The Woman with One Hand, and Mr. Ely's Engagement — Reading Companion

(4 User reviews)   1366
In Category - Crime Investigation
Marsh, Richard, 1857-1915, Wood, Stanley L., 1866-1928 [Illustrator] Project Gutenberg 2012 Not confirmed
England -- Fiction; Mate selection -- Fiction; Courtship -- Fiction; Murder -- Fiction; Betrothal -- Fiction; Mystery fiction; Identity -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 57,066
Reading time 249 min
Text sections 8

This digital edition of The Woman with One Hand, and Mr. Ely's Engagement — Reading Companion is described by source-level measurements including 57,066 words, 4 hr 9 min estimated reading time, and 8 detected text sections.

The text analysis averages about 12.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “England -- Fiction,” connecting these edition facts with the source record’s subject description.

Richard Marsh's 1906 volume pairs a mystery about a dismembered hand with a comic courtship story. The first tale opens with an 'agony' column and a waiter's discovery, while the second uses dinner-table misunderstandings and Stock Exchange slang to expose social friction.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

One was seated at a table, the other was standing with his hat at the back of his head in front of the empty fireplace. They looked at me, then they looked at each other; and, unless I am mistaken, they exchanged a glance of surprise. The man at the table addressed me, without evincing any desire to rise.

"Well, sir, and what can we do for you?"

"That," I said, "is what I want to know."

The man smiled, as if he was not quite sure that there was anything to smile at. I took the newspaper cutting out of my waistcoat pocket.

"I have just seen this advertisement. I am James Southam, at one time of Dulborough, and if you are Messrs. Cleaver and Caxton, I have come to you to hear of something to my advantage."

For some moments my words remained unanswered. They both stared at me as if they were endeavouring by mere force of visual inspection to find out what sort of person I really was. Then the man at the table spoke again.

"Of course you have evidence as to the truth of what you say?"

"I have my card in my pocket; here are letters which have been addressed to me. If you will tell me what I am going to hear of to my advantage I will place you in the way of obtaining a sufficiency of any sort of evidence you may require."

I placed a card on the table, and some old envelopes, having first of all taken out the letters. The two men forgathered. They examined my "documents." They spoke to each other in whispers. Holding out one of the envelopes, the man who had already spoken pointed with a stubby and unclean first finger to the address which was on the front of it.

"Is this your present address?"

"No; at present I have no address."

"I have been presented with the key of the street."

"Do you mean that you are impecunious?"

The individual with the hat on who had not yet spoken to me, spoke to me now, with a decidedly unpleasant grin. "Stone-broke?" he said.

I did not like to turn myself inside-out to strangers, especially to such strangers: but I had recently had to do a good many things which I had not liked. Above all, I had begun to realise the truth of the adage which tells us that beggars must not be choosers.

"I am as nearly stone-broke as a man can be who is in possession of a fair variety of pawn-tickets, the clothes he stands up in, and elevenpence in cash."

There was some further whispering between the pair, then the individual with the hat on addressed me again.

"If you will step outside, in a few minutes we will speak to you again."

I stepped outside. They kept me outside longer than I altogether relished.

I was on the point of, at all hazards, asserting my dignity, when the man with the hat on, opening the door of the inner office, invited me to enter. It was he, when I entered, who took up the conversation.

"We are not, you must understand, at liberty to furnish you with particulars of the matter referred to in our advertisement without first of all communicating with our client."

"Who is your client?"

"That, without having received permission, we cannot tell you either. Can you not guess?"

The fellow stared at me in a manner which I instinctively resented. His glance conveyed a meaning which seemed to be the reverse of flattering.

"I certainly cannot guess, nor have I the least intention of trying. I have the pleasure of wishing you good-day."

I turned to go; the fellow stopped me.

"One moment! Where are you off to?" I turned to him again. This time he was eyeing me with what I felt was an insolent grin. "For a man in the position in which you say you are you don't seem over anxious to hear of something to your advantage."

"Nor do you seem over anxious to tell it me."

"We are solicitors, man, not principals. It is our business to act on the instructions we have received. Listen to me." I listened. "We have reason to believe that our client would desire to be acquainted with your address, so that he may be able to place himself in immediate communication with you, should you turn out to be the James Southam he is in search of. As you don't appear, at present, to have an address of your own, we are willing to provide you with one."

"We will take you to an hotel, and we will guarantee your reasonable expenses there until you hear from us again. Should you not turn out to be the required James Southam, we will pay your bill, withdraw our guarantee, and there will be an end of the matter, so far as we are concerned. You will have received some advantage, at any rate."

I accepted the proposition. When the sum of elevenpence stands between a man and starvation he is apt not to be over particular in picking holes in proffered offers of board and lodging. The untidy youth fetched a cab. The individual with the hat on accompanied me in it, there and then, to one of those innumerable private hotels which are found in the side streets off the Strand. He went inside, while I waited for him in the cab. When he reappeared he fetched me in, introduced me to a tall, thin woman, whom he called Mrs. Barnes, drew me aside, told me that he had made all arrangements, that I should hear from him again, and that, in the meantime, I should find myself all right. Then he went, leaving me in that private hotel, for all I knew to the contrary, a pensioner on his bounty.

THE WAITER--AND THE HAND

When I had dined--they gave me for nothing a better dinner than the one I had had in the middle of the day for one-and-sevenpence--the feeling that, to say the least of it, I was in an equivocal position, began to chasten. Instead, I began to feel, as the schoolboys have it, that I was in for a lark. That I really was going to hear, either through Messrs. Cleaver and Caxton, or through anybody else, of something to my advantage, I never for a moment believed. I was an orphan. I had what I take it are the best of reasons for knowing I have not a single living relative. I have no friends: I never had. I was, at my mother's death, employed in an office from which I was shortly after ignominiously ejected, owing to a difference of opinion I was so unfortunate as to have with the senior clerk. I had spent my substance, such as it was, and twelve months, in seeking for other occupation.

My story was a prosaic and a sordid one. That I could hear of something to my advantage, from any source whatever, was an idea I utterly scouted.

I dined alone. The waiter informed me that, for the moment, I was the only visitor in the house. No doubt, under those circumstances, I was welcome. This waiter was a man with iron-grey hair and a pair of curiously big, black eyes; I noticed them as he flitted about the room, but I had much better reason to notice them a little later on. As I rose from the table I gave outspoken utterance to words which were a sort of tag to the sequence of my thoughts--

"Well, James Southam," I exclaimed, "you're in for it at last."

This I said out loud, foolishly, no doubt. The waiter was moving towards the door. He had some plates in his hand; as I spoke, he dropped these plates. They smashed to pieces on the floor. He turned to me as if he turned on a pivot. The fashion of his countenance changed; he glared at me as if I or he had suddenly gone mad. The pupils of his eyes dilated--it was then I realised what curious eyes they were.

"Who the devil are you?" he cried. "How do you know my name's James Southam?"

I do not know how it was, but a splash of inspiration seemed all at once to come to me--I do not know from where.

"You are James Southam," I said; "at one time of Dulborough."

I could plainly see that the man was trembling, either with fear or with rage, and it struck me that it was with a mixture of both.

"What has that to do with you?" he gasped.

"It has this to do with me--that I want you."

An empty beer-bottle was on the table. With the rapidity of some frantic wild animal, rushing forward he caught this bottle by the neck, and, before I had realised his intention, he struck me with it on the head. He was a smaller man than I, but, when next I began to take an interest in the things of this world, I was lying on the floor, and the room was empty. My namesake, all the evidence went to show, had felled me like a log, and, without any sort of ceremony, had left me where I fell.

I sat up on the floor, I put my hand to my head. It ached so badly that I could scarcely see out of my eyes. With some difficulty I sprang to my feet. On attaining a more or less upright position I became conscious that the trepidation of my legs inclined me in another direction.

"If this," I told myself, "is hearing of something to my advantage, I've heard enough."

As I endeavoured to obtain support by leaning against the mantelpiece the room door opened, and the tall, thin woman, whom I had been told was Mrs. Barnes, came in.

"I beg your pardon," she began. She looked round the room, then she looked at me. So far as I could judge in the then state of my faculties, she appeared surprised. "I thought the waiter was here."

"How long has he been gone?"

"It is very odd! I have been looking for him everywhere. I thought that he was still upstairs with you." She glanced at the ruined crockery. "What has happened?--who has broken the plates?"

"The waiter--he dropped them. He also dropped the bottle."

I did not explain that he had dropped the latter on my head, and almost broken it into as many pieces as the plates.

"It is very careless of him. I must see where he is."

I fancied, from the expression of her face, that she perceived that there was more in the matter than met the eye. But, if so, she did not give audible expression to her perceptions. She left the room, and, when she had gone, I also left the room, and went to bed. I realised that the complications, and, if I may be permitted to say so, the ramifications of the situation, were for the moment beyond my grasp. In the morning I might be able to look the position fairly in the face, but, just then--no! I hastened to put myself between the sheets. Scarcely was I between them than I fell asleep.

I was awakened, as it seemed to me, just after I had fallen asleep, by some one knocking at the bedroom door. The knocking must have startled me out of a dreamless slumber, because it was a moment or two before I could remember where I was. Then I understood that some one was endeavouring to attract my attention from without.

"Who's there?" I said.

"It is I, Mrs. Barnes, the landlady. I wish to speak to you."

"What, now? What time is it? Won't the morning do?

"No, I must speak to you at once."

It seemed that, in my hurry to get into bed, I had forgotten to put the gas out. Slipping into some garments I opened the door. There stood Mrs. Barnes, with a lighted candle in her hand. For some cause or other she was in a state of unmistakable uneasiness. She looked white and haggard.

"I cannot find the waiter," she said.

"You cannot find the waiter!" I stared. "I am sorry to hear it, if you want to find him. But may I ask what that has to do with me?"

"I believe it has a good deal to do with you. What took place between you in the coffee-room?"

"Really, I am not aware that anything took place between us in the coffee-room that was of interest to you."

She came a step forward. Raising the lighted candle, she almost thrust it in my face. She stared at me with strained and eager eyes. She seemed to see something in my face: though what there was to see, except bewilderment, was more than I could guess.

"I don't believe you. You are deceiving me. Did you quarrel with him? Who are you? Tell me! I have a right to know--I am his wife!"

"His wife!" Complications seemed to be increasing. "I thought your name was Barnes."

"So is his name Barnes. What has happened? What do you know about him? Tell me."

"What do I know about him? I know nothing. So far as I am aware, I never saw the man in my life before."

"I don't believe you--you are lying! Where has he gone, and why? You shall tell me--I'll make you!"

She forced her way into the room; in doing so she forced me back. When she was in, she shut the door and stood with her back to it. Her voice had risen to a scream. Her manner almost threatened personal violence. I felt that the hotel to which I had been introduced was conducted on lines with which I had not been hitherto familiar.

"If, as you say, and as I have no reason to doubt, this person is your husband, and he has really disappeared, I can understand that your excitement is not unjustified; but you are mistaken if you suppose that I am in any way to blame. I will tell you exactly what happened between us." I turned aside so that I might have some sort of chance of making up my mind as to how much, on the spur of the moment, it might be advisable to tell her. "Your husband waited on me at dinner. During dinner we scarcely exchanged half a dozen words. After dinner I said something which, although it was spoken out loud, was said to myself, but which affected him in the most extraordinary and unexpected manner."

"I said 'I want you.'"

"You said, 'I want you'?" The woman gave a sort of nervous clutch at the door behind her. "Are you a policeman?"

"I am nothing of the kind. You ought to know better than I what your husband has on his conscience. I can only suppose that, for some cause, he stands in terror of the officers of the law; because, no sooner had I innocently uttered what, I believe, is a regular policeman's formula, than, without a word of warning, he caught up the empty bottle which was on the table, like a madman, and knocked me down with it."

"Knocked you down with it!" The woman's face was as white as her own sheets. I saw that she needed the support of the door to aid her stand. "You said nothing to me when I came in."

"I was so astounded by the man's behaviour, and so stunned by his violence, that I was not in a fit state for saying anything. I intended to wait till the morning, and then have it out both with you and with him."

"You are telling me the truth?"

So I was, though I might not have been telling all of it. I appeared to have told enough of it for her, because immediately afterwards she departed--unless I err, not much easier in her mind because of the visit she had paid to me.

In the morning, as might have been expected, I woke with a headache. I did not feel in the best of health, either physical or mental, when I went down to breakfast. That meal was served by a maidservant. Bringing in a letter on a waiter, she asked if it was for me. As it was addressed to me by name--"Mr. James Southam "--I not only claimed, I opened it. It contained a letter and some enclosures. Here is the letter, word for word:--

"Dear Sir,--I have just had a telegram from Messrs. Cleaver and Caxton, acquainting me with your address. It gives me great pleasure to write to you. I am just now detained by business, but I hope to call on you at the very earliest opportunity, at latest in the course of a day or two. I assure you that it will be greatly to your advantage. As some slight guarantee of this I beg your acceptance of the enclosed. You need have no fear. You will find in me, in all respects, a friend.

"I will let you know, by telegram, when I am coming. Until then,

"Believe me, your sincere well-wisher,

The "enclosed" took the shape of four five-pound bank-notes. Who "Duncan Rothwell" was I had not the faintest notion. To me the name was wholly unfamiliar. The letter was neither addressed nor dated. The post-mark on the envelope was Manchester. Messrs. Cleaver and Caxton must have telegraphed so soon as I had left them, and clearly Mr. Rothwell had written immediately on receipt of their wire. The letter was fairly worded, but something about the writing, and indeed about the whole get up of the thing, suggested that it had not been written by a highly educated man--a gentleman.

In any case it seemed sufficiently clear that it was not intended for me, until, fingering the thing, and turning it over and over, I chanced to open the sheet of paper on which it was written. It was a large sheet of business letter-paper. The communication was all contained on the front page, and as there was still plenty of room to spare, it did not occur to me that there could be additions, say, for instance, in the shape of a postscript. It was by the purest chance that my fidgety fingers pulled the sheet wide open. So soon as they had done so I perceived that I was wrong. In the middle of the third page was this:--

"P.S.--It was with great regret that I heard of your mother's lamented death at Putney. I had the melancholy satisfaction of visiting her grave in Wandsworth Cemetery. This will facilitate matters greatly."

Then the letter was intended for me after all. My mother had died at Putney--she had been buried in Wandsworth Cemetery. There might, although I had not been aware of it, have been two James Southams in Dulborough; the coincidence was credible. But it was scarcely credible that the other James Southam's mother could also have died at Putney, and have been buried in Wandsworth Cemetery. Why, or in what sense, my mother's death might facilitate matters, was more than I could say. But, in the face of that postscript, there still seemed sufficient doubt as to which James Southam was about to hear of something to his advantage, to justify me in remaining where I was, and allowing events to take their course.

As I was standing at the window, meditating whether or not I should go for a stroll, the maidservant appeared with a message.

"Mrs. Barnes's compliments, and if you are at liberty, could she speak to you in the private parlour?"

I was not anxious to see Mrs. Barnes. I had a suspicion that if I was not careful I might become more involved than was desirable in her private affairs. Still, if I remained in her house I could scarcely avoid speaking to her. My impulse was to go to Messrs. Cleaver and Caxton, and ask them to shift my quarters. But they might decline, and--well, I shrugged my shoulders, and went and spoke to her.

The private parlour proved to be a small room, and a stuffy one. Mrs. Barnes received me on the threshold. She opened the door to permit me to enter, and having followed me in she shut it behind us.

"He has not returned," she said.

"Frankly, I think it is almost as well that he should not have returned--at least, while I remain an inmate of your house. You can scarcely expect me to pass over his extraordinary behaviour in silence."

The two stories in this volume share a binding but little else. 'The Woman with One Hand' begins with an 'agony' column and a waiter who finds something gruesome on a tray. The narrative moves quickly from a hotel dining room to a street doorway, each shift tightening the suspense. 'Mr. Ely's Engagement' takes a different tone entirely, opening with a dinner party where a guest's innocent remarks about 'Bertha'—actually a railway stock—provoke near-profane rage. The contrast in register is stark: one story builds dread through fragmented glimpses, the other through social comedy built on misheard jargon.

Two Openings, Two Worlds

The volume’s first sentence is an advertisement: 'Wanted, information respecting a woman with one hand.' From there, the narrative jumps to a waiter’s discovery of a severed hand on a supper tray. The scene is confined to a hotel, but the reader is given no explanation—only the waiter’s shock and a hurried retreat. In contrast, 'Mr. Ely's Engagement' opens with a domestic meal where Mrs. Clive tries to make conversation. Mr. Ely’s replies are a jumble of Stock Exchange slang: 'Noras have gone up one, Doras one seven-eighths, Trunks are flat.' The comedy arises from the gap between what he says and what the ladies hear. Where the first story withholds information, the second piles on miscommunication.

Movement Between Interior and Threshold

Both stories make pointed use of doorways and windows as transitional spaces. In 'The Woman with One Hand,' the waiter’s discovery occurs indoors, but the narrative then follows him to a doorway where a man lurks. The threshold becomes a site of threat. In 'Mr. Ely's Engagement,' Mr. Ely escapes the dining room through a French window onto the lawn. The movement from interior to exterior signals a shift in mood—from constrained civility to open frustration. Miss Truscott later follows him, and their interview takes place neither fully inside nor out. These liminal spaces mirror the characters’ uncertain positions: the waiter caught between duty and fear, Mr. Ely between rage and courtship.

Recurring Images of Hands and Gestures

The title of the first story foregrounds a missing hand, and the severed hand is the central object of the opening. But hands also appear in the second story in a more mundane form: Mr. Ely 'placed his knife and fork together, with a little clatter, on his plate.' The gesture is small but telling—a physical punctuation to his irritation. Later, he rises and marches out, his movements described with deliberate precision. In both tales, hands and their actions carry meaning beyond the literal. The waiter’s discovery is tactile; Mr. Ely’s clatter is auditory. The recurrence of hand-related imagery—grasping, warding off, setting down—ties the two stories together despite their tonal difference.

Dialogue as a Driver of Scene Change

Marsh uses dialogue not merely to reveal character but to propel the narrative from one setting to the next. In 'The Woman with One Hand,' the waiter’s brief exchange with a colleague leads him to the doorway. In 'Mr. Ely's Engagement,' Mrs. Clive’s well-meaning questions trigger Mr. Ely’s exit: 'If you will allow me, I'll go outside for a change of air.' The conversation itself becomes the mechanism for scene shifts. Miss Truscott’s tranquil interjection—'We might survive his departure if he did'—shows how dialogue also undercuts tension. The clipped, almost theatrical exchanges give both stories a brisk pace, moving characters through rooms and across thresholds with minimal narration.

Readers may find it useful to attend to the way Marsh builds atmosphere through confined spaces and abrupt exits. The two stories, though published together, operate on different principles of suspense: one withholds, the other misdirects. Noticing how each scene is entered and left—through a door, a window, a question—can reveal the craft beneath the period surface.

Reading about the waiter’s startled discovery made me recall a rainy afternoon when I first encountered If Sinners Entice Thee — Reading Notes. There, too, something ordinary—a misplaced letter—unhinged a whole small world. Both books leave me feeling like I’ve walked through a stranger’s door and been quietly invited to linger, not as a guest, but as a witness.

Joseph Brown
4 weeks ago

Grace Gonzalez
4 weeks ago

Camila Jackson
1 month ago

David Torres
1 month ago

4.5
4.5 out of 5 (4 User reviews )

Add a Review

Your Rating *
  • ...
    Kaitlin Denise Booker - 1 month ago
    This book is a delightful surprise—an engaging tale of love, suspense, and mystery. The character of the woman with one hand is uniquely portrayed, and her interactions with Mr. Ely are both witty and intriguing. The fast-paced plot kept me guessing, and the unexpected ending left me satisfied. A brilliant read that I highly recommend!

  • ...
    Catherine Stephens - 2 weeks ago
    The Woman With One Hand and Mr Ely's Engagement is an entertaining story with a clever plot. The author does a good job building suspense. However, some parts felt rushed, and the secondary characters were not fully developed. Still, it's an enjoyable read for those who like mysteries with a twist.

  • ...
    Donald Lindsey Spears - 6 days ago
    Despite its intriguing title, this book falls flat. The plot is convoluted, and the characters are hard to connect with. The narrative lacks focus, mixing romance and mystery awkwardly. The ending is abrupt and unsatisfying. I struggled to finish it and expected much more from such a promising premise.


Reader reflection

What was your reading experience?

Capture what you thought, learned, and would like to remember.

Your progress 0 / 10
1

Have you finished this book?

2

Did this book hold your interest?

3

How likely are you to recommend this book?

4

How easy was the book to follow?

Related eBooks