The Sacred Herb — Background and Themes

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Hume, Fergus, 1859-1932 Project Gutenberg 2017 Not confirmed
Detective and mystery stories; London (England) -- Fiction; Trials (Murder) -- Fiction Readers of public-domain and historical texts
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Words 87,731
Reading time 382 min
Text sections 10

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Fergus Hume's 1908 mystery novel follows Lord Prelice, a bored aristocrat drawn into a murder case involving a mysterious herb from Easter Island. The narrative shifts from courtroom drama to country-house investigation, with a housekeeper's testimony hinting at hidden motives.
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CHAPTER I. THE LATEST SENSATION

Lord Prelice felt desperately bored. Like Xeres, he longed for some new pleasure, yet knew not where to look for one. This was the result of being surfeited with the sweets of extraordinary good fortune. Born to a title, endowed with passable good looks, gifted with abilities above the average, and possessed of admirable health, he should have been the happiest of men; the more especially as his income ran well into five figures, and he had the whole wide world to play with. Certainly he had played with it and with life, up to his present age of thirty-five years. Perhaps this was the reason of his acute boredom. If all work and no play makes Jack dull; all play and no work must necessarily make him _blase_.

Therefore, in spite of the excellent breakfast spread before him on this bright summer morning, when London was looking at its best, the young man was ungratefully wondering what he could do to render life endurable. He ate from habit and not because he enjoyed his food; he read the morning papers, since it was necessary to be abreast of the times, for conversational purposes, although very little was new therein and still less was true. By the time he arrived at the marmalade stage of the meal he was again considering the possibilities of the next four and twenty hours. In this discontented frame of mind he was discovered by his aunt.

Lady Sophia Haken bustled into the pleasant room exasperatingly cheerful, and very pleased with life in general and with herself in particular. She was an elderly woman of a somewhat masculine type who lived a simple out-of-door existence, and who proclaimed loudly that it was necessary for humanity to return to the Stone Age for true enjoyment. Having been riding in the Row for the last two hours, she entered in her habit, filled with the egotism of the early riser. As a near relative, she could not do less than scold Prelice for lingering over a late breakfast, and told him,--also as a near relative--that she scolded him for his good. She had done so very often before without result, and, but that she loved to lay down the law, would have long since given over the attempt to improve her nephew. Nevertheless, anxious to achieve the impossible, she attacked him with pristine vigor, as though aware for the first time of his bad habits.

"Nine o'clock and still at breakfast," said Lady Sophia significantly, and slapped her skirts with a whip which she would have dearly liked to lay across her lazy nephew's broad shoulders.

Prelice looked indolently at the clock, then at the table, and finally at his fuming aunt. "I cannot deny it," he said, with a yawn.

"Is that all you have to say?" she asked, much disgusted.

Prelice heaved a sigh. It was necessary to say something, if only to stem the coming tide of verbose speech. "How well you are looking."

"Because I have been up since six o'clock."

"How unwise; you will probably sleep all the afternoon."

Lady Sophia snapped, tartly: "I shall do nothing of the sort."

"Oh, very well," he assented, "you will do nothing of the sort. Anything for a quiet life, even agreement with the improbable."

His aunt grasped her whip dangerously. "How exasperating you are!"

"I was just thinking the same about you," confessed Prelice, good-humouredly; "it is so disagreeable for a late riser to be reminded of the time." And having folded his napkin, he lighted a cigarette.

"How long is this going on?" demanded Lady Sophia fiercely. His imperturbability made her long to shake him thoroughly.

"How long is what going on?" asked Prelice provokingly.

"This idle, idiotic, insane, sensual, foolish, wicked, dilatory existence!"

"Seven adjectives," murmured the young man, opening his eyes. "Waste, waste--oh, what waste!"

"How long is this going on?" inquired his relative again, and whipped her skirts--instead of Prelice's back--with renewed vigour.

He was forced to answer. "As long as I do, no doubt. What else is to be done, I should like to know?"

"You shall know. Serve your country."

"What! And be abused in the penny press? No, thank you."

"You can surely help your brother-man."

"Surely--only to learn how much ingratitude exists in the world."

Lady Sophia stamped, bit her lip, and looked like a ruffled cockatoo in a bad temper. She wanted to quarrel, and it annoyed her that Prelice would not meet her half way, by supplying a reason. She had to invent the quarrel, and bring about the quarrel, and carry on the quarrel, and finish the quarrel without assistance. "Marry!" was the one word which suggested itself, and she hoped that it would be like a red rag to a bull.

"Oh, Jerusalem!" Prelice shook his closely cropped fair head. "I would much rather serve brother-man than marry sister-woman. You offer me a choice of unoriginal evils."

"You never will face the truth," declared Lady Sophia irrelevantly; and forthwith--according to an old-established custom--she proceeded to recount the family history--that is, she picked out the worst traits of Prelice's ancestors and debited them to his account. He smoked through two cigarettes, and nodded at intervals, not very much interested, since he had heard the same oration at least a dozen times. Lady Sophia having worked her way from the reign of Elizabeth down to that of Edward VII., ended with a lurid, penny-sensational picture of what would befall her listener in the near future, unless he worked like a nigger.

"Such a bad illustration," interposed Prelice placidly; "niggers don't work. As I have just returned from the West Indies, I ought to know." Lady Sophia snorted down the interruption, and seeing that he was still unimpressed, tried to goad him into industry by mentioning several of his school-fellows who had attained to comparative fame and fortune, while Prelice--as she scathingly put it--had been grovelling in the mud. "Even young Shepworth," ended Lady Sophia, somewhat out of breath, "and _he_ was never clever--even _he_ is Counsel for the Defence this very day in an important murder case."

"I'm deuced sorry for his client," murmured Prelice indolently.

"Why should you be?" demanded his aunt aggressively.

"You said that he wasn't clever."

"He must be." Lady Sophia contradicted herself with feminine calmness. "If he wasn't he certainly would not be talking this very day at the New Bailey. Go and hear him, Prelice, and be ashamed that a fool--yes, a superlative fool--should succeed where you fail."

"What _do_ you mean?" inquired her nephew, with great curiosity. "First you say that Ned isn't clever----"

"Ned! Ned. I never mentioned Ned. Who is Ned?"

"Shepworth. Edward Shepworth--Ned for short. We were great chums at Eton, you know. But you say that he isn't clever, then you insist that he is, and wind up by calling him a fool."

"You know quite well what I mean," said Lady Sophia with dignity.

"I really don't," confessed her nephew artlessly, "you describe such a complex character. However, as I have nothing to do to-day----"

"And never have anything to do--idler."

"I shall go to the New Bailey, and listen to Ned hanging his client!"

"So brilliant a barrister as Mr. Shepworth will certainly get her off," said Lady Sophia decisively.

Prelice passed over this new contradiction. "It's a woman?"

"Yes. Mona Chent. You know her."

"I'm sure I don't. The criminal classes don't attract me."

"She is not a criminal, but a lady," said his aunt, as though the two things were incompatible; "and you _do_ know her. Mona Chent, the niece of old Sir Oliver Lanwin."

Prelice reflected with bent brows. "I never heard the name before, I assure you, Aunt Sophia," he said at length. "Remember that I have been travelling round the world for the last seven years and know very little of the latest London sensation."

"You ought to stay at home, and make yourself acquainted with people, Prelice."

"Including this murderess?"

"She is not a murderess," cried Lady Sophia energetically. "I always did think that she was a sweet girl, and if she did kill her uncle, it was no more than he deserved. I never liked him."

"Therefore he ought to be murdered," said Prelice, rising and stretching himself before the empty grate. "So Sir Oliver was the victim. I have heard of him. He used to send Ned shells and barbaric things from the South Seas. And now Ned is repaying him by defending his murderess."

"I tell you Mona did not murder the man. I know her. I have received her. Would I receive a murderess?"

"It might be a draw to some of your parties," said Prelice politely, and with a recollection of several dull entertainments. "But I cannot quite gather from your clear explanation if she is guilty or not."

"Half London thinks that she is, and half asserts her innocence."

"What does Shepworth think?"

"He naturally believes her to be innocent."

"Because he defends her?"

"Because she is his future wife."

Prelice looked startled. "Oh, Jerusalem! And if he proves her innocence he'll marry her, I suppose."

"As she is her uncle's heiress, and Mr. Shepworth is poor, I presume he will. Ten thousand a year is not to be despised."

"But a wife with such a past," protested the young man. "Ugh! Did Miss Chent murder her uncle to get the money?"

"She didn't murder him at all. Look at the facts of the case----"

"I shall be delighted to, if you will place them before me."

"You ought to know all about them," said Lady Sophia, rising impatiently; "everyone has been talking about the case for the last month;--ever since Mona Chent was arrested, in fact."

"Ah, but you see I have only just arrived in London. I shall go to my club and get posted up in the latest scandal."

"The latest sensation," corrected his aunt. "Go to the New Bailey instead, and hear Mr. Shepworth place the case before the judge and jury. His eloquence will make you sorry for your lazy, useless life; he will be a K.C.," cried Lady Sophia, becoming prophetic, "and Attorney-General and Lord Chancellor, and----"

"King of Timbuctoo, no doubt. Loud cheers."

Lady Sophia looked indignantly at the scoffer, who beamed on her benignly with laughing blue eyes. "You _have_ deteriorated since you left the Army."

"No doubt, the standard of morality in the Army being so high."

"Oh!" His aunt stamped, and flung open the door with a tragic air. "I have done with you. Your flippancy is disgusting. I repeat, Prelice, I have done with you." And she departed hastily, lest a reply from the scoffer should spoil her impressive exit.

Prelice laughed, knowing that Lady Sophia would never be done with him while she had a tongue to wag. Also he believed that she was truly fond of him, and knew that she had only too much reason to accuse him of wasting his life. He resolved to mend his ways, more as an experiment in self-denial than because he wanted to, and cast about for a model person to imitate. After Lady Sophia's conversation the name of Edward Shepworth naturally suggested itself, so Prelice arrayed himself in purple and fine linen, and ordered round his motor car. Within two hours he was driving out of Half-Moon Street, and was soon dodging the traffic of Piccadilly.

It was so delightful, manipulating the machine in the sunshine, and acting as a chauffeur so appealed to him that he was minded to turn the Mercedes in the direction of Richmond. But the hints about the murder being an unusual one kept him to his earlier determination; also a copy of _The Daily Mirror_ assured him that the accused girl was exceedingly pretty; finally, he had always been friendly with the Counsel for the Defence, and thought that he would renew the tie of old school-days. These things brought his smart Mercedes to the bran-new portals of the Criminal Court, and when he had handed over the steering-wheel to his chauffeur he sought out the arena, wherein Shepworth was fighting for the life of his promised wife.

Naturally the first person at whom the young man looked was the prisoner in the dock, and he mentally confessed that _The Daily Mirror_ photograph had not done her justice. It could scarcely do so in mere black and white, as Miss Chent needed vivid tints to convey her peculiar charm. She was one of those rare blondes who embody sunshine in hair and eyes: a dragon-fly of humanity, all radiance and glow. Since she was on trial for her life, Prelice quite expected to see a white-faced, terrified creature, worn out with shame and suffering. But Miss Chent might have been in an opera-box, for all the emotion she displayed. Prelice had more experience of women than was good for him, but he never beheld so perfectly dressed, or so perfectly serene a girl. It would be absurd to say that so level-headed a young man fell in love with this attractive criminal at first sight; but he certainly felt drawn to her. She looked like a captive angel, and without knowing the rights or wrongs of the case, Prelice mentally pronounced her to be entirely innocent. Her calmness, if not her beauty, acquitted her, as his susceptible heart decided, for no woman with an unclean conscience could have faced judge and jury with such manifest confidence. Prelice thought of Joan of Arc on trial for sorcery; of Mary Stuart before a prejudiced tribunal; of Marie Antoinette; and of the Vestal, who proved her innocence by drawing Tiber water in a sieve. He might also have recalled the Marquise de Brinvilliers, likewise calm, beautiful, and--guilty. But he did not.

The Court was filled with more or less fashionable people, who came to make a Roman holiday of Sir Oliver Lanwin's violent death, and Miss Chent's position. Doubtless she had been well known in Society, and those who had been her friends were here to watch her in the new role of an accused criminal. Prelice was disgusted at the heartless conduct of some ladies, who whispered and tittered, and used opera-glasses to stare at the unfortunate girl. He internally commended his aunt for having had the good taste to remain absent, and then turned his eyes on the array of barristers to search for Ned Shepworth.

If the prisoner was serene in the consciousness of innocence, her counsel certainly was less composed. A strong will and the second nature of custom kept Shepworth sufficiently self-controlled to deceive those who had but a passing acquaintance with his personality. But Prelice, who had known the young barrister for years, noted that his usually ruddy complexion was whiter than usual, and that his eyes seemed to be sunken in his head by reason of the dark shadows beneath them. Shepworth was a slim, handsome man, brown-haired and brown-eyed, with a clean-shaven face and a resolute mouth. In his wig and gown he looked a very presentable son of Themis, if somewhat less composed than the traditionally unemotional lawyer should be. He was seated at the long table with two older men, who apparently were his coadjutors; and near the defence trio the Counsel for the Prosecution--appointed by the Public Prosecutor on behalf of the Crown--was chatting amiably with his colleague, a keen-faced young barrister. Behind sat many other lawyers wigged and gowned, who were taking the deepest interest in the proceedings. For the moment the Court was so still that the rustling of the briefs, as the barristers turned their pages, could be plainly heard.

"Are those two fellows assisting Mr. Shepworth in the defence?" Prelice whispered to a legal-looking bystander at his elbow.

"No," replied the man in a low voice; "the big fellow is Cudworth, K.C., and the other is young Arkers, who acts as Junior Counsel, Shepworth is not defending, as he was in the house when the crime was committed, and will be called as a witness."

So Lady Sophia was inaccurate as usual, and Prelice felt somewhat disappointed that he would not have an opportunity of hearing his old school-chum orating. However, he had little time to think, for at this moment the Prosecuting Counsel got on his legs to open the case. Prelice felt that the curtain had risen on a tragedy. He wondered what would be the scene when the curtain fell.

CHAPTER II. THE TRIAL.

The Counsel, in a clear and deliberate voice, opened his speech with an unvarnished statement of the case; and a very remarkable story he unfolded. Prelice, as an experienced traveller, had always believed in the impossible; but it seemed to him that he had returned to prosaic England to hear a veritable fairy-tale. There was something extremely fantastic about the way in which the crime was said to have been committed. As set forth by the speaker, the event happened in this wise.

Sir Oliver Lanwin, the last male heir of an ancient Kentish family, whose seat was situated near Hythe, had found himself, some forty years previous to the trial, a pauper with a newly inherited title. Seeing no chance in England of rehabilitating his fortunes, he had taken what little money he possessed to New Zealand, leaving his only sister well provided for, as the wife of an army officer named Chent. After making some money in various ways at Hokitika, Sir Oliver had purchased a fruit schooner to trade amongst the South Sea Islands. Being successful, he had bought other ships, and for more than thirty years he had been a kind of Polynesian merchant-prince, owing to his wealth and enterprise and keen business capacity. He had never married, because of an early disappointment, and ten years before, he had returned to England with a capital representing ten thousand a year. With this he had retired to his ancestral seat, near Hythe, and there proposed to end his days in comfort, after the fashion of Sinbad, the famous sailor of the Arabian Nights. He brought with him an old shell-back mariner, Steve Agstone by name, who was an important witness for the prosecution. Unfortunately, said the Counsel, the man had disappeared, immediately before the inquest, after hinting to the housekeeper, Mrs. Blexey, that he had actually witnessed the committal of the crime, for which the prisoner was being tried. In spite of all efforts made by the police, this witness could not be discovered, and it was impossible to say why he had disappeared. But Counsel hoped to produce other witnesses, who would prove beyond all shadow of a doubt that the prisoner was guilty.

After proceeding thus far, Counsel sipped a glass of water, hitched his gown more comfortably on to his shoulders, and continued his speech amidst the breathless silence of the listeners.

Being a bachelor, Sir Oliver felt somewhat lonely, since he was of a sociable disposition. For a few months he kept open house, but as his nature proved to be exacting and imperious, he did not get on well with his neighbours. Finally, he proclaimed that they were all idiots, and closing his doors, he became more or less of a recluse. It was then that Sir Oliver's widowed sister, Mrs. Chent, died suddenly, leaving her daughter Mona--the prisoner--to the care of her uncle. Sir Oliver became extremely fond of the young lady, who was of a lively and amiable disposition. Indeed, his attachment was so great that he made a will in her favour, by which she was to inherit ten thousand a year and the family-seat.

"And here," proceeded Counsel impressively, "I may mention a circumstance which, in the light of after events, has some bearing on the case. Mr. Oliver, while bathing at Samoa, had his leg taken off, from the knee, by a shark. He thus was unable to indulge in field sports, in games, or indeed in any kind of out-of-door life. He therefore took to reading, and of a somewhat unusual kind. Jacob Bohme, Paracelsus, and Eliphas Levi were his favourite authors, from which it can be judged that the dead man took a deep interest in psychic questions.

"He also consulted palmists, fortune-tellers, astrologers, and crystal-gazers, frequently asking them down to Lanwin Grange. In fact, at the very time when the crime was committed, Madame Marie Eppingrave, a well-known Bond Street interpreter of the future, was staying in the house. She will be called as a witness. But you can see, gentlemen of the jury, that the late baronet was an exceedingly superstitious man, although clear-headed in business and perfectly capable of managing his affairs."

Lord Prelice, a wealthy and titled man of thirty-five, opens the novel in a state of acute boredom, having exhausted the pleasures of a life devoted entirely to leisure. Hume establishes this mood through a series of contrasts: Prelice's excellent breakfast and the bright summer morning are set against his ungrateful wondering how to render life endurable. The narration moves quickly from this interior portrait to the bustling entrance of his aunt, Lady Sophia Haken, whose exasperating cheerfulness provides a foil to Prelice's ennui. The early chapters thus alternate between Prelice's languid observations and the urgent, gossipy testimony of characters like Mrs. Blexey, whose rambling speech introduces the central mystery of Sir Oliver's death and the titular herb.

A Voice of Two Speeds

The novel's narrative voice operates at two distinct speeds. In the opening chapter, Hume devotes long, periodic sentences to Prelice's interior state: he is described as having been surfeited with the sweets of extraordinary good fortune, and his boredom is rendered through a catalogue of his advantages—title, looks, abilities, health, income. These sentences are balanced and almost leisurely, mirroring Prelice's own inertia. By contrast, when Mrs. Blexey appears, the prose becomes breathless and fragmented. Her speech is full of dashes, interruptions, and non sequiturs: she points stealthily downward, gasps like a fish out of water, and refers to Madame Eppingrave as an old bag-o'-rags. This shift in pace is not merely comic relief; it signals a change in register from the polished world of the aristocracy to the earthy, superstitious knowledge of the servants' quarters.

The Herb as a Narrative Device

The sacred herb of the title is introduced obliquely, through Mrs. Blexey's account of Sir Oliver's death. She claims that Madame Eppingrave gave Sir Oliver a lot of dry stems and purple leaves, which he used to produce smoke, and that this led to his end. The herb is thus presented not as a botanical fact but as a contested object: Prelice believes Sir Oliver brought it from Easter Island himself, while Mrs. Blexey insists he did not. Hume withholds any definitive description, letting the herb function as a source of suspicion and rumor. This technique keeps the reader uncertain about the herb's properties—whether it is a poison, a narcotic, or something else entirely—and ties the mystery to the unreliability of oral testimony. The herb's meaning is built through implication rather than exposition.

Courtroom and Country House

The novel's structure alternates between two settings: the courtroom, where evidence is given under oath, and the country house, where private explanations occur. The trial chapters (II, IV, IX, X) present testimony in a formal, linear fashion, with witnesses like Mrs. Blexey forced to give what they called evidence. In contrast, the country-house scenes allow for digressive, emotional conversations, such as Mrs. Blexey's confession that she doesn't believe in Courts or in them as is in Courts. This contrast creates a tension between public and private truth. The reader must weigh the formal statements of the trial against the whispered confidences of the Grange. Hume uses this structural opposition to suggest that the most important information may emerge not in the witness box but in a garden among the herbs.

Readers attentive to shifts in narrative pace will find that Hume uses speed as a clue: the leisurely descriptions of Prelice's boredom give way to the urgent, fragmented speech of those who know more than they say. The herb itself remains a cipher, its meaning built through rumor and implication rather than direct description. This makes the novel less a whodunit than a study in how stories are told and believed.

Reading about Prelice’s slow drift into the herb’s mystery, I remembered how a borrowed copy of Dyke Darrel the Railroad Detective; Or, The Crime of the Midnight Express — Inside the Classic once kept me up, not for the chase, but for the quiet way clues settled into place. Both books feel like old rooms—dim, dusty, full of doors I’m not sure I should open.

William Wright
1 week ago

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  • ...
    Katherine Mcdonald - 1 month ago
    The premise is promising, but the execution is lacking. The story meanders without clear direction, and the characters feel flat. The writing is overly florid, obscuring any substantive message. It reads more like a disjointed essay than a cohesive novel. There are better treatments of these themes available.

  • ...
    Kylie Julia Bennett - 3 weeks ago
    This book offers a compelling cultural and spiritual perspective, with rich descriptions of rituals and customs. The narrative is insightful, but the plot is somewhat slow-moving, and the emphasis on internal reflections may not appeal to all readers. Still, it's a valuable read for those interested in indigenous wisdom.

  • ...
    Anthony Tim Hall - 2 weeks ago
    A beautifully written exploration of spirituality and tradition. The prose is lyrical and evocative, drawing you into a world where the sacred herb is both a literal and metaphorical element. The characters are deeply realized, and the themes of healing and community resonate long after the last page. A truly mesmerizing read.


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