick him up? He was not one of your crew, I understand."

"No; I met him in Liverpool. He came to me one day, and asked me to take him home. I replied that I had no accommodations, and would much rather not be troubled with passengers. However, he pleaded so hard for me to accommodate him, and looked so like something from the other world all the time, that I had not the heart to refuse the poor fellow. Before we had been three days out at sea he was taken ill, and has been raving and shrieking ever since, as you know."

"What do you suppose is the matter with him?"

"Well, I haven't much experience as nurse myself, but I think it's brain fever, or something of that kind; Sibyl, however, thinks that bitter remorse for something he has done is preying on his mind, and girls always know best in these cases."

"He is, if I may judge by his looks, of humble station," said Mr. Drummond, in an indifferent tone.

"Yes; there can be no doubt of _that_, though he appears to have plenty of money."

"Has he given his name?"

"Yes; Richard Grove."

"Hum! Well, it would be unpleasant to have him die on board, of course," said Drummond.

"Oh, I think he'll live to reach our destination; he does not appear to be sinking very fast."

"We must now be quite near this island home of yours, Captain Campbell; I grow impatient to see it."

"We shall reach it about moonrise to-night, if the wind holds as it is now."

"And what, may I ask, do you intend doing with this--Richard Grove, when you get there? Will you take him into your Robinson Crusoe castle and nurse him until he gets well, as that enterprising canoe-builder did Friday's father?

"No, I think not. There is an old lady on the island, who is never so happy as when she has some one to nurse. I think we'll consign him to her."

"Then there is another habitation on the island beside yours?" said Drummond, looking up with more interest than he had yet manifested.

"Yes; old Mrs. Tom, a distant connection of our family, I believe. And, by the way, Drummond, there is a pretty little girl in the case. I suppose that will interest you more than the old woman."

"Pretty girls are an old story by this time," said Drummond, with a yawn.

"Yes, with such a renowned lady-killer as you, no doubt."

"I never saw but one girl in the world worth the trouble of loving," said Drummond, looking thoughtfully into the water.

"Ah, what a paragon she must have been. May I ask what quarter of the globe has the honor of containing so peerless a beauty?"

"I never said she was a beauty, _mon ami_. But never mind that. When do you expect to be ready for sea again?"

"As soon as possible--in a few weeks, perhaps--for I fear that we'll all soon get tired of the loneliness of the place."

"You ought to be pretty well accustomed to its loneliness by this time."

"Not I, faith! It's now three years since I have been there."

"Is it possible? I thought you Campbells were too much attached to your ancestral home to desert it so long as that."

"Well, it's a dreary place, and I have such an attachment for a wild, exciting life that positively I could not endure it. I should die of stagnation. As for Sibyl, my wild, impulsive sister, she would now as soon think of entering a convent as passing her life there."

"Yet you said it was partly by her request you were going there now?"

"Yes, she expressed a wish to show you the place." A slight flush of pleasure colored the clear face of Drummond. "I don't know what's got into Sibyl lately," continued her brother. "I never saw a girl so changed. She used to be the craziest leap-over-the-moon madcap that ever existed; now she is growing as tame as--as little Christie."

Drummond's fine eyes were fixed keenly on the frank, open face of Captain Campbell; but nothing was to be read there more than his words contained. With a peculiar smile he turned away, and said, carelessly:

"And who is this little Christie to whom you refer?"

"She's the _protege_ of the old lady on the island--fair as the dream of an opium-eater, enchanting as a houri, and with the voice of an angel."

"Whew! the bold Campbell, the daring descendant of old Guy the Fearless, has lost his heart at last!" laughed Willard Drummond.

"Not I," answered Guy, carelessly. "I never yet saw the woman who could touch my heart, and, please Heaven, never will."

"Well, here's a wonder--a young man of three-and-twenty, and never in love! Do you expect me to believe such a fable, my good friend?"

"Believe or not, as you will, it is nevertheless true."

"What--do you mean to say you have never felt a touch of the _grande passion_--the slightest symptom of that infectious disorder?"

"Pooh! boyish fancies go for nothing. I have now and then felt a queer sensation about the region of my heart at the sight of sundry faces at different times, but as for being fatally and incorrigibly in love, never, on my honor!"

"Well, before you reach the age of thirty, you'll have a different story to tell, or I'm mistaken."

"No; there is no danger, I fancy, unless indeed," he added, fixing his eyes quizzically on Drummond's handsome face, "I should happen to meet this little enchantress you spoke of awhile ago."

A cloud passed over the brow of his companion; but it cleared away in a moment as a quick, light footstep was heard approaching, and the next instant Sibyl Campbell, the haughty daughter of a haughty race, stood bright, dazzling, and smiling before them.

No one ever looked once in the face of Sibyl Campbell without turning to gaze again. Peerlessly beautiful as she was, it was not her beauty that would startle you, but the look of wild power, of intense daring, of fierce passions, of unyielding energy, of a will powerful for love or hate, of a nature loving, passionate, fiery, impulsive, and daring, yet gentle and winning.

She might have been seventeen years of age--certainly not more. In stature she was tall, and with a form regally beautiful, splendidly developed, with a haughty grace peculiarly her own. Her face was perfectly oval: her complexion, naturally olive, had been tanned by sun and wind to a rich, clear, gipsyish darkness. Her hair, that hung in a profusion of long curls, was of jetty blackness, save where the sun fell on it, bringing out red rings of fire. Her large Syrian eyes, full of passion and power, were of the most intense blackness, now flashing with sparks of light, and anon swimming in liquid tenderness. Her high, bold brow might have become a crown--certainly it was regal in its pride and scorn. Her mouth, which was the only voluptuous feature in her face, was small, with full, ripe, red lips, rivaling in bloom the deep crimson of her dark cheeks.

Her dress was like herself--odd and picturesque, consisting of a short skirt of black silk, a bodice of crimson velvet, with gilt buttons. She held in one hand a black velvet hat, with a long, sweeping plume, swinging it gayly by the strings as she came toward them.

She was a strange, wild-looking creature, altogether; yet what would first strike an observer was her queenly air of pride, her lofty hauteur, her almost unendurable arrogance. For her unbending pride, as well as her surprising beauty, the haughty little lady had obtained, even in childhood, the title of "Queen of the Isle." And queenly she looked, with her noble brow, her flashing, glorious eyes, her dainty, curving lips, her graceful, statuesque form--in every sense of the word "a queen of noble Nature's crowning."

And Willard Drummond, passionate admirer of beauty as he was, what thought he of this dazzling creature? He leaned negligently still against the taffrail, with his eyes fixed on her sparkling, sunbright face, noting every look and gesture as one might gaze on some strange, beautiful creation, half in fear, half in love, but wholly in admiration. Yes, he loved her, or thought he did; and gazing with him on the moonlit waves, when the solemn stars shone serenely above him, he had told her so, and she had believed him. And she, wild, untutored child of nature, who can tell the deep devotion, the intense passion, the fiery, all-absorbing love for him that filled her impulsive young heart?

"Love was to her impassioned soul Not, as to others, a mere part Of her existence; but the whole-- The very life-breath of her heart."

May Agnes Fleming's The Queen of the Isle (1886) opens with a verse epigraph and a detailed description of Campbell's Isle, a small, fertile island six miles from the mainland, owned by the Campbell family since a legendary freebooter, Sir Guy Campbell, made it his rendezvous. The catalog subjects list islands, young women, ghost stories, trials for murder, attempted murder, haunted houses, and apparitions—but the excerpts show a narrative that leans heavily on atmospheric dread and stormy melodrama rather than courtroom proceedings or explicit hauntings. The opening chapter establishes the island's isolation and its history of piracy, setting a stage for Gothic tension.

Storm and Superstition

The excerpts reveal a strong emphasis on weather as a character. In Chapter I, the island is described as silent and dreary in winter, with a deep, unbroken forest. Later, a storm rages wildly, shaking the house, and the sea booms on the rocks. Sibyl, the young woman, feels an unaccountable depression and a creeping horror she cannot shake off, even as she tries to reason herself out of superstitious dread. The storm's violence is mirrored in her internal state, and the narrative uses the tempest to heighten suspense. The midnight cry of 'Murder!' bursts through the silent house, linking the external storm to a violent event. This pattern—weather as both setting and psychological amplifier—is a recurring structural device in the excerpts.

The Maniac and the Fiend

Two chapters in the table of contents—'The Maniac's Curse' and 'The Maniac's Story'—suggest a character driven mad, but the excerpts do not reveal who this is. In Chapter XXI, Edgar Courtney is described as a victim of his own diabolical passions, with a face like a fiend. He hides like a panther waiting for prey, blinded by jealousy, and mistakes a woman landing on the island for his wife Laura. The narrative voice personifies Jealousy and Reason as debating voices. The catalog subject 'attempted murder' is hinted at by Courtney's predatory crouch and the earlier cry, but the excerpts do not confirm an attempt. The dime-novel style uses heightened emotional language—'demoniac look,' 'fiend'—to signal villainy without requiring supernatural elements.

Sibyl's Perspective and the Haunted Room

Sibyl is the focal character in the storm scene. She lies awake, listening to waves, and hears the door burst open with a shriek. The catalog lists 'haunted houses' and 'apparitions,' but the excerpts show no ghost; instead, Sibyl's terror is psychological, rooted in the storm and the house's eerie silence. The table of contents includes 'The Haunted Room' and 'The Magic Mirror,' which may involve supernatural elements, but the provided text does not describe them. Sibyl's experience is one of nameless horror, not a visible specter. This ambiguity—between actual haunting and heightened sensibility—is typical of Fleming's Gothic dime novels, where atmosphere often substitutes for explicit ghosts.

Readers approaching The Queen of the Isle should expect a fast-paced, emotionally charged narrative that prioritizes stormy settings and psychological dread over plot coherence. The excerpts suggest a story driven by jealousy, mistaken identity, and a possible crime, but the full novel likely weaves in the promised ghostly elements through the 'Haunted Room' and 'Magic Mirror' chapters. The dime-novel format means short chapters and cliffhangers; the table of contents lists 35 chapters, each with a dramatic title. Treat the catalog subjects as broad hints rather than precise descriptions—the actual text may blur lines between natural and supernatural.

There’s something about Sibyl hearing that cry of “Murder!” through the storm—a sound that might be real, might be ghost—that stays with you long after the last page. It reminded me of another old tale, The Quest of the Sacred Slipper — Key Ideas to Explore, where the uncanny presses just as close against ordinary dread. Sometimes I think those penny novels knew fear better than we do now.

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    Lawrence Roy - 1 month ago
    Despite an intriguing title, 'The Queen Of The Isle' falls flat. The plot is predictable, and the characters are thinly drawn. The dialogue feels stilted and over-dramatic. I expected more depth from the 'queen' but found her one-dimensional. It reads like a draft that needed thorough editing.

  • ...
    Alexandria Holloway - 1 month ago
    The story has a solid premise and the island setting is beautifully rendered. However, the pacing slows in the middle chapters, and the queen's motivations could be clearer. Still, it's an enjoyable read for those who like slow-burn political drama.

  • ...
    Aimee Novak - 1 week ago
    A gripping tale of power and betrayal set on a remote island. The Queen of the Isle masterfully weaves intrigue with rich character development, keeping you guessing until the very end. The vivid descriptions make you feel the salty breeze and hear the crashing waves. I couldn't put it down—a must-read for fans of historical drama and strong female leads.


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