The Terror: A Mystery — Text and Context

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In Category - Suspense
Machen, Arthur, 1863-1947 Project Gutenberg 2011 Not confirmed
London (England) -- Fiction; Murder -- Fiction; Mystery fiction; World War, 1914-1918 -- Great Britain -- Fiction; Animals -- Great Britain -- Fiction Readers of public-domain and historical texts
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Words 41,371
Reading time 180 min
Text sections 16

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Arthur Machen's 1917 novel intertwines World War I home-front anxiety with a series of unexplained deaths, as characters struggle to connect isolated incidents involving animals and hidden enemies.
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Editorial Edition Score 4.8/5

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  • Title & short description10 pts
  • Source metadata20 pts
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CHAPTER I. The Coming of the Terror CHAPTER II. Death in the Village CHAPTER III. The Doctor’s Theory CHAPTER IV. The Spread of the Terror CHAPTER V. The Incident of the Unknown Tree CHAPTER VI. Mr. Remnant’s Z Ray CHAPTER VII. The Case of the Hidden Germans CHAPTER VIII. What Mr. Merritt Found CHAPTER IX. The Light on the Water CHAPTER X. The Child and the Moth CHAPTER XI. At Treff Loyne Farm CHAPTER XII. The Letter of Wrath CHAPTER XIII. The Last Words of Mr. Secretan CHAPTER XIV. The End of the Terror

CHAPTER I. The Coming of the Terror

After two years we are turning once more to the morning’s news with a sense of appetite and glad expectation. There were thrills at the beginning of the war; the thrill of horror and of a doom that seemed at once incredible and certain; this was when Namur fell and the German host swelled like a flood over the French fields, and drew very near to the walls of Paris. Then we felt the thrill of exultation when the good news came that the awful tide had been turned back, that Paris and the world were safe; for awhile at all events.

Then for days we hoped for more news as good as this or better. Has Von Kluck been surrounded? Not to-day, but perhaps he will be surrounded to-morrow. But the days became weeks, the weeks drew out to months; the battle in the West seemed frozen. Now and again things were done that seemed hopeful, with promise of events still better. But Neuve Chapelle and Loos dwindled into disappointments as their tale was told fully; the lines in the West remained, for all practical purposes of victory, immobile. Nothing seemed to happen; there was nothing to read save the record of operations that were clearly trifling and insignificant. People speculated as to the reason of this inaction; the hopeful said that Joffre had a plan, that he was “nibbling,” others declared that we were short of munitions, others again that the new levies were not yet ripe for battle. So the months went by, and almost two years of war had been completed before the motionless English line began to stir and quiver as if it awoke from a long sleep, and began to roll onward, overwhelming the enemy.

The secret of the long inaction of the British Armies has been well kept. On the one hand it was rigorously protected by the censorship, which severe, and sometimes severe to the point of absurdity—“the captains and the ... depart,” for instance—became in this particular matter ferocious. As soon as the real significance of that which was happening, or beginning to happen, was perceived by the authorities, an underlined circular was issued to the newspaper proprietors of Great Britain and Ireland. It warned each proprietor that he might impart the contents of this circular to one other person only, such person being the responsible editor of his paper, who was to keep the communication secret under the severest penalties. The circular forbade any mention of certain events that had taken place, that might take place; it forbade any kind of allusion to these events or any hint of their existence, or of the possibility of their existence, not only in the Press, but in any form whatever. The subject was not to be alluded to in conversation, it was not to be hinted at, however obscurely, in letters; the very existence of the circular, its subject apart, was to be a dead secret.

These measures were successful. A wealthy newspaper proprietor of the North, warmed a little at the end of the Throwsters’ Feast (which was held as usual, it will be remembered), ventured to say to the man next to him: “How awful it would be, wouldn’t it, if....” His words were repeated, as proof, one regrets to say, that it was time for “old Arnold” to “pull himself together”; and he was fined a thousand pounds. Then, there was the case of an obscure weekly paper published in the county town of an agricultural district in Wales. The _Meiros Observer_ (we will call it) was issued from a stationer’s back premises, and filled its four pages with accounts of local flower shows, fancy fairs at vicarages, reports of parish councils, and rare bathing fatalities. It also issued a visitors’ list, which has been known to contain six names.

This enlightened organ printed a paragraph, which nobody noticed, which was very like paragraphs that small country newspapers have long been in the habit of printing, which could hardly give so much as a hint to any one—to any one, that is, who was not fully instructed in the secret. As a matter of fact, this piece of intelligence got into the paper because the proprietor, who was also the editor, incautiously left the last processes of this particular issue to the staff, who was the Lord-High-Everything-Else of the establishment; and the staff put in a bit of gossip he had heard in the market to fill up two inches on the back page. But the result was that the _Meiros Observer_ ceased to appear, owing to “untoward circumstances” as the proprietor said; and he would say no more. No more, that is, by way of explanation, but a great deal more by way of execration of “damned, prying busybodies.”

Now a censorship that is sufficiently minute and utterly remorseless can do amazing things in the way of hiding ... what it wants to hide. Before the war, one would have thought otherwise; one would have said that, censor or no censor, the fact of the murder at X or the fact of the bank robbery at Y would certainly become known; if not through the Press, at all events through rumor and the passage of the news from mouth to mouth. And this would be true—of England three hundred years ago, and of savage tribelands of to-day. But we have grown of late to such a reverence for the printed word and such a reliance on it, that the old faculty of disseminating news by word of mouth has become atrophied. Forbid the Press to mention the fact that Jones has been murdered, and it is marvelous how few people will hear of it, and of those who hear how few will credit the story that they have heard. You meet a man in the train who remarks that he has been told something about a murder in Southwark; there is all the difference in the world between the impression you receive from such a chance communication and that given by half a dozen lines of print with name, and street and date and all the facts of the case. People in trains repeat all sorts of tales, many of them false; newspapers do not print accounts of murders that have not been committed.

Then another consideration that has made for secrecy. I may have seemed to say that the old office of rumor no longer exists; I shall be reminded of the strange legend of “the Russians” and the mythology of the “Angels of Mons.” But let me point out, in the first place, that both these absurdities depended on the papers for their wide dissemination. If there had been no newspapers or magazines Russians and Angels would have made but a brief, vague appearance of the most shadowy kind—a few would have heard of them, fewer still would have believed in them, they would have been gossiped about for a bare week or two, and so they would have vanished away.

And, then, again, the very fact of these vain rumors and fantastic tales having been so widely believed for a time was fatal to the credit of any stray mutterings that may have got abroad. People had been taken in twice; they had seen how grave persons, men of credit, had preached and lectured about the shining forms that had saved the British Army at Mons, or had testified to the trains, packed with gray-coated Muscovites, rushing through the land at dead of night: and now there was a hint of something more amazing than either of the discredited legends. But this time there was no word of confirmation to be found in daily paper, or weekly review, or parish magazine, and so the few that heard either laughed, or, being serious, went home and jotted down notes for essays on “War-time Psychology: Collective Delusions.”

I followed neither of these courses. For before the secret circular had been issued my curiosity had somehow been aroused by certain paragraphs concerning a “Fatal Accident to Well-known Airman.” The propeller of the airplane had been shattered, apparently by a collision with a flight of pigeons; the blades had been broken and the machine had fallen like lead to the earth. And soon after I had seen this account, I heard of some very odd circumstances relating to an explosion in a great munition factory in the Midlands. I thought I saw the possibility of a connection between two very different events.

It has been pointed out to me by friends who have been good enough to read this record, that certain phrases I have used may give the impression that I ascribe all the delays of the war on the Western front to the extraordinary circumstances which occasioned the issue of the Secret Circular. Of course this is not the case, there were many reasons for the immobility of our lines from October 1914 to July 1916. These causes have been evident enough and have been openly discussed and deplored. But behind them was something of infinitely greater moment. We lacked men, but men were pouring into the new army; we were short of shells, but when the shortage was proclaimed the nation set itself to mend this matter with all its energy. We could undertake to supply the defects of our army both in men and munitions—_if_ the new and incredible danger could be overcome. It has been overcome; rather, perhaps, it has ceased to exist; and the secret may now be told.

I have said my attention was attracted by an account of the death of a well-known airman. I have not the habit of preserving cuttings, I am sorry to say, so that I cannot be precise as to the date of this event. To the best of my belief it was either towards the end of May or the beginning of June 1915. The newspaper paragraph announcing the death of Flight-Lieutenant Western-Reynolds was brief enough; accidents, and fatal accidents, to the men who are storming the air for us are, unfortunately, by no means so rare as to demand an elaborated notice. But the manner in which Western-Reynolds met his death struck me as extraordinary, inasmuch as it revealed a new danger in the element that we have lately conquered. He was brought down, as I said, by a flight of birds; of pigeons, as appeared by what was found on the bloodstained and shattered blades of the propeller. An eye-witness of the accident, a fellow-officer, described how Western-Reynolds set out from the aerodrome on a fine afternoon, there being hardly any wind. He was going to France; he had made the journey to and fro half a dozen times or more, and felt perfectly secure and at ease.

“‘Wester’ rose to a great height at once, and we could scarcely see the machine. I was turning to go when one of the fellows called out, ‘I say! What’s this?’ He pointed up, and we saw what looked like a black cloud coming from the south at a tremendous rate. I saw at once it wasn’t a cloud; it came with a swirl and a rush quite different from any cloud I’ve ever seen. But for a second I couldn’t make out exactly what it was. It altered its shape and turned into a great crescent, and wheeled and veered about as if it was looking for something. The man who had called out had got his glasses, and was staring for all he was worth. Then he shouted that it was a tremendous flight of birds, ‘thousands of them.’ They went on wheeling and beating about high up in the air, and we were watching them, thinking it was interesting, but not supposing that they would make any difference to ‘Wester,’ who was just about out of sight. His machine was just a speck. Then the two arms of the crescent drew in as quick as lightning, and these thousands of birds shot in a solid mass right up there across the sky, and flew away somewhere about nor’-nor’-by-west. Then Henley, the man with the glasses, called out, ‘He’s down!’ and started running, and I went after him. We got a car and as we were going along Henley told me that he’d seen the machine drop dead, as if it came out of that cloud of birds. He thought then that they must have mucked up the propeller somehow. That turned out to be the case. We found the propeller blades all broken and covered with blood and pigeon feathers, and carcasses of the birds had got wedged in between the blades, and were sticking to them.”

This was the story that the young airman told one evening in a small company. He did not speak “in confidence,” so I have no hesitation in reproducing what he said. Naturally, I did not take a verbatim note of his conversation, but I have something of a knack of remembering talk that interests me, and I think my reproduction is very near to the tale that I heard. And let it be noted that the flying man told his story without any sense or indication of a sense that the incredible, or all but the incredible, had happened. So far as he knew, he said, it was the first accident of the kind. Airmen in France had been bothered once or twice by birds—he thought they were eagles—flying viciously at them, but poor old “Wester” had been the first man to come up against a flight of some thousands of pigeons.

“And perhaps I shall be the next,” he added, “but why look for trouble? Anyhow, I’m going to see _Toodle-oo_ to-morrow afternoon.”

Well, I heard the story, as one hears all the varied marvels and terrors of the air; as one heard some years ago of “air pockets,” strange gulfs or voids in the atmosphere into which airmen fell with great peril; or as one heard of the experience of the airman who flew over the Cumberland mountains in the burning summer of 1911, and as he swam far above the heights was suddenly and vehemently blown upwards, the hot air from the rocks striking his plane as if it had been a blast from a furnace chimney. We have just begun to navigate a strange region; we must expect to encounter strange adventures, strange perils. And here a new chapter in the chronicles of these perils and adventures had been opened by the death of Western-Reynolds; and no doubt invention and contrivance would presently hit on some way of countering the new danger.

It was, I think, about a week or ten days after the airman’s death that my business called me to a northern town, the name of which, perhaps, had better remain unknown. My mission was to inquire into certain charges of extravagance which had been laid against the working people, that is, the munition workers of this especial town. It was said that the men who used to earn £2 10s. a week were now getting from seven to eight pounds, that “bits of girls” were being paid two pounds instead of seven or eight shillings, and that, in consequence, there was an orgy of foolish extravagance. The girls, I was told, were eating chocolates at four, five, and six shillings a pound, the women were ordering thirty-pound pianos which they couldn’t play, and the men bought gold chains at ten and twenty guineas apiece.

I dived into the town in question and found, as usual, that there was a mixture of truth and exaggeration in the stories that I had heard. Gramophones, for example: they cannot be called in strictness necessaries, but they were undoubtedly finding a ready sale, even in the more expensive brands. And I thought that there were a great many very spick and span perambulators to be seen on the pavement; smart perambulators, painted in tender shades of color and expensively fitted.

“And how can you be surprised if people will have a bit of a fling?” a worker said to me. “We’re seeing money for the first time in our lives, and it’s bright. And we work hard for it, and we risk our lives to get it. You’ve heard of explosion yonder?”

He mentioned certain works on the outskirts of the town. Of course, neither the name of the works nor of the town had been printed; there had been a brief notice of “Explosion at Munition Works in the Northern District: Many Fatalities.” The working man told me about it, and added some dreadful details.

“They wouldn’t let their folks see bodies; screwed them up in coffins as they found them in shop. The gas had done it.”

“Turned their faces black, you mean?”

“Nay. They were all as if they had been bitten to pieces.”

This was a strange gas.

I asked the man in the northern town all sorts of questions about the extraordinary explosion of which he had spoken to me. But he had very little more to say. As I have noted already, secrets that may not be printed are often deeply kept; last summer there were very few people outside high official circles who knew anything about the “Tanks,” of which we have all been talking lately, though these strange instruments of war were being exercised and tested in a park not far from London. So the man who told me of the explosion in the munition factory was most likely genuine in his profession that he knew nothing more of the disaster. I found out that he was a smelter employed at a furnace on the other side of the town to the ruined factory; he didn’t know even what they had been making there; some very dangerous high explosive, he supposed. His information was really nothing more than a bit of gruesome gossip, which he had heard probably at third or fourth or fifth hand. The horrible detail of faces “as if they had been bitten to pieces” had made its violent impression on him, that was all.

I gave him up and took a tram to the district of the disaster; a sort of industrial suburb, five miles from the center of the town. When I asked for the factory, I was told that it was no good my going to it as there was nobody there. But I found it; a raw and hideous shed with a walled yard about it, and a shut gate. I looked for signs of destruction, but there was nothing. The roof was quite undamaged; and again it struck me that this had been a strange accident. There had been an explosion of sufficient violence to kill workpeople in the building, but the building itself showed no wounds or scars.

A man came out of the gate and locked it behind him. I began to ask him some sort of question, or rather, I began to “open” for a question with “A terrible business here, they tell me,” or some such phrase of convention. I got no farther. The man asked me if I saw a policeman walking down the street. I said I did, and I was given the choice of getting about my business forthwith or of being instantly given in charge as a spy. “Th’ast better be gone and quick about it,” was, I think, his final advice, and I took it.

Well, I had come literally up against a brick wall. Thinking the problem over, I could only suppose that the smelter or his informant had twisted the phrases of the story. The smelter had said the dead men’s faces were “bitten to pieces”; this might be an unconscious perversion of “eaten away.” That phrase might describe well enough the effect of strong acids, and, for all I knew of the processes of munition-making, such acids might be used and might explode with horrible results in some perilous stage of their admixture.

The narrator of The Terror: A Mystery begins not with a corpse but with the boredom of wartime Britain: after two years of war, the public craves news, yet the Western Front has gone quiet. This opening establishes a world where the expected drama of battle has been replaced by an eerie stillness—a stillness that soon gives way to something far more unsettling. Machen builds his mystery not through a single detective but through a chorus of witnesses: a doctor, a scientist, a holidaymaker, each holding a fragment of the truth. The catalog subjects list murder, mystery, and animals, but the excerpts reveal a story more concerned with how people fail to communicate what they see.

Fragmented Testimony and the Failure to Connect

The excerpts repeatedly show characters who possess partial knowledge but refuse to share it. Dr. Lewis worries that his brother-in-law might learn of “the intolerable and tragic mysteries” around them, while Merritt keeps silent about the Midlands events because “he hated to think of them.” The narrator observes that “A and B met every day … each having in his possession half of the truth, which he concealed from the other.” This structural pattern—information deliberately withheld or simply not volunteered—becomes the engine of the plot. The reader is left to piece together clues that the characters themselves never assemble. Machen emphasizes this fragmentation by moving between locations and perspectives, never granting any single character full understanding.

The Landscape as Witness and Deceiver

Machen’s descriptions of the Welsh coast are lush and specific: “red rocks and firm yellow sands,” “crimson bastions and bays,” “the odd-shaped promontory called the Dragon’s Head.” Yet this beauty is immediately undercut by suspicion. Merritt, enjoying the view, notices flashing lights from a farmhouse and interprets them as heliographic signals—a message from hidden Germans. The natural world, so vividly rendered, becomes a screen onto which wartime paranoia is projected. The porpoises tumbling in the sea are a momentary charm, but the same sea may conceal a rowboat engaged in unknown activity. Machen uses the setting to blur the line between innocent observation and dangerous misinterpretation, a tension that runs through the entire narrative.

The Z Ray and the Limits of Scientific Explanation

Mr. Remnant, a character introduced in the chapter titled “Mr. Remnant’s Z Ray,” represents the urge to explain the inexplicable through science. The doctor, however, dreads “having to hear about the Z Ray all over again,” suggesting that Remnant’s theory is both obsessive and unconvincing. The excerpts do not reveal what the Z Ray is, but the dynamic is clear: a rational framework is offered, yet it fails to satisfy those who have witnessed the actual events. Machen contrasts Remnant’s abstract theorizing with the visceral, unspoken horror that characters like Merritt carry. This tension between scientific system and lived experience is a recurring motif, and the novel seems to side with the latter—the truth, if it exists, lies not in a ray but in the details people refuse to utter.

Readers approaching The Terror should attend to what is left unsaid as much as to what is described. The novel’s power lies in its gaps: the conversations that trail off, the observations that go unshared, the theories that irritate rather than illuminate. Machen’s prose rewards patience; the mystery is not solved by a final revelation but by a gradual accumulation of hints that the characters themselves never fully grasp. Treat each chapter as a piece of a puzzle that the narrator is still assembling, and note how the war—both present and absent—shapes every perception.

Reading The Terror, I kept thinking about how that wartime dread crept into every quiet village detail, and it made me recall another story, The Pauper of Park Lane — Context and Discussion, where the unease sits closer to home, in rooms and streets rather than skies. Both feel like echoes of a world holding its breath.

Benjamin Lewis
3 weeks ago

Grayson Clark
1 month ago

Elijah Wilson
1 month ago

Matthew Wright
1 week ago

Anthony Smith
3 weeks ago

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