The Case of Jennie Brice — Edition Insights
Edition facts
This digital edition of The Case of Jennie Brice — Edition Insights is described by source-level measurements including 39,559 words, 2 hr 52 min estimated reading time, and 5 detected text sections.
The text analysis averages about 12.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Detective and mystery stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
That was how I happened to hear what I afterward told the police.
Some one--a man, but not Mr. Ladley--was talking. Mrs. Ladley broke in: "I won't do it!" she said flatly. "Why should I help him? He doesn't help me. He loafs here all day, smoking and sleeping, and sits up all night, drinking and keeping me awake."
The voice went on again, as if in reply to this, and I heard a rattle of glasses, as if they were pouring drinks. They always had whisky, even when they were behind with their board.
"That's all very well," Mrs. Ladley said. I could always hear her, she having a theatrical sort of voice--one that carries. "But what about the prying she-devil that runs the house?"
"Hush, for God's sake!" broke in Mr. Ladley, and after that they spoke in whispers. Even with my ear against the panel, I could not catch a word.
The men came just then to move the piano, and by the time we had taken it and the furniture up-stairs, the water was over the kitchen floor, and creeping forward into the hall. I had never seen the river come up so fast. By noon the yard was full of floating ice, and at three that afternoon the police skiff was on the front street, and I was wading around in rubber boots, taking the pictures off the walls.
I was too busy to see who the Ladleys' visitor was, and he had gone when I remembered him again. The Ladleys took the second-story front, which was empty, and Mr. Reynolds, who was in the silk department in a store across the river, had the room just behind.
I put up a coal stove in a back room next the bathroom, and managed to cook the dinner there. I was washing up the dishes when Mr. Reynolds came in. As it was Sunday, he was in his slippers and had the colored supplement of a morning paper in his hand.
"What's the matter with the Ladleys?" he asked. "I can't read for their quarreling."
"Booze, probably," I said. "When you've lived in the flood district as long as I have, Mr. Reynolds, you'll know that the rising of the river is a signal for every man in the vicinity to stop work and get full. The fuller the river, the fuller the male population."
"Then this flood will likely make 'em drink themselves to death!" he said. "It's a lulu."
"It's the neighborhood's annual debauch. The women are busy keeping the babies from getting drowned in the cellars, or they'd get full, too. I hope, since it's come this far, it will come farther, so the landlord will have to paper the parlor."
That was at three o'clock. At four Mr. Ladley went down the stairs, and I heard him getting into a skiff in the lower hall. There were boats going back and forth all the time, carrying crowds of curious people, and taking the flood sufferers to the corner grocery, where they were lowering groceries in a basket on a rope from an upper window.
I had been making tea when I heard Mr. Ladley go out. I fixed a tray with a cup of it and some crackers, and took it to their door. I had never liked Mrs. Ladley, but it was chilly in the house with the gas shut off and the lower floor full of ice-water. And it is hard enough to keep boarders in the flood district.
She did not answer to my knock, so I opened the door and went in. She was at the window, looking after him, and the brown valise, that figured in the case later, was opened on the floor. Over the foot of the bed was the black and white dress, with the red collar.
When I spoke to her, she turned around quickly. She was a tall woman, about twenty-eight, with very white teeth and yellow hair, which she parted a little to one side and drew down over her ears. She had a sullen face and large well-shaped hands, with her nails long and very pointed.
"The 'she-devil' has brought you some tea," I said. "Where shall she put it?"
"'She-devil'!" she repeated, raising her eyebrows. "It's a very thoughtful she-devil. Who called you that?"
But, with the sight of the valise and the fear that they might be leaving, I thought it best not to quarrel. She had left the window, and going to her dressing-table, had picked up her nail-file.
"Never mind," I said. "I hope you are not going away. These floods don't last, and they're a benefit. Plenty of the people around here rely on 'em every year to wash out their cellars."
"No, I'm not going away," she replied lazily. "I'm taking that dress to Miss Hope at the theater. She is going to wear it in _Charlie's Aunt_ next week. She hasn't half enough of a wardrobe to play leads in stock. Look at this thumb-nail, broken to the quick!"
If I had only looked to see which thumb it was! But I was putting the tea-tray on the wash-stand, and moving Mr. Ladley's papers to find room for it. Peter, the spaniel, begged for a lump of sugar, and I gave it to him.
"Where is Mr. Ladley?" I asked.
"Gone out to see the river."
"I hope he'll be careful. There's a drowning or two every year in these floods."
"Then I hope he won't," she said calmly. "Do you know what I was doing when you came in? I was looking after his boat, and hoping it had a hole in it."
"You won't feel that way to-morrow, Mrs. Ladley," I protested, shocked. "You're just nervous and put out. Most men have their ugly times. Many a time I wished Mr. Pitman was gone--until he went. Then I'd have given a good bit to have him back again."
She was standing in front of the dresser, fixing her hair over her ears. She turned and looked at me over her shoulder.
"Probably Mr. Pitman was a man," she said. "My husband is a fiend, a devil."
Well, a good many women have said that to me at different times. But just let me say such a thing to _them_, or repeat their own words to them the next day, and they would fly at me in a fury. So I said nothing, and put the cream into her tea.
I never saw her again.
There is not much sleeping done in the flood district during a spring flood. The gas was shut off, and I gave Mr. Reynolds and the Ladleys each a lamp. I sat in the back room that I had made into a temporary kitchen, with a candle, and with a bedquilt around my shoulders. The water rose fast in the lower hall, but by midnight, at the seventh step, it stopped rising and stood still. I always have a skiff during the flood season, and as the water rose, I tied it to one spindle of the staircase after another.
I made myself a cup of tea, and at one o'clock I stretched out on a sofa for a few hours' sleep. I think I had been sleeping only an hour or so, when some one touched me on the shoulder and I started up. It was Mr. Reynolds, partly dressed.
"Some one has been in the house, Mrs. Pitman," he said. "They went away just now in the boat."
"Perhaps it was Peter," I suggested. "That dog is always wandering around at night."
"Not unless Peter can row a boat," said Mr. Reynolds dryly.
I got up, being already fully dressed, and taking the candle, we went to the staircase. I noticed that it was a minute or so after two o'clock as we left the room. The boat was gone, not untied, but cut loose. The end of the rope was still fastened to the stair-rail. I sat down on the stairs and looked at Mr. Reynolds.
"It's gone!" I said. "If the house catches fire, we'll have to drown."
"It's rather curious, when you consider it." We both spoke softly, not to disturb the Ladleys. "I've been awake, and I heard no boat come in. And yet, if no one came in a boat, and came from the street, they would have had to swim in."
I felt queer and creepy. The street door was open, of course, and the lights going beyond. It gave me a strange feeling to sit there in the darkness on the stairs, with the arch of the front door like the entrance to a cavern, and see now and then a chunk of ice slide into view, turn around in the eddy, and pass on. It was bitter cold, too, and the wind was rising.
"I'll go through the house," said Mr. Reynolds. "There's likely nothing worse the matter than some drunken mill-hand on a vacation while the mills are under water. But I'd better look."
He left me, and I sat there alone in the darkness. I had a presentiment of something wrong, but I tried to think it was only discomfort and the cold. The water, driven in by the wind, swirled at my feet. And something dark floated in and lodged on the step below. I reached down and touched it. It was a dead kitten. I had never known a dead cat to bring me anything but bad luck, and here was one washed in at my very feet.
Mr. Reynolds came back soon, and reported the house quiet and in order.
"But I found Peter shut up in one of the third-floor rooms," he said. "Did you put him there?"
I had not, and said so; but as the dog went everywhere, and the door might have blown shut, we did not attach much importance to that at the time.
Well, the skiff was gone, and there was no use worrying about it until morning. I went back to the sofa to keep warm, but I left my candle lighted and my door open. I did not sleep: the dead cat was on my mind, and, as if it were not bad enough to have it washed in at my feet, about four in the morning Peter, prowling uneasily, discovered it and brought it in and put it on my couch, wet and stiff, poor little thing!
I looked at the clock. It was a quarter after four, and except for the occasional crunch of one ice-cake hitting another in the yard, everything was quiet. And then I heard the stealthy sound of oars in the lower hall.
I am not a brave woman. I lay there, hoping Mr. Reynolds would hear and open his door. But he was sleeping soundly. Peter snarled and ran out into the hall, and the next moment I heard Mr. Ladley speaking. "Down, Peter," he said. "Down. Go and lie down."
I took my candle and went out into the hall. Mr. Ladley was stooping over the boat, trying to tie it to the staircase. The rope was short, having been cut, and he was having trouble. Perhaps it was the candle-light, but he looked ghost-white and haggard.
"I borrowed your boat, Mrs. Pitman," he said, civilly enough. "Mrs. Ladley was not well, and I--I went to the drug store."
"You've been more than two hours going to the drug store," I said.
He muttered something about not finding any open at first, and went into his room. He closed and locked the door behind him, and although Peter whined and scratched, he did not let him in.
He looked so agitated that I thought I had been harsh, and that perhaps she was really ill. I knocked at the door, and asked if I could do anything. But he only called "No" curtly through the door, and asked me to take that infernal dog away.
I went back to bed and tried to sleep, for the water had dropped an inch or so on the stairs, and I knew the danger was over. Peter came, shivering, at dawn, and got on to the sofa with me. I put an end of the quilt over him, and he stopped shivering after a time and went to sleep.
The dog was company. I lay there, wide awake, thinking about Mr. Pitman's death, and how I had come, by degrees, to be keeping a cheap boarding-house in the flood district, and to having to take impudence from everybody who chose to rent a room from me, and to being called a she-devil. From that I got to thinking again about the Ladleys, and how she had said he was a fiend, and to doubting about his having gone out for medicine for her. I dozed off again at daylight, and being worn out, I slept heavily.
At seven o'clock Mr. Reynolds came to the door, dressed for the store. He was a tall man of about fifty, neat and orderly in his habits, and he always remembered that I had seen better days, and treated me as a lady.
"Never mind about breakfast for me this morning, Mrs. Pitman," he said. "I'll get a cup of coffee at the other end of the bridge. I'll take the boat and send it back with Terry."
He turned and went along the hall and down to the boat. I heard him push off from the stairs with an oar and row out into the street. Peter followed him to the stairs.
At a quarter after seven Mr. Ladley came out and called to me: "Just bring in a cup of coffee and some toast," he said. "Enough for one."
He went back and slammed his door, and I made his coffee. I steeped a cup of tea for Mrs. Ladley at the same time. He opened the door just wide enough for the tray, and took it without so much as a "thank you." He had a cigarette in his mouth as usual, and I could see a fire in the grate and smell something like scorching cloth.
"I hope Mrs. Ladley is better," I said, getting my foot in the crack of the door, so he could not quite close it. It smelled to me as if he had accidentally set fire to something with his cigarette, and I tried to see into the room.
"What about Mrs. Ladley?" he snapped.
"You said she was ill last night."
"Oh, yes! Well, she wasn't very sick. She's better."
"Shall I bring her some tea?"
"Take your foot away!" he ordered. "No. She doesn't want tea. She's not here."
"Good heavens!" he snarled. "Is her going away anything to make such a fuss about? The Lord knows I'd be glad to get out of this infernal pig-wallow myself."
"If you mean my house--" I began.
But he had pulled himself together and was more polite when he answered. "I mean the neighborhood. Your house is all that could be desired for the money. If we do not have linen sheets and double cream, we are paying muslin and milk prices."
Either my nose was growing accustomed to the odor, or it was dying away: I took my foot away from the door. "When did Mrs. Ladley leave?" I asked.
"This morning, very early. I rowed her to Federal Street."
"You couldn't have had much sleep," I said dryly. For he looked horrible. There were lines around his eyes, which were red, and his lips looked dry and cracked.
"She's not in the piece this week at the theater," he said, licking his lips and looking past me, not at me. "She'll be back by Saturday."
I did not believe him. I do not think he imagined that I did. He shut the door in my face, and it caught poor Peter by the nose. The dog ran off howling, but although Mr. Ladley had been as fond of the animal as it was in his nature to be fond of anything, he paid no attention. As I started down the hall after him, I saw what Peter had been carrying--a slipper of Mrs. Ladley's. It was soaked with water; evidently Peter had found it floating at the foot of the stairs.
Although the idea of murder had not entered my head at that time, the slipper gave me a turn. I picked it up and looked at it--a black one with a beaded toe, short in the vamp and high-heeled, the sort most actresses wear. Then I went back and knocked at the door of the front room again.
"What the devil do you want now?" he called from beyond the door.
"Here's a slipper of Mrs. Ladley's," I said. "Peter found it floating in the lower hall."
He opened the door wide, and let me in. The room was in tolerable order, much better than when Mrs. Ladley was about. He looked at the slipper, but he did not touch it. "I don't think that is hers," he said.
"I've seen her wear it a hundred times."
"Well, she'll never wear it again." And then, seeing me stare, he added: "It's ruined with the water. Throw it out. And, by the way, I'm sorry, but I set fire to one of the pillow-slips--dropped asleep, and my cigarette did the rest. Just put it on the bill."
He pointed to the bed. One of the pillows had no slip, and the ticking cover had a scorch or two on it. I went over and looked at it.
"The pillow will have to be paid for, too, Mr. Ladley," I said. "And there's a sign nailed on the door that forbids smoking in bed. If you are going to set fire to things, I shall have to charge extra."
"Really!" he jeered, looking at me with his cold fishy eyes. "Is there any sign on the door saying that boarders are charged extra for seven feet of filthy river in the bedrooms?"
I was never a match for him, and I make it a principle never to bandy words with my boarders. I took the pillow and the slipper and went out. The telephone was ringing on the stair landing. It was the theater, asking for Miss Brice.
"She has gone away," I said.
"What do you mean? Moved away?"
"Gone for a few days' vacation," I replied. "She isn't playing this week, is she?"
"Wait a moment," said the voice. There was a hum of conversation from the other end, and then another man came to the telephone.
"Can you find out where Miss Brice has gone?"
I went to Ladley's door and knocked. Mr. Ladley answered from just beyond.
"The theater is asking where Mrs. Ladley is."
"Tell them I don't know," he snarled, and shut the door. I took his message to the telephone.
Whoever it was swore and hung up the receiver.
All the morning I was uneasy--I hardly knew why. Peter felt it as I did. There was no sound from the Ladleys' room, and the house was quiet, except for the lapping water on the stairs and the police patrol going back and forth.
At eleven o'clock a boy in the neighborhood, paddling on a raft, fell into the water and was drowned. I watched the police boat go past, carrying his little cold body, and after that I was good for nothing. I went and sat with Peter on the stairs. The dog's conduct had been strange all morning. He had sat just above the water, looking at it and whimpering. Perhaps he was expecting another kitten or--
It is hard to say how ideas first enter one's mind. But the notion that Mr. Ladley had killed his wife and thrown her body into the water came to me as I sat there. All at once I seemed to see it all: the quarreling the day before, the night trip in the boat, the water-soaked slipper, his haggard face that morning--even the way the spaniel sat and stared at the flood.
Terry brought the boat back at half past eleven, towing it behind another.
"Well," I said, from the stairs, "I hope you've had a pleasant morning."
"What doing?" he asked, not looking at me.
"Rowing about the streets. You've had that boat for hours."
He tied it up without a word to me, but he spoke to the dog. "Good morning, Peter," he said. "It's nice weather--for fishes, ain't it?"
Mrs. Pitman, the narrator, begins not with a corpse but with a flood and a dead spaniel: "Peter, the spaniel that Mr. Ladley left when he 'went away'." The dog's discovery in a basement fruit closet triggers her memory of "the strange events of the other flood five years ago." This layered opening—present flood recalling past flood—anchors the mystery in a specific, recurring setting: a boardinghouse in lower Allegheny, regularly inundated each spring. Rinehart quickly establishes Mrs. Pitman's voice: matter-of-fact, observant, and rooted in a particular social geography. She notes that her house, though in a "bad name" neighborhood, attracted theatrical boarders because it was "five minutes across the bridge" to the theater district. The first chapter also introduces a key ambiguity: the narrator admits her name "is not really Pitman, but that does well enough," hinting at a concealed identity that will surface later.
A Narrator with a Hidden Past
The opening pages of The Case of Jennie Brice do more than set a scene; they establish a narrator who withholds as much as she reveals. Mrs. Pitman tells us she "ran away from school to marry Mr. Pitman" and has not seen her family since. She returned to Pittsburgh after twenty years of wandering, a widow with "a hundred dollars or so." This backstory is delivered in a flat, unapologetic tone—she does not dwell on the estrangement. Yet the details accumulate: she once lived near the Pittsburgh Club, drove in a family carriage during the railroad riots of 1877, and now rents a cheap house in a flood-prone district. The reader is left to wonder how much of her past will intersect with the present mystery. When she later visits her niece Lida Harvey in a wealthy home, the contrast is sharp: Lida's room has "gray grass-cloth walls" and a maid, while Mrs. Pitman's own life is one of labor. The narrator's class displacement becomes a quiet thread.
The Flood as Both Setting and Plot Device
Rinehart uses the flood not merely as atmospheric backdrop but as a structural element that shapes the investigation. The water "reached more than half-way to the second story" five years ago, and it brought "mystery and sudden death." The flood explains why a body might be found in a basement, why evidence might be washed away, and why characters are confined together. Mrs. Pitman's boardinghouse becomes a stage where secrets surface. The flood also ties the story to a real place: Allegheny, then an independent city, later annexed to Pittsburgh as the North Side. This geographic specificity grounds the mystery in a recognizable, if transformed, urban landscape. The recurring floods are a fact of life for the neighborhood, making the extraordinary—a murder—seem almost ordinary in comparison. The dog Peter, found half-buried in the fruit closet, is the first clue that the past flood left more than mud.
Clues Embedded in Everyday Objects
Rinehart plants clues in ordinary things: a dog, a clock, a nightgown. The spaniel Peter is introduced as a leftover from Mr. Ladley, who "went away." The dog's corpse is a physical link to the missing man. Later, Lida reports that her fiancé, Mr. Howell, spoke of "an onyx clock" and said "he had been made a fool of." The clock, never fully explained in the excerpts, becomes a talismanic object—something that might unlock the mystery if its significance were known. Mrs. Pitman herself notices small details: Lida's "little nightgown" that "would have taken a week's salary or more." These observations are not mere color; they are the narrator's method. She reads people through their possessions. The maid's black dress and white apron, the ivory and gold toilet-table—each item signals a social world. The mystery, then, is not only who killed Jennie Brice, but how the material traces of a life can be interpreted.
The Unreliable Family Reunion
Late in the excerpts, Mrs. Pitman encounters Isaac, an elderly Black servant who once worked for her family. He calls her "Miss Bess" before she corrects him. The moment is charged: she "shrank back from the light" and denies her identity. Isaac, however, is not fooled—he stares at her cloth gloves and coat, then shakes his head. This brief scene, almost a vignette, suggests that Mrs. Pitman's past is not as buried as she believes. The reader, who knows her only as Mrs. Pitman, now has a possible real name: Bess. The encounter also introduces a witness who might connect her to the wealthy Harvey household. But the excerpts do not reveal whether Isaac will reappear or what he knows. The scene ends with Mrs. Pitman in tears, a rare emotional crack in her composed narration. It is a reminder that the narrator herself may be a piece of the puzzle.
As you read, pay attention to what Mrs. Pitman chooses to tell and what she passes over. Her voice is steady, but the gaps—her family, her real name, her feelings about Mr. Pitman—are where the story's tensions hide. The flood, the dog, the onyx clock: each is a clue not only to a crime but to the narrator's own submerged history. Rinehart trusts the reader to notice these details without underlining them. Let the water recede at its own pace.
Reading about Mrs. Pitman’s flood-soaked Pittsburgh brought me back to my grandmother’s cellar, where a similar quiet dread lived in forgotten things. I once felt that same patient, watchful tone in His darling sin — Edition Insights, where domestic clutter hides more than dust. Both books make me wonder what my own house would confess, if the water ever rose.
There are no reviews for this eBook.
What did you think of this book?
Answer a few questions and save a private reflection on this device.
Brittany Williams - 3 weeks ago
Justin Horne - 1 week ago
Heather Mitchell - 6 days ago