The Green Eyes of Bâst — Context and Discussion
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ittle did I know how abruptly this chosen calm of my life was to be broken nor how these same studies were to be turned in a new and strange direction. But if on this night which was to witness the overture of a horrible drama, I had not hitherto experienced any premonition of the coming of those dark forces which were to change the whole tenor of my existence, suddenly, now, in sight of the elm tree which stood before my cottage the _shadow_ reached me.
Only thus can I describe a feeling otherwise unaccountable which prompted me to check my steps and to listen. A gust of wind had just died away, leaving the night silent save for the dripping of rain from the leaves and the vague and remote roar of the town. Once, faintly, I thought I detected the howling of a dog. I had heard nothing in the nature of following footsteps, yet, turning swiftly, I did not doubt that I should detect the presence of a follower of some kind. This conviction seized me suddenly and, as I have said, unaccountably. Nor was I wrong in my surmise.
Fifty yards behind me a vaguely defined figure showed for an instant outlined against the light of a distant lamp--ere melting into the dense shadow cast by a clump of trees near the roadside.
Standing quite still, I stared in the direction of the patch of shadow for several moments. It may be said that there was nothing to occasion alarm or even curiosity in the appearance of a stray pedestrian at that hour; for it was little after midnight. Indeed thus I argued with myself, whereby I admit that at sight of that figure I had experienced a sensation which was compounded not only of alarm and curiosity but also of some other emotion which even now I find it hard to define. Instantly I knew that the lithe shape, glimpsed but instantaneously, was that of no chance pedestrian--was indeed that of no ordinary being. At the same moment I heard again, unmistakably, the howling of a dog.
Having said so much, why should I not admit that, turning again very quickly, I hurried on to the gate of my cottage and heaved a great sigh of relief when I heard the reassuring bang of the door as I closed it behind me? Coates, my batman, had turned in, having placed a cold repast upon the table in the little dining-room; but although I required nothing to eat I partook of a stiff whisky and soda, idly glancing at two or three letters which lay upon the table.
They proved to contain nothing of very great importance, and having smoked a final cigarette, I turned out the light in the dining-room and walked into the bedroom--for the cottage was of bungalow pattern--and, crossing the darkened room, stood looking out of the window.
It commanded a view of a little kitchen-garden and beyond of a high hedge, with glimpses of sentinel trees lining the main road. The wind had dropped entirely, but clouds were racing across the sky at a tremendous speed so that the nearly full moon alternately appeared and disappeared, producing an ever-changing effect of light and shadow. At one moment a moon-bathed prospect stretched before me as far as the eye could reach, in the next I might have been looking into a cavern as some angry cloud swept across the face of the moon to plunge the scene into utter darkness.
And it was during such a dark spell and at the very moment that I turned aside to light the lamp that I saw _the eyes_.
From a spot ten yards removed, low down under the hedges bordering the garden, they looked up at me--those great, glittering cat's eyes, so that I stifled an exclamation, drawing back instinctively from the window. A tiger, I thought, or some kindred wild beast, must have escaped from captivity. And so rapidly does the mind work at such times that instinctively I had reviewed the several sporting pieces in my possession and had selected a rifle which had proved serviceable in India ere I had taken one step towards the door.
Before that step could be taken the light of the moon again flooded the garden; and although there was no opening in the hedge by which even a small animal could have retired, no living thing was in sight! But, near and remote, dogs were howling mournfully.
When Coates brought in my tea, newspapers and letters in the morning, I awakened with a start, and:
"Has there been any rain during the night, Coates?" I asked.
Coates, whose unruffled calm at all times provided an excellent sedative, replied:
"Not since a little before midnight, sir."
"Ah!" said I, "and have you been in the garden this morning, Coates?"
"Yes, sir," he replied, "for raspberries for breakfast, sir."
"But not on this side of the cottage?"
"Then will you step out, Coates, keeping carefully to the paths, and proceed as far as the tool-shed? Particularly note if the beds have been disturbed between the hedge and the path, but don't make any marks yourself. You are looking for _spoor_, you understand?"
"Spoor? Very good, sir. Of big game?"
"Of big game, yes, Coates."
Unmoved by the strangeness of his instructions, Coates, an object-lesson for those who decry the excellence of British Army disciplinary methods, departed.
It was with not a little curiosity and interest that I awaited his report. As I sat sipping my tea I could hear his regular tread as he passed along the garden path outside the window. Then it ceased and was followed by a vague muttering. He had found something. All traces of the storm had disappeared and there was every indication of a renewal of the heat-wave; but I knew that the wet soil would have preserved a perfect impression of any imprint made upon it on the previous night. Nevertheless, with the early morning sun streaming into my window out of a sky as near to turquoise as I had ever seen it in England, I found it impossible to recapture that uncanny thrill which had come to me in the dark hours when out of the shadows under the hedge the great cat's eyes had looked up at me.
And now, becoming more fully awake, I remembered something else which hitherto I had not associated with the latter phenomenon. I remembered that lithe and evasive pursuing shape which I had detected behind me on the road. Even now, however, it was difficult to associate one with the other; for whereas the dimly-seen figure had resembled that of a man (or, more closely, that of a woman) the eyes had looked out upon me from a point low down near the ground, like those of some crouching feline.
Coates' footsteps sounded again upon the path and I heard him walking round the cottage and through the kitchen. Finally he reëntered the bedroom and stood just within the doorway in that attitude of attention which was part and parcel of the man. His appearance would doubtless have violated the proprieties of the Albany, for in my rural retreat he was called upon to perform other and more important services than those of a valet. His neatly shaved chin, stolid red countenance and perfectly brushed hair were unexceptionable of course, but because his duties would presently take him into the garden he wore, not the regulation black, but an ancient shooting-jacket, khaki breeches and brown gaiters, looking every inch of him the old soldier that he was.
"Well, Coates?" said I.
He cleared his throat.
"There are footprints in the radish-beds, sir," he reported.
"Yes, sir. Very deep. As though some one had jumped over the hedge and landed there."
"Jumped over the hedge!" I exclaimed. "That would be a considerable jump, Coates, from the road."
"It would, sir. Maybe she scrambled up."
Coates cleared his throat again.
"There are three sets of prints in all. First a very deep one where the party had landed, then another broken up like, where she had turned round, and the third set with the heel-marks very deep where she had sprung back over the hedge."
"The prints, sir," resumed Coates, unmoved, "are those of a lady's high-heeled shoes."
I sat bolt upright in bed, staring at the man and scarcely able to credit my senses. Words failed me. Whereupon:
"Will you have tea or coffee for breakfast?" inquired Coates.
"Tea or coffee be damned, Coates!" I cried. "I'm going out to look at those footprints! If you had seen what I saw last night, even your old mahogany countenance would relax for once, I assure you."
"Indeed, sir," said Coates; "did you see the lady, then?"
"Lady!" I exclaimed, tumbling out of bed. "If the eyes that looked at me last night belonged to a 'lady' either I am mad or the 'lady' is of another world."
I pulled on a bath-robe and hurried out into the garden, Coates showing me the spot where he had found the mysterious foot-prints. A very brief examination sufficed to convince me that his account had been correct. Some one wearing high-heeled shoes clearly enough had stood there at some time whilst the soil was quite wet; and as no track led to or from the marks, Coates' conclusion that the person who had made them must have come over the hedge was the only feasible one. I turned to him in amazement, but recognizing in time the wildly fantastic nature of the sight which I had seen in the night, I refrained from speaking of the blazing eyes and made my way to the bathroom wondering if some chance reflection might not have deceived me and the presence of a woman's footmarks at the same spot be no more than a singular coincidence. Even so the mystery of their presence there remained unexplained.
My thoughts were diverted from a trend of profitless conjecture when shortly after breakfast time my 'phone bell rang. It was the editor of the _Planet_, to whom I had been indebted for a number of special commissions--including my fascinating quest of the Giant Gnu, which, generally supposed to be extinct, was reported by certain natives and others to survive in a remote corner of the Dark Continent.
Readers of the _Planet_ will remember that although I failed to discover the Gnu I came upon a number of notable things on my journey through the almost unexplored country about the head-waters of the Niger.
"A most extraordinary case has cropped up," he said, "quite in your line, I think, Addison. Evidently a murder, and the circumstances seem to be most dramatic and unusual. I should be glad if you would take it up."
I inquired without much enthusiasm for details. Criminology was one of my hobbies, and in several instances I had traced cases of alleged haunting and other supposedly supernatural happenings to a criminal source; but the ordinary sordid murder did not interest me.
"The body of Sir Marcus Coverly has been found in a crate!" explained my friend. "The crate was being lowered into the hold of the S.S. _Oritoga_ at the West India Docks. It had been delivered by a conveyance specially hired for the purpose apparently, as the _Oritoga_ is due to sail in an hour. There are all sorts of curious details but these you can learn for yourself. Don't trouble to call at the office; proceed straight to the dock."
"Right!" I said shortly. "I'll start immediately."
And this sudden decision had been brought about by the mention of the victim's name. Indeed, as I replaced the receiver on the hook I observed that my hand was shaking and I have little doubt that I had grown pale.
In the first place, then, let me confess that my retirement to the odd little retreat which at this time was my home, and my absorption in the obscure studies to which I have referred were not so much due to any natural liking for the life of a recluse as to the shattering of certain matrimonial designs. I had learned of the wreck of my hopes upon reading a press paragraph which announced the engagement of Isobel Merlin to Eric Coverly. And it was as much to conceal my disappointment from the world as for any better reason that I had slunk into retirement; for if I am slow to come to a decision in such a matter, once come to, it is of no light moment.
Yet although I had breathed no word of my lost dreams to Isobel but had congratulated her with the rest, often and bitterly I had cursed myself for a sluggard. Too late I had learned that she had but awaited a word from me; and I had gone off to Mesopotamia, leaving that word unspoken. During my absence Coverly had won the prize which I had thrown away. He was heir to the title, for his cousin, Sir Marcus, was unmarried. Now here, a bolt from the blue, came the news of his cousin's death!
It can well be imagined with what intense excitement I hurried to the docks. All other plans abandoned, Coates, arrayed in his neat blue uniform, ran the Rover round from the garage, and ere long we were jolting along the hideously uneven Commercial Road, East, dodging traction-engines drawing strings of lorries, and continually meeting delay in the form of those breakdowns which are of hourly occurrence in this congested but rugged highway.
In the West India Dock Road the way became slightly more open, but when at last I alighted and entered the dock gates I recognized that every newspaper and news agency in the kingdom was apparently represented. Jones, of the _Gleaner_, was coming out as I went in, and:
"Hello, Addison!" he cried, "this is quite in your line! It's as mad as 'Alice in Wonderland.'"
I did not delay, however, but hurried on in the direction of a dock building, at the door of which was gathered a heterogeneous group comprising newspaper men, dock officials, police and others who were unclassifiable. Half a dozen acquaintances greeted me as I came up, and I saw that the door was closed and that a constable stood on duty before it.
"I call it damned impudence, Addison!" exclaimed one pressman. "The dock people are refusing everybody information until Inspector Somebody-or-Other arrives from New Scotland Yard. I should think he has stopped on the way to get his lunch."
The speaker glanced impatiently at his watch and I went to speak to the man on duty.
"You have orders to admit no one, constable?" I asked.
"That's so, sir," he replied. "We're waiting for Detective-Inspector Gatton, who has been put in charge of the case."
"Ah! Gatton," I muttered, and, stepping aside from the expectant group, I filled and lighted my pipe, convinced that anything to be learned I should learn from Inspector Gatton, for he and I were old friends, having been mutually concerned in several interesting cases.
A few minutes later the Inspector arrived--a thick-set, clean-shaven, very bronzed man, his dark hair streaked with gray, and with all the appearance of a retired naval officer, in his well-cut blue serge suit and soft felt hat; a very reserved man whose innocent-looking blue eyes gave him that frank and open expression which is more often associated with a seaman than with a detective. He nodded to several acquaintances in the group, and then, observing me where I stood, came over and shook hands.
"Open the door, constable," he ordered quietly.
The constable produced a key and unlocked the door of the small stone building. Immediately there was a forward movement of the whole waiting group, but:
"If you please, gentlemen," said Gatton, raising his hand. "I must make my examination first; and Mr. Addison," he added, seeing the resentment written upon the faces of my disappointed confrères, "has special information which I am going to ask him to place at my disposal."
The constable stood aside and I followed Inspector Gatton into the stone shed.
"Lock the door again, constable," he ordered; "no one is to be admitted."
Thereupon I looked about me, and the scene which I beheld was so strange and gruesome that its every detail remains imprinted upon my memory.
The building then was lighted by four barred windows set so high in the walls that no one could look in from the outside. Blazing sunlight poured in at the two southerly windows and drew a sharp black pattern of the bars across the paved floor. Kneeling beside a stretcher, fully in this path of light, so that he presented a curious striped appearance, was a man who presently proved to be the divisional surgeon, and two paces beyond stood a police inspector who was engaged at the moment of our entrance in making entries in his note-book.
On the stretcher, so covered up that only his face was visible, lay one whom at first I failed to recognize, for the horribly contorted features presented a kind of mottled green appearance utterly indescribable.
Stifling an exclamation of horror, I stared and stared at that ghastly face, then:
"My God!" I muttered. "Yes! it _is_ Sir Marcus!"
The surgeon stood up and the inspector advanced to meet Gatton, but my horrified gaze had strayed from the stretcher to a badly damaged and splintered packing-case, which was the only other object in the otherwise empty shed. At this I stared as much aghast as I had stared at the dead man.
The iron bands were broken and twisted and the whole of one side lay in fragments on the floor; but upon a board which had formed part of the top I perceived the figure of a cat roughly traced in green paint.
Beyond any shadow of doubt this crate was the same which on the night before had lain in the garage of the Red House!
"Yes," said Gatton, "I was speaking no more than the truth when I told them that you had special information which I hoped you would place at my disposal. Some of the particulars were given to me over the 'phone, you see, and I was glad to find you here when I arrived. I should have consulted you in any event, and principally about--that."
He pointed to an object which I held in my hand. It was a little green enamel image; the crouching figure of a woman having a cat's head, a piece of Egyptian workmanship probably of the fourth century B.C. Considered in conjunction with the figure painted upon the crate, the presence of this little image was so amazing a circumstance that from the moment when it had been placed in my hand I had stood staring at it almost dazedly.
The divisional surgeon had gone, and only the local officer remained with Gatton and myself in the building. Sir Marcus Coverly presented all the frightful appearance of one who has died by asphyxia, and although of course there would be an autopsy, little doubt existed respecting the mode of his death. The marks of violence found upon the body could be accounted for by the fact that the crate had fallen a distance of thirty feet into the hold, and the surgeon was convinced that the injuries to the body had all been received after death, death having taken place in his opinion fully twelve hours before.
"You see," said Gatton, "when the crate broke several things which presumably were in Sir Marcus' pockets were found lying loose amongst the wreckage. That cat-woman was one of them."
"Yet it may not have been in any of his pockets at all," said I.
"It _may_ not," agreed Gatton. "But that it was somewhere in the crate is beyond dispute, I think. Besides this is more than a coincidence."
And he pointed to the painted cat upon the lid of the packing-case. I had already told him of the episode at the Red House on the previous night, and now:
"The fates are on our side," I said, "for at least we know where the crate was despatched from."
"Quite so," agreed Gatton. "We should have got that from the carter later, of course, but every minute saved in an affair such as this is worth considering. As a pressman you will probably disagree with me, but I propose to suppress these two pieces of evidence. Premature publication of clews too often handicaps us. Now, what _is_ that figure exactly?"
The narrator of The Green Eyes of Bâst introduces himself through a casual chat with a police sergeant, revealing his profession as a journalist living in a semi-rural village within an hour of Fleet Street. This opening establishes a voice that is observant and slightly detached, noting the old-world atmosphere of the high street and the distant sound of St. Paul's bell. The weather—gusty wind, dripping rain, a turgid stream—is described in precise detail, setting a mood of unease before any mystery appears.
The first chapter's title, "I See the Eyes," promises a supernatural or threatening vision, but the text instead focuses on mundane routines and the narrator's deliberate isolation. This contrast between the ordinary and the ominous is a structural pattern in the excerpts: the gold cat amulet, described as a "Bubastite votive offering," enters the story through a boastful young man who received it from an unknown woman. The narrator's interrogation of him reveals a blend of police procedure and psychological manipulation, with the amulet treated as both a clue and a curiosity.
A Narrator Who Observes More Than He Acts
The narrator's role is that of a listener and questioner rather than a protagonist who drives events. In the excerpts, he does not chase suspects or uncover clues through action; instead, he gathers information by talking to people—a police sergeant, a boastful young man named Edward Hines—and by reflecting on his surroundings. His profession as a journalist is mentioned but not demonstrated through any writing or reporting; it serves mainly to explain his mobility and his interest in other people's stories.
This passive stance is reinforced by the narrative voice, which is full of sensory details: the sound of rain, the feel of wind, the sight of darkened houses. The narrator notices the "old-world atmosphere" of the village and the way modern buildings have replaced half-timbered houses, but he does not act on these observations. He is a conduit for the reader, not an agent of the plot. The mystery of the gold cat—its origin, its connection to the "Oritoga mystery"—emerges through his questions, not his discoveries.
The Gold Cat as a MacGuffin with Cultural Weight
The amulet described as "a little gold figure of Bâst" is treated as both a valuable artifact and a plot device. The narrator identifies it as "Ancient Egyptian workmanship and probably a genuine Bubastite votive offering," grounding it in real historical context—Bubastis was a center of worship for the cat goddess Bastet. Yet the amulet's function in the story is to link characters: Edward Hines received it from a woman he cannot name, and the narrator connects it to a police case called "the Oritoga mystery."
The excerpts do not reveal what the Oritoga mystery is, nor do they explain the amulet's significance beyond its material value (estimated at £50). The cat is a token of exchange, passed from an unknown woman to a vain young man, and then examined by the narrator. Its green eyes, referenced in the title, are not described in the excerpts; the title's promise of a visual or supernatural element remains unfulfilled in the text provided. The amulet's cultural associations—Egyptian religion, mystery, exoticism—are invoked but not developed.
Setting as a Character: The Village Between City and Country
The story's setting is a village that is neither fully rural nor urban, described as "a relic of the days when trains and motor-buses were not." The narrator lives there for its inaccessibility, yet he must be within an hour of Fleet Street. This liminal space is evoked through sound: the "muted bombilation of the sleepless city" and the "hammer-strokes of the great bell of St. Paul's" when the wind is north. The village street at night is lined with trees and darkened houses that seem to "withdraw yet farther into the gardens."
This atmospheric detail serves more than decoration. The setting creates isolation and tension, making the appearance of a mysterious woman or a gold amulet feel plausible. The police hut where the narrator lights his pipe is a "sentry-box," a small, confined space that contrasts with the open, windy road. The excerpts use setting to establish mood before any plot develops, and the recurring references to weather—gusts, rain, cooling air—suggest a world that is unsettled and watchful.
Readers approaching The Green Eyes of Bâst should attend to the narrator's voice, which is more that of a diarist than a detective. The excerpts offer no resolution to the mystery of the cat amulet or the Oritoga case; they establish a tone of patient inquiry and atmospheric dread. The book's structure, as shown in the table of contents, includes chapters titled "The Voice," "The Cat of Bubastis," and "The Black Doctor," suggesting a widening circle of characters and clues. The narrative rewards attention to small details—a gesture, a sound, a piece of jewelry—rather than dramatic action.
That rainy afternoon, The Green Eyes of Bâst carried me through its quiet village with the gold amulet pressing at the edges of reason—not a scream, but a whisper. I closed it, restless, and my hand drifted to another shelf. Arthur Machen’s The Terror: A Mystery — Text and Context felt like the same rain, falling somewhere darker, where the land itself remembers what we try to forget.
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